Anne Waldman - Böcker
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Anne Waldman takes the opportunity with this twentieth-anniversary expanded edition to add twenty poems to this collection that brings into focus her lifelong engagement with "Chant" as central to contemporary performative poetry. Here are spells, invocations, laments, ritual rants. Archaic beliefs in magic and ecstasy meet current notions of the power of the spoken word. Waldman writes, "The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, verbal, physical, and emotional form, making their particular demands on my voice and body. I am the 'energumen.' The poem is the experience." Also included in this book are three essays on the oral tradition in poetry. One essay discusses the history and occasion of the title poem. The others treat such topics as performance art and poetic tradition, ethnopoetics, intoxication and transformation, Tibetan Buddhism, and the renewed ascendency of feminine energy in writing. Anne Waldman, world renowned for her high-energy poetry performances, is the author of over thirty books and chapbooks of poetry.She is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado. "Anne Waldman is one of the fastest, wisest women to run with the wolves in some time." -- The New York Times Book Review Anne Waldman, world renowned for her high-energy poetry performances, is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado. She is the author of over thirty books and chapbooks of poetry including The Iovis Trilogy: Colors in the Mechanism of Concealment, Voice's Daughter of a Heart Yet to be Born, and Manatee/Humanity (Penguin Poets).
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As cultural absurdities, apathy-inspiring ambient noise, and political and ecological disasters threaten the 21st-century world, art’s role in engaging society and coalescing dissent becomes more apparent and more urgent. Civil Disobediences offers a manual for understanding poetry’s history and enacting its ultimate power to dismantle and recreate political and cultural realities.Composed of essays, lectures and teaching materials by leading contemporary poets and scholars, this anthology explores the craft of poetry, as well as the history of poetic/political action in the U.S. and abroad, the development of ancient and modern poetic forms, the legacy of world-renowned poets, and the intersections between poetry and spirituality. It also provides concrete advice about bringing poetry into your local community and ensuring that “poetry is news that stays news.”Editor Anne Waldman is an internationally acclaimed poet, performer, cultural activist, and distinguished -professor of poetics at Naropa University’s Jack Kerouac School of Disembodied Poetics. She is the author of over 40 books, including Vow to Poetry: Essays, Interviews, & Manifestos and the recent collection In the Room of Never Grieve: New and Selected Poems 1985–2003.Editor Lisa Birman is a poet and writer from Melbourne, Australia. Her books include Some Things—Poems and Translations, Deportation Poems, and the forthcoming possibly. Birman is the co-founder of Movie Star Press and co-director of Naropa University’s Summer Writing Program.Contributors include: Helen Adam, Ammiel Alcalay, Amiri Baraka, Ted Berrigan, Robin Blaser, Reed Bye, Jack Collum, Robert Creeley, Samuel R. Delany, Robert Duncan, Lawrence Ferlinghetti, Alan Gilbert, Allen Ginsberg, James Grauerholtz, Barbara Guest, Bobbie Louise Hawkins, Anselm Hollo, Laird Hunt, Pierre Joris, Joanne Kyger, Ann Lauterbach, Harryette Mullen, Eileen Myles, Alice Notley, Michael Ondaatje, Sonia Sanchez, Edward Sanders, Eleni Sikelianos, Gary Snyder, Cole Swenson, Arthur Sze, Steven Taylor, Robert Tejada, Lorenzo Thomas and more.
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Cross Words refers to cultural hybrids, trans-cultural alliances, and associations. This fascinating compendium documents--in essays, conversations, and socratic raps--the vital work poets perform when they write across borders. Anne Waldman is the author of more than forty collections of poetry, the editor of numerous anthologies, and, for The Iovis Trilogy, the winner of the Shelley Memorial Award and the USA PEN Center Award for Poetry. She is a chancellor of the Academy of American Poets. Laura Wright is a poet, translator, and librarian. With Anne Waldman, she co-edited Beats at Naropa (Coffee House Press, 2009).
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The expansive, countercultural, and wildly prolific life of celebrated poet Anne Waldman, in her own words.In Bard, Kinetic, Anne Waldman assembles a multifaceted portrait of her life and praxis as a groundbreaking poet. Waldman charts her journey through a maelstrom of radical artistic activity: growing up in Greenwich Village, creative partnership with Allen Ginsberg, touring with Bob Dylan, and founding the Poetry Project at St. Mark’s Church and later, the Jack Kerouac School of Disembodied Poetics at Naropa University. She discusses the philosophies that guide her as a writer, activist, performer, instigator, and Buddhist practitioner, and pays homage to friends and collaborators including Amiri Baraka, Lou Reed, John Ashbery, Kathy Acker, and Diane di Prima. Waldman’s experiences serve as a guide for others committed to making the world a conscious and conscientious place that soars with the discourse and activism of poetry and poethics.
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A collection of lectures transcribed from the audio archives of Naropa University’s Summer Writing Program that represent a continuing lineage of experimental literary movements. New Weathers asks us to consider how poetics might embolden deeper engagements with the world. Collected from the alternative education zone founded by Anne Waldman and Allen Ginsberg with the aim of opening up discourse and fostering political engagement, these texts invoke issues of gender and race-based injustice, the global climate crisis, and our possible extinction. They weave through our poetic community, the conversations we are having, the issues we are facing—our “new weathers” to posit strategies of resistance.List of Contributors: Paula Gunn Allen, Amiri Baraka, Dan Beachy-Quick, Sherwin Bitsui, Robin Blaser, William S. Burroughs, Julie Carr, J’Lyn Chapman, Jos Charles, Jack Collom, Samuel R. Delany, kari edwards, Tongo Eisen-Martin, Tonya M. Foster, Forrest Gander, Alan Gilbert, Allen Ginsberg, Renee Gladman, Robert Glück, Lyn Hejinian, Lisa Jarnot, Kevin Killian, Thurston Moore, Fred Moten, Eileen Myles, Hoa Nguyen, Alice Notley, Akilah Oliver, M. NourbeSe Philip, Margaret Randall, Roger Reeves, Ariana Reines, Lisa Robertson, Ed Sanders, Andrew Schelling, Cedar Sigo, Eleni Sikelianos, Harry Smith, Edwin Torres, Cecilia Vicuña, Asiya Wadud, Peter Warshall, Eliot Weinberger, Peter Lamborn Wilson, and Ronaldo V. Wilson.
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Nu är den äntligen här, 766 sidor och 9 poeter stor 50 år efter Kerouac och 43 år efter Allen Ginsberg på svenska, presenteras nu världens omfångsrikaste antologi med kvinnliga beatpoeter! Carol Bergé, Elise Cowen, Diane di Prima, Hettie Jones, Lenore Kandel, Joanne Kyger, Joanna McClure, Janine Pommy Vega, Anne Waldman. Antologin bjuder på stora dikturval av dessa poeter från USA och följer deras författarskap över de senaste 50 åren. De flesta introduceras för första gången på svenska och en del dikter publiceras för första gången överhuvudtaget. Boken innehåller också författarpresentationer, fördjupande efterord och ett stort antal noter till dikterna. Urval och översättning av Kristian Carlsson.