The Cambridge History of Australian Poetry offers an authoritative and comprehensive engagement with poetries that range from some of the world's oldest to significant innovations of the twenty-first century. Bringing together insights from First Nations experts, internationally renowned scholars, distinguished practitioners, and future critical leaders, this volume analyses the role of poetry in the multiple cultural imaginaries of Australia within local, regional, and global contexts. Chapters consider the role of poetry as both shaping and critiquing settler-colonial, national, and identity formations; Aboriginal writing, song, and cultural leadership; children's poetry; the poetry of war and conflict; engagement with print, film, and the digital; major aesthetic movements; geographies of the city, region, Asia, the South, and Antarctica; diasporic movements; and environmentalism. The volume includes analyses of the archive, ballads and folk poetry, performance poetries, conceptual and concrete poetries, canon formation and diversification, and current perspectives on major authors.
An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.
An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.