Annabelle Dufourcq – författare

This book explores the phenomenon of animal imagination and its profound power over the human imagination. It examines the structural and ethical role that the human imagination must play to provide an interface between humans’ subjectivity and the real cognitive capacities of animals.The book offers a systematic study of the increasing importance of the metaphors, the virtual, and figures in contemporary animal studies. It explores human-animal and real-imaginary dichotomies, revealing them to be the source of oppressive cultural structures. Through an analysis of creative, playful and theatric enactments and mimicry of animal behaviors and communication, the book establishes that human imagination is based on animal imagination. This helps redefine our traditional knowledge about animals and presents new practices and ethical concerns in regard to the animals. The book strongly contends that allowing imagination to play a role in our relation to animals will lead to the development of a more empathetic approach towards them. Drawing on works in phenomenology, contemporary animal philosophy, as well as ethological evidence and biosemiotics, this book is the first to rethink the traditional philosophical concepts of imagination, images, the imaginary, and reality in the light of a zoocentric perspective. It will appeal to philosophers, scholars and students in the field of animal studies, as well as anyone interested in human and non-human imaginations.

This book explores the phenomenon of animal imagination and its profound power over the human imagination. It examines the structural and ethical role that the human imagination must play to provide an interface between humans’ subjectivity and the real cognitive capacities of animals.The book offers a systematic study of the increasing importance of the metaphors, the virtual, and figures in contemporary animal studies. It explores human-animal and real-imaginary dichotomies, revealing them to be the source of oppressive cultural structures. Through an analysis of creative, playful and theatric enactments and mimicry of animal behaviors and communication, the book establishes that human imagination is based on animal imagination. This helps redefine our traditional knowledge about animals and presents new practices and ethical concerns in regard to the animals. The book strongly contends that allowing imagination to play a role in our relation to animals will lead to the development of a more empathetic approach towards them. Drawing on works in phenomenology, contemporary animal philosophy, as well as ethological evidence and biosemiotics, this book is the first to rethink the traditional philosophical concepts of imagination, images, the imaginary, and reality in the light of a zoocentric perspective. It will appeal to philosophers, scholars and students in the field of animal studies, as well as anyone interested in human and non-human imaginations.

The aim of this Element is to forge new conceptual tools to give more ecological power to the human imagination. Imagination, both an innovative force and one that distances and blinds, is central to the ecological crisis as well as its potential resolution. Human imagination creates a bubble of denial, fostering the illusion of a smooth, reassuring, controlled, and neatly compartmentalized world. This Element critically contrasts the harmful modern concepts of reality and imagination with a more grounded "earthly" and "animal" imagination. It proposes to overcome the tension between two currents in environmental thought: those advocating imagination for utopian transformation, and proponents of realism, urging confrontation with the material world beyond anthropocentrism. Through analysis of key contemporary environmental work alongside insights from ethology and biosemiotics, the Element underpins the concept of "animal imagination," offering an alternative approach to environmental imagination and activism that fosters deeper engagement with the living world.

The aim of this Element is to forge new conceptual tools to give more ecological power to the human imagination. Imagination, both an innovative force and one that distances and blinds, is central to the ecological crisis as well as its potential resolution. Human imagination creates a bubble of denial, fostering the illusion of a smooth, reassuring, controlled, and neatly compartmentalized world. This Element critically contrasts the harmful modern concepts of reality and imagination with a more grounded "earthly" and "animal" imagination. It proposes to overcome the tension between two currents in environmental thought: those advocating imagination for utopian transformation, and proponents of realism, urging confrontation with the material world beyond anthropocentrism. Through analysis of key contemporary environmental work alongside insights from ethology and biosemiotics, the Element underpins the concept of "animal imagination," offering an alternative approach to environmental imagination and activism that fosters deeper engagement with the living world.

The author argues to enlarge the notion of reality by recognizing the imaginary dimension and “texture” of the real, and that Merleau-Ponty’s ontology of the flesh cannot be separated from an ontology of the imaginary.

This study brings to light the original concept of the imaginary that emerges from Merleau Ponty’s thought. It elucidates the main influences that contributed to shaping Merleau-Ponty’s theory of the imaginary and aims to show that this novel concept constitutes one of the most crucial yet challenging keys to his philosophy and ultimately his ontology.This book develops the ontology of the imagery sketched by Merleau-Ponty and examines its practical implications. As its originally ambiguous and inseparable underside, the imaginary is just as central to Merleau-Ponty’s philosophy as perception. The author argues to enlarge the notion of reality by recognizing the imaginary dimension and “texture” of the real, and that Merleau-Ponty’s ontology of the flesh cannot be separated from an ontology of the imaginary. This monograph examines Merleau-Ponty’s conception of the imaginary against both his aesthetics, and his political philosophy – and appeals to students and researchers working in phenomenology and continental philosophy.

Cette étude propose une analyse précise de la conception husserlienne des images et de l’imagination. L’enjeu de ce travail dépasse largement la seule question de la nature de l’imagination : la manière dont Husserl repense l’imaginaire implique un bouleversement profond de notre conception du réel même.