Ann Holmes – författare
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How rich a palette, poet-artist Ann Holmes brings to her second collection A Leaf Called Socrates. How powerful is her artist pen as she approaches biblical and ancient figures as intimates. I glaze a Bosch bubble/around Adam and Eve/so they may stay in the garden. With engines of irony and honesty, her poem When I knew, creates a loving reproach to intimate family encounters. Her poems, revealing human frailties, glow nonetheless, with color and affection. After her sojourn as an artist in Japan, she evokes a place where Seven round holes/one above the other/exist, as if the moon/ dropped out/ of the sky. In this new collection ofpoetry, her language, phrase and imagery paint emotional hues to reveal people in their flaws and creative gifts.
-Lou Barrett, author of Connecting Flights, Doors Gates and Portals, Clotheslines
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In her third collection, A Play of Mirrors. Ann Holmes keeps surprising us with her way of looking at things and we enjoy wondering where her poems will take us next. They bear a touch of the surreal, as in Visitor, where Jesus barges into a friends shower stall or in Snowbirds, where a red-tailed hawk dives out of an oversize/ page of my Audubon book. Her poems deftly avoid sentimentality. In A Slice of Moonlight, we find her searching her left forearm/ for the/indelible/ stain of/ invisible/ numbers and in On the Day, she matter-of-factly foresees the day when today/will not become yesterday. Often, she plays with form on the page, as in Wordless, in which the words themselves contradict the title as they swirl down the page as if carried on a breeze. A painter as well as a poet, Holmes love of art, of shapes and words, shines through this collection as she explores the sounds and meaning of words. These are brief tight poems brimming with wry humor and a lively imagination. There is no end to what interests this poet.
Peggy Heinrich, author, Forward Moving Shadows and Peeling an Orange.
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