Anne Duprat – författare

Figures of Chance I: Chance in Literature and the Arts (16th–21st Centuries) proposes a transhistorical analysis that will serve as a reference work on the evolution of literary and artistic representations of chance and contingency. Alongside its multidisciplinary companion volume (Figures of Chance II), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, to varying degrees, to be contingent, unpredictable, or chaotic. Giving special emphasis to the French context while also developing broad cross-cultural comparisons, this volume examines the dialogue between evolving conceptions and changing representations of chance, from Renaissance figures of Fortune to the data-driven world of the present. Written by recognized specialists of each of the periods studied, it identifies and historicizes the main fictional and factual modes of portraying, narrating, and comprehending chance in the West.

The Prologue and Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Figures of Chance I: Chance in Literature and the Arts (16th–21st Centuries) proposes a transhistorical analysis that will serve as a reference work on the evolution of literary and artistic representations of chance and contingency. Alongside its multidisciplinary companion volume (Figures of Chance II), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, to varying degrees, to be contingent, unpredictable, or chaotic. Giving special emphasis to the French context while also developing broad cross-cultural comparisons, this volume examines the dialogue between evolving conceptions and changing representations of chance, from Renaissance figures of Fortune to the data-driven world of the present. Written by recognized specialists of each of the periods studied, it identifies and historicizes the main fictional and factual modes of portraying, narrating, and comprehending chance in the West.

The Prologue and Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Figures of Chance II: Chance in Theory and Practice proposes a multidisciplinary analysis of cultural phenomena related to notions of chance and contingency. Alongside its transhistorical companion volume (Figures of Chance I), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, by varying degrees, to be contingent, unpredictable, or chaotic. This volume reevaluates the role played by figurative representations of chance in contemporary discourses about chance and contingency. Written by seven interdisciplinary teams, and encompassing philosophy, literature, history of science, sociology, mathematics, cognitive science, information science, and art history, this text puts scientific conceptions of chance into dialogue with their contemporary literary and artistic representations. It thus brings out the central role played by art in the human perception of chance, and in our methods for projecting the future, in order to better understand contemporary human attitudes in the face of risk.

The Introduction and Chapter One of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Figures of Chance II: Chance in Theory and Practice proposes a multidisciplinary analysis of cultural phenomena related to notions of chance and contingency. Alongside its transhistorical companion volume (Figures of Chance I), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, by varying degrees, to be contingent, unpredictable, or chaotic. This volume reevaluates the role played by figurative representations of chance in contemporary discourses about chance and contingency. Written by seven interdisciplinary teams, and encompassing philosophy, literature, history of science, sociology, mathematics, cognitive science, information science, and art history, this text puts scientific conceptions of chance into dialogue with their contemporary literary and artistic representations. It thus brings out the central role played by art in the human perception of chance, and in our methods for projecting the future, in order to better understand contemporary human attitudes in the face of risk.

The Introduction and Chapter One of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.