Anna Heringer – författare

According to Anna Heringer, "beauty has nothing to do with money or finance, but everything to do with creativity and love." With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL AWARD and exhibitions at MoMA, MAM São Paulo, and the Venice Biennale. In Form Follows Love, Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North. She shares with us the insight that clay is not only an environmentally friendly material, but in the best cases it can even trigger socially beneficial processes.

According to Anna Heringer, “Beauty has nothing to do with money or finance, but everything to do with creativity and love”. With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice Biennale. In Form Follows Love, Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North. She shares with us the insight that clay is not only an environmentally friendly material, but in the best cases it can even trigger socially beneficial processes. Essential text describing the work of Anna Heringer, an architect specialized in clay How architecture can have a positive impact on the environment and society Building with local resources to maintain ecological balance Available in German, English, and French

“Perfection blocks any form of participation and also causes an excessive consumption of resources.” In Form Follows Love, Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is best known for his images that show life and interactions in architecture. In Bangladesh, he created intense and sensual images that, between documentation and art, bear witness to what architecture can achieve when it is not about representation but about social benefit. The complementary photobook to Form Follows Love METI School, DESI Center, kindergartens, birthplace in Hittisau etc. New, previously unpublished photos: also Baan's pictures of Heringer's latest buildings in Europe

«La beauté n'a rien à voir avec l'argent ou la finance. Elle demande de la créativité et de l'amour», affirme Anna Heringer. Sa vision fait mouche, comme en témoignent des amphithéâtres pleins, des prix internationaux (dont l’Aga Kahn Award en 2007 et l’OBEL AWARD en 2020), une invitation au TED Talk 2017 ainsi que de nombreuses expositions: MoMA à New York, MAM à São Paulo, Biennale de Venise, etc. Dans Form Follows Love, Anna Heringer raconte à l'auteure Dominique Gauzin-Müller son parcours d'architecte　: ses études, la rencontre avec le spécialiste du pisé Martin Rauch, sa pratique dans le Sud global et ses projets actuels en Europe. Elle partage avec nous le constat que la terre crue est non seulement un matériau respectueux de l'environnement, mais aussi que sa mise en œuvre dans les bâtiments initie des processus réparateurs au sein de la société. Dans ce texte essentiel, l'architecte allemande Anna Heringer, spécialiste de la construction en terre crue, raconte à la fois: comment l'architecture peut avoir une influence positive sur la société et sur l'environnement comment construire avec des ressources locales préserve l'équilibre écologique. Disponible en français, allemand et anglais According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL AWARD, exhibitions at MoMA, MAM São Paulo, and the Venice Biennale. In Form Follows Love, Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North. She shares with us the insight that clay is not only an environmentally friendly material, but in the best cases it can even trigger socially beneficial processes.

From personal reflections on the connection between architecture and activism to working with the material earth and with Rohingya refugees in Bangladesh: German architect Anna Heringer seeks to highlight situations, people, challenges and solutions that are often not given enough attention. This book presents her contemplations on light in its many forms – discussing the interplay of clay, textiles and natural light as well as the philosophical concepts of light and hope. Heringer’s reflec- tions as one of the pioneers of sustainable architecture are accompanied here by her work with the women of Dipdii Textiles, whose embroidered sari blankets serve as a common thread throughout the book.

Learning Ecologies in Architecture explores how exemplary educational buildings actively shape, and are shaped by, their ecological contexts through processes of translation, research, innovation, and collaboration. These ecologies are not only environmental but encompass dynamic interactions between people, organisations, and material resources, to bring educational spaces into being. Good educational design has always extended beyond the boundaries of the building, fostering and addressing the individual learners in the classroom as well as the community and contexts that nurture them.The book is guided by two Senegalese projects that won the Aga Khan Award for Architecture (in 2019 and 2022 respectively): the Alioune Diop University Teaching and Research Unit designed by IDOM and the Kamanar Secondary School by Dawoffice. These projects exemplify architecture both as a process of civic engagement, where architects purposefully involve communities, and as an environmentally conscious and responsive endeavour, applying sustainability principles and process in resource-constrained contexts. By delving into these case studies, the book interrogates the legacy and philosophy of educational design, the critical debates and practices in relation to participatory architecture, and the intricacies of representation and materiality.The first section of the book examines the historical legacies and contexts of educational architecture, with an emphasis on Africa. It traces how the design and construction of university institutions have played a pivotal role in postcolonial nation-building and identity. This historic perspective provides a foundation for analysing contemporary efforts to further meaningful civic engagement in educational design. Several contributors critically assess the successes and limitations of civic engagement in architecture, exploring the work needed to ensure that translation, participation, and collaboration lead to meaningful change.With contributions by Jonathan Kplorla Agbeh, Christian Paul “Zigato” Agboada, Christian Benimana, Dawoffice, Katherine Dawson, Farrokh Derakhshani, Souleymane Bachir Diagne, Christian Hedrick, Anna Heringer, IDOM, Farhan Karim, Timothy Latim, Lesley Lokko, Tubi Otitooluwa, Deen Sharp, Mamadou Jean-Charles Tall, Justicia Tegyeka and Ola Uduku.