Ann Miller – författare

This report, examining the lives of the women of Bryn Mawr, is designed to make the results of the 1970–1971 Bryn Mawr College Alumnae Survey accessible for general use. The survey reveals that there is a geographical clustering of graduates in the Eastern seaboard shelf.

This report, examining the lives of the women of Bryn Mawr, is designed to make the results of the 1970–1971 Bryn Mawr College Alumnae Survey accessible for general use. The survey reveals that there is a geographical clustering of graduates in the Eastern seaboard shelf.

This report, examining the lives of the women of Bryn Mawr, is designed to make the results of the 1970–1971 Bryn Mawr College Alumnae Survey accessible for general use. The survey reveals that there is a geographical clustering of graduates in the Eastern seaboard shelf.

This report, examining the lives of the women of Bryn Mawr, is designed to make the results of the 1970–1971 Bryn Mawr College Alumnae Survey accessible for general use. The survey reveals that there is a geographical clustering of graduates in the Eastern seaboard shelf.

Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas—and images—of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the "I" of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.

Dave Shoji, legendary coach for the University of Hawai i women’s volleyball program, looks back at four decades of coaching to tell his story along with that of the Rainbow Wahine, four-time national champions and consistently among the top-ranked teams in college sports. With the assistance of longtime beat writer Ann Miller, Shoji provides an exclusive look at the state’s perennially successful athletic team. His memoir traces the history and rise of the program—from 1975, when he was hired as a part-time coach by women’s athletic director Donnis Th ompson and matches were held in the “sweatbox” of Klum Gym; through the late 1970s and the 1980s, which saw the start of the Booster Club and excitement of playing in front of sellout crowds at Honolulu’s Blaisdell Arena; into the 1990s with the team’s move to its current home at the Stan SheriffCenter, attracting the sport’s largest and most devoted following; to the landmark 2013 season when Shoji became the winningest coach in NCAA history and on his way to a fortieth year with the Rainbow Wahine program.Interviews with memorable players, family, and assistant and rival coaches, together with more than one hundred action photos—plus twenty more in a color insert—bring back both thrilling and poignant memories of the greatest moments of Rainbow Wahine volleyball. The comprehensive yearly statistics, full player rosters, and handy index make the book a needed reference for trivia buffs. A keepsake for fans and players alike, Wahine Volleyball: 40 Years Coaching Hawaii’s Team will delight any sports enthusiast as well as readers who enjoy first-person remembrances of what makes Hawaii unique.

Key French-language theoretical texts on comics translated into English for the first time 'The French Comics Theory Reader' presents a collection of key theoretical texts on comics, spanning a period from the 1960s to the 2010s, written in French and never before translated into English. The publication brings a distinctive set of authors together uniting theoretical scholars, artists, journalists, and comics critics. Readers will gain access to important debates that have taken place among major French-language comics scholars, including Thierry Groensteen, Benoît Peeters, Jan Baetens, and Pierre Fresnault-Deruelle, over the past fifty years. The collection covers a broad range of approaches to the medium, including historical, formal, sociological, philosophical, and psychoanalytic. A general introduction provides an overall context, and, in addition, each of the four thematic sections is prefaced by a brief summary of each text and an explanation of how they have influenced later work. The translations are faithful to the originals while reading clearly in English, and, where necessary, cultural references are clarified. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).