Anna M. Nogar – författare

Quill and Cross in the Borderlands examines nearly four hundred years of history, folklore, literature, and art surrounding the legendary Lady in Blue and her historical counterpart, Sor María de Jesús de Ágreda.This legendary figure, identified as seventeenth-century Spanish nun and writer Sor María de Jesús de Ágreda, miraculously appeared to tribes in colonial-era New Mexico and taught them the rudiments of the Catholic faith. Sor María, an author of mystical Marian texts, became renowned not only for her alleged spiritual travel from her cloister in Spain to New Mexico but also for her writing, studied and implemented by Franciscans and others around the world. Working from original historical accounts, archival research, and a wealth of literature on the legend and the historical figure alike, Anna M. Nogar meticulously examines how and why the person and the legend became intertwined in Catholic consciousness and social praxis.Nogar addresses the influence of Sor María's spiritual texts on many spheres of New Spanish and Spanish society over several centuries. Eventually, the historical Sor María and her writings virtually disappeared from view, and the Lady in Blue became a prominent folk figure in the present-day U.S. Southwest and U.S.-Mexico borderlands, appearing in folk stories, artwork, literature, theater, and public ritual that survives today. Quill and Cross in the Borderlands documents the material legacy of a legend that has survived and thrived for hundreds of years, and at the same time rediscovers the extraordinary impact of a hidden writer.

Quill and Cross in the Borderlands examines nearly four hundred years of history, folklore, literature, and art surrounding the legendary Lady in Blue and her historical counterpart, Sor María de Jesús de Ágreda.This legendary figure, identified as seventeenth-century Spanish nun and writer Sor María de Jesús de Ágreda, miraculously appeared to tribes in colonial-era New Mexico and taught them the rudiments of the Catholic faith. Sor María, an author of mystical Marian texts, became renowned not only for her alleged spiritual travel from her cloister in Spain to New Mexico but also for her writing, studied and implemented by Franciscans and others around the world. Working from original historical accounts, archival research, and a wealth of literature on the legend and the historical figure alike, Anna M. Nogar meticulously examines how and why the person and the legend became intertwined in Catholic consciousness and social praxis.Nogar addresses the influence of Sor María's spiritual texts on many spheres of New Spanish and Spanish society over several centuries. Eventually, the historical Sor María and her writings virtually disappeared from view, and the Lady in Blue became a prominent folk figure in the present-day U.S. Southwest and U.S.-Mexico borderlands, appearing in folk stories, artwork, literature, theater, and public ritual that survives today. Quill and Cross in the Borderlands documents the material legacy of a legend that has survived and thrived for hundreds of years, and at the same time rediscovers the extraordinary impact of a hidden writer.

The rewritings of the Mexican colonia discussed in this book question a present reality of marginalities and inequality, of imposed political domination, and of hybrid subjectivities. In their examination of the novels, films, poetry, and chronicles produced in and outside of Mexico since 2000, the critics included in Colonial Itineraries of Contemporary Mexico produce new interpretations, alternative readings, and different angles of analysis that extend far beyond the theories of the new historical novel of the eighties and nineties, and well beyond the limits of the novel as re-creative genre.Through a transformative interdisciplinary lens, this book studies the ultra-contemporary chronicles of Carlos Monsiváis, the poetry of Carmen Boullosa and Luis Felipe Fabre, and the novels of Enrique Serna, Héctor de Mauleón, Mónica Lavín, and Pablo Soler Frost, among others. The book also pays close attention to a good sample of recent children's literature that revisit Mexico's colonia. It includes the transatlantic perspective of Spanish novelist Inma Chacón, and a detailed analysis of the strategies employed by Laura Esquivel in the creation of a best seller. Other chapters are devoted to the study of transnational film productions, a play by Flavio González Mello, and a set of novels set in the nineteenth-century colonia that problematize static notions of both personal and national identity within specific cultural palimpsests. Taken together, these incisive readings open broader conversations about Mexican coloniality as it continues well into the twenty-first century.

El feliz ingenio neomexicano is a bilingual recovery edition of Obras de Felipe Maximiliano Chacón, el Cantor Neomexicano: Poesía y prosa, the first collection of poetry published by a Mexican American author. Journalist and author Felipe M. Chacón, part of a distinguished and active family of nuevomexicano authors, published the book in 1924. El feliz ingenio neomexicano (that "inspired New Mexican wit") reestablishes Chacón's work and his reputation by making the text widely available to readers for the first time in nearly a century. With Nogar and Meléndez's excellent translation of the text, this bilingual volume offers access to both English and Spanish editions for scholars and students from a variety of disciplines. Additionally, the in-depth introduction and appendix materials gathered by the editors place Chacón's book in the context of the time in which it was printed, offering a unique insight into the work. A welcome volume for scholars and literature lovers alike, El feliz ingenio neomexicano is a groundbreaking work of literary recuperation.

Winner of the 2022 International Latino Book Award: Bronze Medal for Fiction Translation, Spanish to EnglishEl feliz ingenio neomexicano is a bilingual recovery edition of Obras de Felipe Maximiliano Chacón, el Cantor Neomexicano: Poesía y prosa, the first collection of poetry published by a Mexican American author. Journalist and author Felipe M. Chacón, part of a distinguished and active family of nuevomexicano authors, published the book in 1924. El feliz ingenio neomexicano (that "inspired New Mexican wit") reestablishes Chacón's work and his reputation by making the text widely available to readers for the first time in nearly a century. With Nogar and Meléndez's excellent translation of the text, this bilingual volume offers access to both English and Spanish editions for scholars and students from a variety of disciplines. Additionally, the in-depth introduction and appendix materials gathered by the editors place Chacón's book in the context of the time in which it was printed, offering a unique insight into the work. A welcome volume for scholars and literature lovers alike, El feliz ingenio neomexicano is a groundbreaking work of literary recuperation.

A History of the Mexican Novel is the most comprehensive history of Mexican fiction to date. Written by leading experts, this book is a comprehensive and authoritative reference for everyone interested in both Mexican and Mexican American literature, from students to scholars. It discusses the question on the novel from the Colonial Period to the present, touching upon  topics such as the long novel, the relationship of the novel to race and gender, the shaping of a proto-novelistic tradition in the Colonial era and the impact of media changes, such as serialization and the internet, in the idea of the novel. From major canonical authors like Manuel Payno and Carlos Fuentes to the novels of writers in indigenous languages, including the work of Mexican American novelists, this vital History will allow readers to understand literary aesthetics, cultural ideologies and institutions that shape the Mexican novel through time.

A History of Mexican Literature chronicles a story more than five hundred years in the making, looking at the development of literary culture in Mexico from its indigenous beginnings to the twenty-first century. Featuring a comprehensive introduction that charts the development of a complex canon, this History includes extensive essays that illuminate the cultural and political intricacies of Mexican literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Sor Juana Inés de la Cruz, Mariano Azuela, Xavier Villaurrutia, and Octavio Paz. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Mexican literature. This book is of pivotal importance to the development of Mexican writing and will serve as an invaluable reference for specialists and students alike.

A History of Mexican Literature chronicles a story more than five hundred years in the making, looking at the development of literary culture in Mexico from its indigenous beginnings to the twenty-first century. Featuring a comprehensive introduction that charts the development of a complex canon, this History includes extensive essays that illuminate the cultural and political intricacies of Mexican literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Sor Juana Inés de la Cruz, Mariano Azuela, Xavier Villaurrutia, and Octavio Paz. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Mexican literature. This book is of pivotal importance to the development of Mexican writing and will serve as an invaluable reference for specialists and students alike.

Covering Mexican literary history from pre-Columbian literature to the twenty-first-century, including works from Greater Mexico, this book is the most comprehensive study on Mexican poetry available in English. It examines key authors, such as Bernando de Balbuena, Juana de Asbaje, Ramón López Velarde, José Gorostiza, and Octavio Paz, and considers how they should be read today. Individual chapters focus on important movements, poetic forms, and topics, such as epics, lyric poetry, romanticism, modernism, poetry and performance, poetry in indigenous languages, Mexican American and Chicanx poetry, and the relationship between Mexican literature and gender. This book provides a global understanding of Mexican poetry, its institutions and its main authors for students and scholars in any discipline connected to the subject.

A History of Mexican Literature chronicles a story more than five hundred years in the making, looking at the development of literary culture in Mexico from its indigenous beginnings to the twenty-first century. Featuring a comprehensive introduction that charts the development of a complex canon, this History includes extensive essays that illuminate the cultural and political intricacies of Mexican literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Sor Juana Inés de la Cruz, Mariano Azuela, Xavier Villaurrutia, and Octavio Paz. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Mexican literature. This book is of pivotal importance to the development of Mexican writing and will serve as an invaluable reference for specialists and students alike.

A History of Mexican Literature chronicles a story more than five hundred years in the making, looking at the development of literary culture in Mexico from its indigenous beginnings to the twenty-first century. Featuring a comprehensive introduction that charts the development of a complex canon, this History includes extensive essays that illuminate the cultural and political intricacies of Mexican literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Sor Juana Inés de la Cruz, Mariano Azuela, Xavier Villaurrutia, and Octavio Paz. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Mexican literature. This book is of pivotal importance to the development of Mexican writing and will serve as an invaluable reference for specialists and students alike.