Corinna Wagner – författare

In 1859, the historian Lord John Acton asserted: ''two great principles divide the world, and contend for the mastery, antiquity and the middle ages''. The influence on Victorian culture of the ''Middle Ages'' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This ''medievalism'' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically ''Victorian''—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of ''medievalism'' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

In 1859, the historian Lord John Acton asserted: ''two great principles divide the world, and contend for the mastery, antiquity and the middle ages''. The influence on Victorian culture of the ''Middle Ages'' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This ''medievalism'' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically ''Victorian''—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of ''medievalism'' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers.Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'--in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

This book explores the important connections between medicine and political culture that often have been overlooked. In response to the French revolution and British radicalism, political propagandists adopted a scientific vocabulary and medical images for their own purposes. New ideas about anatomy and pathology, sexuality and reproduction, cleanliness and contamination, and diet and drink migrated into politics in often startling ways, and to significant effect. These ideas were used to identify individuals as normal or pathological, and as "naturally" suitable or unsuitable for public life. This migration has had profound consequences for how we measure the bodies, practices and abilities of public figures and ourselves.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society''s most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall''s most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society's most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall's most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society's most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall's most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society's most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall's most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

John Thelwall was London Corresponding Society's most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall's most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.

A Body of Work includes poems by writers from the dawn of Enlightenment to the 21st Century and explores changing attitudes to medicine, health and the body. The book is divided into eight thematic sections, each of which includes a chronological range of poetry and excerpts of important historical and contextual medical writing. The sections are: Body as machine Nerves, mind, and brainConsuming Illness, disease, and disability Treatment Hospitals, practitioners, and professionalsSex, evolution, and reproduction Ageing and dying Includes work by such poets as: Dannie Abse, Maya Angelou, Simon Armitage, Margaret Atwood, W.H. Auden, Elizabeth Bishop, John Burnside, Raymond Carver, Lucille Clifton, S. T. Coleridge, Erasmus Darwin, Emily Dickinson, John Donne, Mark Doty, T.S. Eliot, Paul Farley, Ann Finch, Allen Ginsberg, Robert Graves, Thom Gunn, Seamus Heaney, Oliver Wendell Holmes, Ted Hughes, Rudyard Kipling, Philip Larkin, Robert Lowell, Lady Mary Wortley Montagu, Paul Muldoon, Frank O’Hara, Sylvia Plath, Rainer Maria Rilke, Theodore Roethke, Anne Sexton, John Addington Symonds, Phillis Wheatley, Walt Whitman and William Carlos Williams.

A Body of Work includes poems by writers from the dawn of Enlightenment to the 21st Century and explores changing attitudes to medicine, health and the body. The book is divided into eight thematic sections, each of which includes a chronological range of poetry and excerpts of important historical and contextual medical writing. The sections are: Body as machine Nerves, mind, and brainConsuming Illness, disease, and disability Treatment Hospitals, practitioners, and professionalsSex, evolution, and reproduction Ageing and dying Includes work by such poets as: Dannie Abse, Maya Angelou, Simon Armitage, Margaret Atwood, W.H. Auden, Elizabeth Bishop, John Burnside, Raymond Carver, Lucille Clifton, S. T. Coleridge, Erasmus Darwin, Emily Dickinson, John Donne, Mark Doty, T.S. Eliot, Paul Farley, Ann Finch, Allen Ginsberg, Robert Graves, Thom Gunn, Seamus Heaney, Oliver Wendell Holmes, Ted Hughes, Rudyard Kipling, Philip Larkin, Robert Lowell, Lady Mary Wortley Montagu, Paul Muldoon, Frank O’Hara, Sylvia Plath, Rainer Maria Rilke, Theodore Roethke, Anne Sexton, John Addington Symonds, Phillis Wheatley, Walt Whitman and William Carlos Williams.

John Thelwall was London Corresponding Society's most prominent orators and was tried for high treason along with Thomas Hardy and John Horne Tooke in 1794. This edition brings together Thelwall's most important political writing ranging from scientific pamphlets and writings on the art of elocution, to political philosophy and journalism.