Andy Brown – författare

This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.

This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.

Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them.Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber’s mental health and wellbeing.Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them.Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber’s mental health and wellbeing.Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them.Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber''s mental health and wellbeing.Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them.Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber''s mental health and wellbeing.Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

The Poyser avifaunas Birds in Scotland, Birds in Ireland and Birds in Wales are all now regarded as classic works. The series is now completed with Birds in England, an avifauna for England''s diverse birdlife, past and present. England marks the northwestern limit for many Palearctic breeding birds, and is close to the southwestern limit for several others - in particular, several seabird species whose English colonies are of international significance. It is the first point of arrival for new colonists from the south - Little Egret and Yellow-legged Gull are two recent arrivals - and it is also of international importance for wintering and passage populations of various species which breed in the far north of the Palearctic. A diverse and fascinating avifauna is augmented by visits from an impressive range of rarities from as far afield as Siberia and Canada - Nearctic vagrants in particular are well-represented on the English list. This important new avifauna looks in detail at England and its birds, analysing present and historical data to present a complete picture of the status, range and abundance of every bird on the English list.

A Body of Work includes poems by writers from the dawn of Enlightenment to the 21st Century and explores changing attitudes to medicine, health and the body. The book is divided into eight thematic sections, each of which includes a chronological range of poetry and excerpts of important historical and contextual medical writing. The sections are: Body as machine Nerves, mind, and brainConsuming Illness, disease, and disability Treatment Hospitals, practitioners, and professionalsSex, evolution, and reproduction Ageing and dying Includes work by such poets as: Dannie Abse, Maya Angelou, Simon Armitage, Margaret Atwood, W.H. Auden, Elizabeth Bishop, John Burnside, Raymond Carver, Lucille Clifton, S. T. Coleridge, Erasmus Darwin, Emily Dickinson, John Donne, Mark Doty, T.S. Eliot, Paul Farley, Ann Finch, Allen Ginsberg, Robert Graves, Thom Gunn, Seamus Heaney, Oliver Wendell Holmes, Ted Hughes, Rudyard Kipling, Philip Larkin, Robert Lowell, Lady Mary Wortley Montagu, Paul Muldoon, Frank O’Hara, Sylvia Plath, Rainer Maria Rilke, Theodore Roethke, Anne Sexton, John Addington Symonds, Phillis Wheatley, Walt Whitman and William Carlos Williams.

A Body of Work includes poems by writers from the dawn of Enlightenment to the 21st Century and explores changing attitudes to medicine, health and the body. The book is divided into eight thematic sections, each of which includes a chronological range of poetry and excerpts of important historical and contextual medical writing. The sections are: Body as machine Nerves, mind, and brainConsuming Illness, disease, and disability Treatment Hospitals, practitioners, and professionalsSex, evolution, and reproduction Ageing and dying Includes work by such poets as: Dannie Abse, Maya Angelou, Simon Armitage, Margaret Atwood, W.H. Auden, Elizabeth Bishop, John Burnside, Raymond Carver, Lucille Clifton, S. T. Coleridge, Erasmus Darwin, Emily Dickinson, John Donne, Mark Doty, T.S. Eliot, Paul Farley, Ann Finch, Allen Ginsberg, Robert Graves, Thom Gunn, Seamus Heaney, Oliver Wendell Holmes, Ted Hughes, Rudyard Kipling, Philip Larkin, Robert Lowell, Lady Mary Wortley Montagu, Paul Muldoon, Frank O’Hara, Sylvia Plath, Rainer Maria Rilke, Theodore Roethke, Anne Sexton, John Addington Symonds, Phillis Wheatley, Walt Whitman and William Carlos Williams.

**WINNER: BEST BUSINESS BOOK 2025 – Next-Generation Indie Book Awards **Is it possible to run a successful business without sacrificing your mental and physical health?Most business owners and leaders have a habit of overcoming their company’s challenges at the expense of their own wellbeing. They work long hours, try to do too many things, and struggle to reconcile the excitement of the early days with the stress and exhaustion they feel now. Their businesses may be profitable, but those profits have come at a high personal cost. In other words, they’ve run up an emotional overdraft.If this is you, you can be sure that not only is this damaging for your health, it’s also masking some of the issues that need to be resolved in your business. Because reducing your emotional overdraft is as much of a lifesaver for your company as it is for you.While it’s common to feel this way, it’s not inevitable. This book explains why you’ve run up an emotional overdraft and how you can reduce it, so that you can create a healthier relationship with your business, your loved ones, and yourself. In the process, you’ll be helping your company to thrive in ways you could never imagine — and without having to try so hard.Andy Brown is an award-winning adviser and coach for people-based businesses, helping them to grow sustainably and increase their value.

**WINNER: BEST BUSINESS BOOK 2025 – Next-Generation Indie Book Awards **

Is it possible to run a successful business without sacrificing your mental and physical health?

Most business owners and leaders have a habit of overcoming their company’s challenges at the expense of their own wellbeing. They work long hours, try to do too many things, and struggle to reconcile the excitement of the early days with the stress and exhaustion they feel now. Their businesses may be profitable, but those profits have come at a high personal cost. In other words, they’ve run up an emotional overdraft.

If this is you, you can be sure that not only is this damaging for your health, it’s also masking some of the issues that need to be resolved in your business. Because reducing your emotional overdraft is as much of a lifesaver for your company as it is for you.

While it’s common to feel this way, it’s not inevitable. This book explains why you’ve run up an emotional overdraft and how you can reduce it, so that you can create a healthier relationship with your business, your loved ones, and yourself. In the process, you’ll be helping your company to thrive in ways you could never imagine — and without having to try so hard.

Andy Brown is an award-winning adviser and coach for people-based businesses, helping them to grow sustainably and increase their value.

**WINNER: BEST BUSINESS BOOK 2025 – Next-Generation Indie Book Awards **Is it possible to run a successful business without sacrificing your mental and physical health?Most business owners and leaders have a habit of overcoming their company’s challenges at the expense of their own wellbeing. They work long hours, try to do too many things, and struggle to reconcile the excitement of the early days with the stress and exhaustion they feel now. Their businesses may be profitable, but those profits have come at a high personal cost. In other words, they’ve run up an emotional overdraft.If this is you, you can be sure that not only is this damaging for your health, it’s also masking some of the issues that need to be resolved in your business. Because reducing your emotional overdraft is as much of a lifesaver for your company as it is for you.While it’s common to feel this way, it’s not inevitable. This book explains why you’ve run up an emotional overdraft and how you can reduce it, so that you can create a healthier relationship with your business, your loved ones, and yourself. In the process, you’ll be helping your company to thrive in ways you could never imagine — and without having to try so hard.Andy Brown is an award-winning adviser and coach for people-based businesses, helping them to grow sustainably and increase their value.

By 1973 Deep Purple were the most successful, top-grossing, stadium-touring heavy rock band on the planet; a position confirmed by the virtuoso performances captured on the double live album, Made in Japan (1972), and the Billboard chart success of the double A-side live/studio single Smoke on the Water. The same year Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice released a fourth studio album Who Do We Think We Are, the last that the Mk2 line-up would produce.Despite their commercial success, and like their contemporaries Black Sabbath and Led Zeppelin, their music was contemptuously described as ‘heavy metal’ by the contemporary press, which focused on the equipment smashing finales of their live performances rather than the quality and innovative aspects of their music and musicianship. The title of their 1973 album was the band’s response to typically negative opinions voiced in the press and by some disgruntled fans.Over the decades Deep Purple has since being recognized as epitomizing classic heavy metal. In this volume, metal music scholars explore the reasons for the band’s enduring legacy, the result of their success in communicating—through a series of ground-breaking studio albums and especially in live performance—with a new, younger rock audience that helped them forge a lasting bond amid the controversies that surrounded metal’s rise.While this volume may not provide the final word on the question of who Deep Purple are, the contributors agree on the magnitude of Purple’s artistic and musical influences on subsequent metal bands, metal musicians and metal sub-genre styles alike.

By 1973 Deep Purple were the most successful, top-grossing, stadium-touring heavy rock band on the planet; a position confirmed by the virtuoso performances captured on the double live album, Made in Japan (1972), and the Billboard chart success of the double A-side live/studio single Smoke on the Water. The same year Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice released a fourth studio album Who Do We Think We Are, the last that the Mk2 line-up would produce.Despite their commercial success, and like their contemporaries Black Sabbath and Led Zeppelin, their music was contemptuously described as ‘heavy metal’ by the contemporary press, which focused on the equipment smashing finales of their live performances rather than the quality and innovative aspects of their music and musicianship. The title of their 1973 album was the band’s response to typically negative opinions voiced in the press and by some disgruntled fans.Over the decades Deep Purple has since being recognized as epitomizing classic heavy metal. In this volume, metal music scholars explore the reasons for the band’s enduring legacy, the result of their success in communicating—through a series of ground-breaking studio albums and especially in live performance—with a new, younger rock audience that helped them forge a lasting bond amid the controversies that surrounded metal’s rise.While this volume may not provide the final word on the question of who Deep Purple are, the contributors agree on the magnitude of Purple’s artistic and musical influences on subsequent metal bands, metal musicians and metal sub-genre styles alike.

Goose Music is a collection of new poems co-authored by Andy Brown and John Burnside, two writers with backgrounds in ecology and notable for their lyric poetry. John Burnside won the Whitbread Prize for poetry in 2000. Characterised by their formal variety, lyric intensity and their attention to natural detail, the poems in Goose Music are Ecopoetic, asking questions of how we might dwell on the earth in these times of great environmental change, exploring lyric ideas of identity, self, myth, landscape and place.

This book offers a critical overview of the work of the British poet Kelvin Corcoran who, over nearly 30 years, has established a reputation as one of the most significant innovative British lyric poets; 'a giant of the middle generation' as Andrew Duncan has described him, placed between the radical poetics of the '60s and '70s and subsequent generations. Essays by Martin Anderson, Zoe Brigley Thompson, Andy Brown, Ian Davidson, John Hall, Lee Harwood, David Herd, Luke Kennard, Katherine Peddie, Peter Riley, Jos Smith, Simon Smith, Alicia Stubbersfield, Scott Thurston, plus some recent poetry by Kelvin Corcoran.

Watersong begins with the first of the great cholera epidemics of 19th Century England. Focussing on the poet's home city of Exeter, the poems interlace select details from Exeter's 1832 cholera outbreak, in which over 400 people died, with imagined narratives of the epidemic, and other related episodes in the city, factual and invented.

The Franks Casket is an 8th century Anglo-Saxon treasure chest in the British Museum, decorated with runes, some Latin text and images from various traditions. Each rune has a pictorial value: for example, in the runic (`fisc'), f signifies `wealth', i `ice', s `sun' and c `torch', yielding a sequence of four images. I determined the sequence of images given by the runes and then used these images to write the poems, which aim to capture something of the layered histories of the place where I live: the river Teign and its surrounding area. -Andy Brown