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Modern-day research on Flaubert has placed particular emphasis on the bibliothèques de savoir (“libraries of knowledge”) integrated into his literary work. Their status and function, however, have not yet been fully understood. In this volume, members of the Franco-German research group “Fractal” present their analyses of Flaubert’s intertextual work in the context of psychology, art, philosophy, and religious history.
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Realist literature—and Flaubert’s novels in particular—imitate literature more than life. Yet the fact that they rewrite not only other literary texts, but also art works, has drawn little attention to date. In addition to (real or imaginary) libraries, these texts involve productively an extensive iconographic repertoire from museums, salons, churches or private collections.