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This collection explores artistic representations of vegetal life that imperil human life, voicing anxieties about our relationship to other life forms with which we share the earth. From medieval manuscript illustrations to modern works of science fiction and horror, plants that manifest monstrous agency defy human control, challenge anthropocentric perception, and exact a violent vengeance for our blind and exploitative practices. Plant Horror explores how depictions of monster plants reveal concerns about the viability of our prevailing belief systems and dominant ideologies— as well as a deep-seated fear about human vulnerability in an era of deepening ecological crisis. Films discussed include The Day of the Triffids, Invasion of the Body Snatchers, The Wicker Man, Swamp Thing, and The Happening.
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The living dead have come a long way from the shambling corpses depicted by George A. Romero. While traditional zombie monsters continue to flourish--thanks in part to the ongoing popularity of The Walking Dead universe--the global community now features reanimated zombies, resurrected zombies, protagonist zombies, robotic zombies, romantic zombies, fake zombies, zombie-adjacent monsters, and post-zombie zombies.
This collection of scholarly essays considers recent and contemporary examples of zombies in fiction, literature, popular culture, and politics from around the world and makes the case that, because of the evolution of the undead, the zombie remains an important allegorical feature of horror fiction, satire, and ideological perspectives.