Annemarie Schimmel – författare

Why is the number seven lucky - even holy - in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives.In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She covers the origins of numbers, the symbolism of numbers, the source of this symbolism, and examines individual numbers from one to ten thousand. Using examples ranging from the Bible to Shakespeare, this engaging account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.

Jalaluddin Rumi (1207-1273) is the most famous exponent of the mystical tradition in Islam and venerated as 'Mevlana', 'our master'. The still flourishing Mevlevi order of dervishes, famous for their ecstatic music and dance, was organized by his eldest son on the basis of Rumi's teaching and practice. He spent most of his life in Konya in Rum (modern Anatolia), whence the name 'Rumi'. His longest work, the Mathnavi, has held its reputation in the eastern lands of the Islamic world as the most recited and venerated text after the Qur'an. Echoes of the Muslim Scripture, and traces of Rumi's education as a traditional Muslim jurist or faqih, are apparent throughout his writings. The resurgence of interest in Rumi in the West has evolved into a cult, especially on American college campuses. As Schimmel explains, this cult does not do justice to the profound spiritual passion and insights of the Mathnavi and Rumi's Divan. In this concise, readable essay, she sketches the major landmarks in Rumi's life and the influences on it, the religious and cultural background of his poetic Sufism, the dominant strands of imagery and the range of tone and anecdote that animate his spiritual world. She explains why Rumi, as poet and mystic, must be understood in the Persian literary and the Islamic religious traditions to which he belonged. It is through those traditions that he experienced and expressed the Divine Love that the peoples of all faith traditions immediately recognize and affirm. The closing chapters review recent scholarship and translations of Rumi's works, in West and East, and answer the question 'What does Rumi mean to us in the modern world?'

Why is the number seven lucky--even holy--in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives. But in this fascinating book, Annemarie Schimmel shows that numbers have been filled with mystery and meaning since the earliest times, and across every society. In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She begins with an informative and often surprising introduction to the origins of number systems: pre-Roman Europeans, for example, may have had one based on twenty, not ten (as suggested by the English word "score" and the French word for 80, quatrevingt --four times twenty), while the Mayans had a system more sophisticated than our own. Schimmel also reveals how our fascination with numbers has led to a rich cross-fertilization of mathematical knowledge: "Arabic" numerals, for instance, were picked up by Europe from the Arabs, who had earlier adopted them from Indian sources ("Algorithm" and "algebra" are corruptions of the Arabic author and title names of a mathematical text prized in medieval Europe). But the heart of the book is an engrossing guide to the symbolism of numbers. Number symbolism, she shows, has deep roots in Western culture, from the philosophy of the Pythagoreans and Platonists, to the religious mysticism of the Cabala and the Islamic Brethren of Purity, to Kepler''s belief that the laws of planetary motion should be mathematically elegant, to the unlucky thirteen. After exploring the sources of number symbolism, Schimmel examines individual numbers ranging from one to ten thousand, discussing the meanings they have had for Judaic, Christian, and Islamic traditions, with examples from Indian, Chinese, and Native American cultures as well. Two, for instance, has widely been seen as a number of contradiction and polarity, a number of discord and antithesis. And six, according to ancient and neo-platonic thinking, is the most perfect number because it is both the sum and the product of its parts (1+2+3=6 and 1x2x3=6). Using examples ranging from the Bible to the Mayans to Shakespeare, she shows how numbers have been considered feminine and masculine, holy and evil, lucky and unlucky. A highly respected scholar of Islamic culture, Annemarie Schimmel draws on her vast knowledge to paint a rich, cross-cultural portrait of the many meanings of numbers. Engaging and accessible, her account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.

Why is the number seven lucky--even holy--in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives. But in this fascinating book, Annemarie Schimmel shows that numbers have been filled with mystery and meaning since the earliest times, and across every society. In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She begins with an informative and often surprising introduction to the origins of number systems: pre-Roman Europeans, for example, may have had one based on twenty, not ten (as suggested by the English word "score" and the French word for 80, quatrevingt --four times twenty), while the Mayans had a system more sophisticated than our own. Schimmel also reveals how our fascination with numbers has led to a rich cross-fertilization of mathematical knowledge: "Arabic" numerals, for instance, were picked up by Europe from the Arabs, who had earlier adopted them from Indian sources ("Algorithm" and "algebra" are corruptions of the Arabic author and title names of a mathematical text prized in medieval Europe). But the heart of the book is an engrossing guide to the symbolism of numbers. Number symbolism, she shows, has deep roots in Western culture, from the philosophy of the Pythagoreans and Platonists, to the religious mysticism of the Cabala and the Islamic Brethren of Purity, to Kepler''s belief that the laws of planetary motion should be mathematically elegant, to the unlucky thirteen. After exploring the sources of number symbolism, Schimmel examines individual numbers ranging from one to ten thousand, discussing the meanings they have had for Judaic, Christian, and Islamic traditions, with examples from Indian, Chinese, and Native American cultures as well. Two, for instance, has widely been seen as a number of contradiction and polarity, a number of discord and antithesis. And six, according to ancient and neo-platonic thinking, is the most perfect number because it is both the sum and the product of its parts (1+2+3=6 and 1x2x3=6). Using examples ranging from the Bible to the Mayans to Shakespeare, she shows how numbers have been considered feminine and masculine, holy and evil, lucky and unlucky. A highly respected scholar of Islamic culture, Annemarie Schimmel draws on her vast knowledge to paint a rich, cross-cultural portrait of the many meanings of numbers. Engaging and accessible, her account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.

A history of mystical Islamic poetry, not only in Arabic and Persian, but also in the popular folk traditions of regional vernacular languages, including a chapter on Rumi and Sufi poetry

A comprehensive introduction to Islam.It is a splendid introduction-carefully researched and comprehensive, yet readable. It corrects many popular and erroneous notions about Islam that prevail in non-Muslim societies. For the general reader there are many profound insights of great consequence, for example, the passages on women, marriage, and inheritance, or the section on jihad, nearly always completely misunderstood in the press.

This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism.The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace.The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.

The Qur'an constantly exhorts people to 'look at the signs of god,' signs that are hidden 'in the horizons and in themselves.' This book examines the mysteries of Islam using a phenomenological method to come closer to the true center of Muslim belief.Schimmel takes as her starting point the simplest 'signs of god' - natural phenomena like stones, plants and animals, and their use in religious and symbolic language. She then moves on to less obvious signs, such as sacred time and space, ritual actions, forms of worship, the sacred individual, and the order of the community. She concludes with an examination of the individual's response to the mystery of the Divine. Based on both original classical sources and modern literature, as well as the author's considerable personal experience, this is not only a fascinating survey of Islamic practices and beliefs, but also a broad and intregrated overview of the phenomenology of Islam.

The important role of the Prophet Muhammad in the everyday lives of Muslims is usually overlooked by Western scholars and has consequently never been understood by the Western world. Using original sources in the various Islamic languages, Annemarie Schimmel explains the central place of Muhammad in Muslim life, mystical thought, and poetry. She sees the veneration of Muhammad as having many parallels in other major religions. In order to understand Muslim piety it is necessary to take into account the long history of the veneration of Muhammad. Schimmel discusses aspects of his life, birth, marriage, miracles, and heavenly journey, all of which became subjects for religious devotions. By using poetic texts and artistic expressions and by examining daily Muslim religious practices, Schimmel shows us the gentler side of Islamic religious culture, providing a much-needed understanding of religion as it is experienced and practiced in the Islamic world. This is the first book in English to deal with all aspects of the veneration of the Prophet Muhammad. It is an expanded version of Schimmel's Und Muhammad Ist Sein Prophet , originally published in German in 1981.

Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal --a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an ""architectonic"" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture. |Schimmel provides a comprehensive study of the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that images in Persian poetry have been used and refined over the centuries and reflect changing conditions in the Muslim world.

Thirty-five years after its original publication, Mystical Dimensions of Islam still stands as the most valuable introduction to Sufism, the main form of Islamic mysticism. This edition brings to a new generation of readers Annemarie Schimmel''s historical treatment of the transnational phenomenon of Sufism, from its beginnings through the nineteenth century.Schimmel''s sensitivity and deep understanding of Sufism--its origins, development, and historical context--as well as her erudite examination of Sufism as reflected in Islamic poetry, draw readers into the mood, the vision, and the way of the Sufi. In the foreword, distinguished Islam scholar Carl W. Ernst comments on the continuing vitality of Schimmel''s book and the advances in the study of Sufism that have occurred since the work first appeared.

Thirty-five years after its original publication, Mystical Dimensions of Islam still stands as the most valuable introduction to Sufism, the main form of Islamic mysticism. This edition brings to a new generation of readers Annemarie Schimmel's historical treatment of the transnational phenomenon of Sufism, from its beginnings through the nineteenth century.Schimmel's sensitivity and deep understanding of Sufism--its origins, development, and historical context- as well as her erudite examination of Sufism as reflected in Islamic poetry, draw readers into the mood, the vision, and the way of the Sufi. In the foreword, distinguished Islam scholar Carl W. Ernst comments on the continuing vitality of Schimmel's book and the advances in the study of Sufism that have occurred since the work first appeared.

An internationally acclaimed scholar, who has dedicated more than fifty years of her life to understanding the Islamic world.Annemarie Schimmel examines a much-misunderstood feature of Islam: the role of women. Schimmel is critical of those--especially Western feminists--who take Islam to task without taking the time to comprehend the cultures, language, and traditions of the many societies in which Islam is the majority religion.Shattering stereotypes, Schimmel reconstructs an important but little-known chapter of Islamic spirituality. With copius examples, she shows the clear equality of women and meni nthe conception of the Prophet Muhammad, the Quran, the feminine language of the mystical tradition, and the role of holy mothers and unmarried women as manifestations of God.This work is studded with luminous texts from Arabic, Turkish, Persian, and particularly Indo-Muslim cultures, which reveal how physical love can give expression to the highest forms of mysticism.

This book (previously published as I Am Wind, You Are Fire) celebrates the extraordinary career of Persia''s great mystical poet, Rumi (1207–1273), through the story of his life, along with an enlightening examination of his ecstatic verse. Rumi lived the quiet life of a religious teacher in Anatolia until the age of thirty-seven, when he came under the influence of a whirling dervish, Shams Tabriz, and was moved to a state of mystical ecstasy. One of the results of this ecstasy was a prodigious output of poems about the search for the lost Divine Beloved, whom Rumi identified with Shams. To symbolize this search, Rumi also invented the famous whirling dance of the Melevi dervishes, which are performed accompanied by the chanting of Rumi''s poems. Professor Schimmel illuminates the symbolism and significance of Rumi''s vast output and offers her own translations of some of his most famous poems.

Thirty-five years after its original publication, Mystical Dimensions of Islam still stands as the most valuable introduction to Sufism, the main form of Islamic mysticism. This edition brings to a new generation of readers Annemarie Schimmel''s historical treatment of the transnational phenomenon of Sufism, from its beginnings through the nineteenth century.Schimmel''s sensitivity and deep understanding of Sufism--its origins, development, and historical context--as well as her erudite examination of Sufism as reflected in Islamic poetry, draw readers into the mood, the vision, and the way of the Sufi. In the foreword, distinguished Islam scholar Carl W. Ernst comments on the continuing vitality of Schimmel''s book and the advances in the study of Sufism that have occurred since the work first appeared.

Annemarie Schimmel, one of the world''s foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world.According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental.Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet''s real intentions.Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.

Annemarie Schimmel, one of the world''s foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world.According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental.Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet''s real intentions.Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.

The important role of the Prophet Muhammad in the everyday lives of Muslims is usually overlooked by Western scholars and has consequently never been understood by the Western world. Using original sources in the various Islamic languages, Annemarie Schimmel explains the central place of Muhammad in Muslim life, mystical thought, and poetry. She sees the veneration of Muhammad as having many parallels in other major religions.

In order to understand Muslim piety it is necessary to take into account the long history of the veneration of Muhammad. Schimmel discusses aspects of his life, birth, marriage, miracles, and heavenly journey, all of which became subjects for religious devotions. By using poetic texts and artistic expressions and by examining daily Muslim religious practices, Schimmel shows us the gentler side of Islamic religious culture, providing a much-needed understanding of religion as it is experienced and practiced in the Islamic world.

This is the first book in English to deal with all aspects of the veneration of the Prophet Muhammad. It is an expanded version of Schimmel’s Und Muhammad Ist Sein Prophet, originally published in German in 1981.

The late Annemarie Schimmel drew exhaustively on an enourmous range of sources both ancient and modern to create this thorough survey of a unique body of literature. Travelling from continent to continent and across the centuries, this story of Islamic poetry encompasses a wide spectrum of traditions and cultures, from Arabic religious verse to the ecstasies of the persian Sufis and the popular folk poetry of India and Pakistan.

Zum 150. Todestag von Friedrich Rückert am 31. Januar 2016: Die Neuausgabe von Annemarie Schimmels grundlegender Biographie.Der Dichter und Orientalist Friedrich Rückert (1788-1866) war einer der frühesten Vermittler arabischer und persischer Dichtung in Deutschland. Als Gelehrter und Übersetzer nah- und fernöstlicher Lyrik hat er der deutschen Sprache »einen Schatz geschenkt, den keine andere Sprache besitzt" (Annemarie Schimmel).Auch Rückerts eigenes poetisches Werk ist erstaunlich: Sein (aus dem Nachlass veröffentlichtes) Liedertagebuch ist das größte Poesiewerk des 19. Jahrhunderts. Gustav Mahlers Vertonung der berührenden Kindertotenlieder machte diese Gedichte zum deutschen Kulturerbe.Die Islamwissenschaftlerin Annemarie Schimmel hat die Stationen von Rückerts Lebens nachgezeichnet und sein Werk für heutige Leser erschlossen.