Deborah Pike – författare

Modernist navigations with modernity are diverse and culturally nuanced. Taking students and researchers beyond the narrow canon of ‘great modernists’, Modernism Beyond the Canon is an essential introduction to approaching the linguistic breadth, mobility, and regionalism of modernist women writers across the world. It challenges aesthetic, national, and gendered constructions of canonicity and considers the role and limits of translation in approaching global modernisms. It provides a valuable guide to the complexity and contradictions in the careers and work of modernist women writers.Modernism Beyond the Canon includes entries on modernist fiction writers, poets, journalists, critics, editors and publishers from:· South-West Asia and North Africa· India, China, Japan, and Korea· Australia and New Zealand· West Africa· The Caribbean· The Jewish diaspora· The United Kingdom, Europe and the Republic of Ireland· Scandinavia. Central and South America. Canada and the United States of AmericaThe book includes alternative table of contents organising entries alphabetically, by region and by profession as well as a mapping of the movements of modernist women writers and their networks. It also provides further reading guides at the end of each entry to support deeper research.

While firmly acknowledging the importance of play in early childhood, this book interrogates the assumption that play is a birthright. It pushes beyond traditional understandings of play to ask questions such as: what is the relationship between play and the arts – theatre, music and philosophy – and between play and wellbeing? How is play relevant to educational practice in the rapidly changing circumstances of today’s world? What do Australian Aboriginal conceptions of play have to offer understandings of play?The book examines how ideas of play evolve as children increasingly interact with popular culture and technology, and how developing notions of play have changed our work spaces, teaching practices, curricula, and learning environments, as well as our understanding of relationships between children and adults. This multidisciplinary volume on the subject of play combines the work of some of the world’s leading researchers in the field of early childhood education with contributions from distinguished and emerging scholars in areas as diverse as education, theatre studies, architecture, literature, philosophy, cultural studies, theology and the creative arts. Reconsidering the common focus on play in early education, to investigate its broader impact, this collection offers a refreshing and valuable addition to studies on play, reconceptualizing it for the 21st century.

While firmly acknowledging the importance of play in early childhood, this book interrogates the assumption that play is a birthright. It pushes beyond traditional understandings of play to ask questions such as: what is the relationship between play and the arts – theatre, music and philosophy – and between play and wellbeing? How is play relevant to educational practice in the rapidly changing circumstances of today’s world? What do Australian Aboriginal conceptions of play have to offer understandings of play?The book examines how ideas of play evolve as children increasingly interact with popular culture and technology, and how developing notions of play have changed our work spaces, teaching practices, curricula, and learning environments, as well as our understanding of relationships between children and adults. This multidisciplinary volume on the subject of play combines the work of some of the world’s leading researchers in the field of early childhood education with contributions from distinguished and emerging scholars in areas as diverse as education, theatre studies, architecture, literature, philosophy, cultural studies, theology and the creative arts. Reconsidering the common focus on play in early education, to investigate its broader impact, this collection offers a refreshing and valuable addition to studies on play, reconceptualizing it for the 21st century.