Anindya Raychaudhuri – författare

The history of the 1947 Indian/Pakistani partition is one of separation: a country and people newly divided. However, in telling this story, Anindya Raychaudhuri, the son of a partition participant, looks to unity, joining for the first time the public and private memory narratives of this pivotal moment in time. Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on a direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways this event is remembered, re-interpreted, and reconstructed--and the narrator's role in this process. These stories also reflect on the themes of home, family, violence, childhood, trains, and rivers within these public and private narratives. Crucially, Raychaudhuri is the first writer to use oral history in addressing the Bengal/Punjab partition as part of this same event, examining the memorial legacy in both the Bengali and Punjabi communities.

The history of the 1947 Indian/Pakistani partition is one of separation: a country and people newly divided. However, in telling this story, Anindya Raychaudhuri, the son of a partition participant, looks to unity, joining for the first time the public and private memory narratives of this pivotal moment in time.Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on a direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways this event is remembered, re-interpreted, and reconstructed--and the narrator''s role in this process. These stories also reflect on the themes of home, family, violence, childhood, trains, and rivers within these public and private narratives.Crucially, Raychaudhuri is the first writer to use oral history in addressing the Bengal/Punjab partition as part of this same event, examining the memorial legacy in both the Bengali and Punjabi communities.

The history of the 1947 Indian/Pakistani partition is one of separation: a country and people newly divided. However, in telling this story, Anindya Raychaudhuri, the son of a partition participant, looks to unity, joining for the first time the public and private memory narratives of this pivotal moment in time.Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on a direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways this event is remembered, re-interpreted, and reconstructed--and the narrator''s role in this process. These stories also reflect on the themes of home, family, violence, childhood, trains, and rivers within these public and private narratives.Crucially, Raychaudhuri is the first writer to use oral history in addressing the Bengal/Punjab partition as part of this same event, examining the memorial legacy in both the Bengali and Punjabi communities.

This book features cutting, edge, interdisciplinary research on the legacy of the Spanish Civil War by established and new scholars from across the world.

The first interdisciplinary history of vertigo, this book covers medical accounts from antiquity to the present, testimonies of lived experience, and literary and cultural representations of vertigo.Balanced. Stable. Grounded. Levelheaded. Even-keeled. There is a long list of words that demonstrate how we attach extraordinary value to a metaphorical sense of balance. From Alfred Hitchcock’s cinema, to Salvador Dalí’s art, to the writings of Virginia Woolf and Elizabeth Bishop – authors and artists have repeatedly used their work to invoke vertigo, or the loss of balance, as a metaphor for trauma, disorientation, even existential crisis. But what about those of us who have to live with a vertigo that is all-too real? Based on more than thirty in-depth interviews with people who live with balance disorders, this book explores the connections between vertigo-as-metaphor and vertigo-as-lived experience.

The first interdisciplinary history of vertigo, this book covers medical accounts from antiquity to the present, testimonies of lived experience, and literary and cultural representations of vertigo.Balanced. Stable. Grounded. Levelheaded. Even-keeled. There is a long list of words that demonstrate how we attach extraordinary value to a metaphorical sense of balance. From Alfred Hitchcock's cinema, to Salvador Dal 's art, to the writings of Virginia Woolf and Elizabeth Bishop authors and artists have repeatedly used their work to invoke vertigo, or the loss of balance, as a metaphor for trauma, disorientation, even existential crisis. But what about those of us who have to live with a vertigo that is all-too real? Based on more than thirty in-depth interviews with people who live with balance disorders, this book explores the connections between vertigo-as-metaphor and vertigo-as-lived experience.

The first interdisciplinary history of vertigo, this book covers medical accounts from antiquity to the present, testimonies of lived experience, and literary and cultural representations of vertigo.Balanced. Stable. Grounded. Levelheaded. Even-keeled. There is a long list of words that demonstrate how we attach extraordinary value to a metaphorical sense of balance. From Alfred Hitchcock's cinema, to Salvador Dal 's art, to the writings of Virginia Woolf and Elizabeth Bishop authors and artists have repeatedly used their work to invoke vertigo, or the loss of balance, as a metaphor for trauma, disorientation, even existential crisis. But what about those of us who have to live with a vertigo that is all-too real? Based on more than thirty in-depth interviews with people who live with balance disorders, this book explores the connections between vertigo-as-metaphor and vertigo-as-lived experience.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition?Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.

How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition?Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.

How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition?Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.