Anna Foka – författare

AI and Image illustrates the importance of critical perspectives in the study of AI and its application to image collections in the art and heritage sector. The authors' approach is that such entanglements of image and AI are neither dystopian or utopian but may amplify, reduce or condense existing societal inequalities depending on how they may be implemented in relation to human expertise and sensibility in terms of diversity and inclusion. The Element further discusses regulations around the use of AI for such cultural datasets as they touch upon legalities, regulations and ethics. In the conclusion they emphasise the importance of the professional expert factor in the entanglements of AI and images and advocate for a continuous and renegotiating professional symbiosis between human and machines. This title is also available as Open Access on Cambridge Core.

AI and Image illustrates the importance of critical perspectives in the study of AI and its application to image collections in the art and heritage sector. The authors' approach is that such entanglements of image and AI are neither dystopian or utopian but may amplify, reduce or condense existing societal inequalities depending on how they may be implemented in relation to human expertise and sensibility in terms of diversity and inclusion. The Element further discusses regulations around the use of AI for such cultural datasets as they touch upon legalities, regulations and ethics. In the conclusion they emphasise the importance of the professional expert factor in the entanglements of AI and images and advocate for a continuous and renegotiating professional symbiosis between human and machines. This title is also available as Open Access on Cambridge Core.

Evolving Perspectives on Digital Classics contributes to a broader understanding of how digital humanities methods enhance classical studies. It offers an overview of current approaches and considers how new techniques can address diverse research questions.The volume includes contributions from Sweden, Norway, Greece, Italy, the US, the UK, and Australia and primarily examines ancient textual and material data that connect multiple disciplines, focusing on what researchers can do beyond rigid boundaries. Part I discusses annotating and describing ancient narratives and entities. Part II explores the digital representation and modelling of ancient spaces. Part III highlights computational and AI-driven literary analysis. Part IV focuses on philological methods in digital text analysis. Part V considers innovative applications in cultural and educational contexts.Evolving Perspectives on Digital Classics demonstrates how digital methodologies can deepen understanding of the ancient world. The book encourages readers to adopt sound practices in data curation and analysis. It will appeal to scholars and students from a wide range of disciplines, including digital humanities, classics, philology, archaeology, and ancient history.

This multidisciplinary collection of articles illuminates the ways in which the concept of female deviance is represented, appropriated, re-inscribed and refigured in a wide range of texts across time, cultures and genres. Such a choice of variety shows that representations of deviance accommodate meaning-making spaces and possibilities for resistance in different socio-cultural and literary contexts. The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.