Annemarie Schimmel – författare

Why is the number seven lucky - even holy - in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives.In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She covers the origins of numbers, the symbolism of numbers, the source of this symbolism, and examines individual numbers from one to ten thousand. Using examples ranging from the Bible to Shakespeare, this engaging account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.

A history of mystical Islamic poetry, not only in Arabic and Persian, but also in the popular folk traditions of regional vernacular languages, including a chapter on Rumi and Sufi poetry

First published in 1993. This is a collection of Selected Verses from Nasir-i Khusraw's Dzvan. The work of the Persian author in both its philosophical and poetical aspects has been known in the West for more than a century. The outward political and religious events of the first half of the eleventh century were the canvas on which Nasir-i Khusraw's poetry and prose developed.

A comprehensive introduction to Islam.It is a splendid introduction-carefully researched and comprehensive, yet readable. It corrects many popular and erroneous notions about Islam that prevail in non-Muslim societies. For the general reader there are many profound insights of great consequence, for example, the passages on women, marriage, and inheritance, or the section on jihad, nearly always completely misunderstood in the press.

This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism.The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace.The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.

The Qur'an constantly exhorts people to 'look at the signs of god,' signs that are hidden 'in the horizons and in themselves.' This book examines the mysteries of Islam using a phenomenological method to come closer to the true center of Muslim belief.Schimmel takes as her starting point the simplest 'signs of god' - natural phenomena like stones, plants and animals, and their use in religious and symbolic language. She then moves on to less obvious signs, such as sacred time and space, ritual actions, forms of worship, the sacred individual, and the order of the community. She concludes with an examination of the individual's response to the mystery of the Divine. Based on both original classical sources and modern literature, as well as the author's considerable personal experience, this is not only a fascinating survey of Islamic practices and beliefs, but also a broad and intregrated overview of the phenomenology of Islam.

The important role of the Prophet Muhammad in the everyday lives of Muslims is usually overlooked by Western scholars and has consequently never been understood by the Western world. Using original sources in the various Islamic languages, Annemarie Schimmel explains the central place of Muhammad in Muslim life, mystical thought, and poetry. She sees the veneration of Muhammad as having many parallels in other major religions. In order to understand Muslim piety it is necessary to take into account the long history of the veneration of Muhammad. Schimmel discusses aspects of his life, birth, marriage, miracles, and heavenly journey, all of which became subjects for religious devotions. By using poetic texts and artistic expressions and by examining daily Muslim religious practices, Schimmel shows us the gentler side of Islamic religious culture, providing a much-needed understanding of religion as it is experienced and practiced in the Islamic world. This is the first book in English to deal with all aspects of the veneration of the Prophet Muhammad. It is an expanded version of Schimmel's Und Muhammad Ist Sein Prophet , originally published in German in 1981.

Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal --a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an ""architectonic"" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture. |Schimmel provides a comprehensive study of the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that images in Persian poetry have been used and refined over the centuries and reflect changing conditions in the Muslim world.

Thirty-five years after its original publication, Mystical Dimensions of Islam still stands as the most valuable introduction to Sufism, the main form of Islamic mysticism. This edition brings to a new generation of readers Annemarie Schimmel's historical treatment of the transnational phenomenon of Sufism, from its beginnings through the nineteenth century.Schimmel's sensitivity and deep understanding of Sufism--its origins, development, and historical context- as well as her erudite examination of Sufism as reflected in Islamic poetry, draw readers into the mood, the vision, and the way of the Sufi. In the foreword, distinguished Islam scholar Carl W. Ernst comments on the continuing vitality of Schimmel's book and the advances in the study of Sufism that have occurred since the work first appeared.

An internationally acclaimed scholar, who has dedicated more than fifty years of her life to understanding the Islamic world.Annemarie Schimmel examines a much-misunderstood feature of Islam: the role of women. Schimmel is critical of those--especially Western feminists--who take Islam to task without taking the time to comprehend the cultures, language, and traditions of the many societies in which Islam is the majority religion.Shattering stereotypes, Schimmel reconstructs an important but little-known chapter of Islamic spirituality. With copius examples, she shows the clear equality of women and meni nthe conception of the Prophet Muhammad, the Quran, the feminine language of the mystical tradition, and the role of holy mothers and unmarried women as manifestations of God.This work is studded with luminous texts from Arabic, Turkish, Persian, and particularly Indo-Muslim cultures, which reveal how physical love can give expression to the highest forms of mysticism.

First published in 1993. This is a collection of Selected Verses from Nasir-i Khusraw's Dzvan. The work of the Persian author in both its philosophical and poetical aspects has been known in the West for more than a century. The outward political and religious events of the first half of the eleventh century were the canvas on which Nasir-i Khusraw's poetry and prose developed.

The late Annemarie Schimmel drew exhaustively on an enourmous range of sources both ancient and modern to create this thorough survey of a unique body of literature. Travelling from continent to continent and across the centuries, this story of Islamic poetry encompasses a wide spectrum of traditions and cultures, from Arabic religious verse to the ecstasies of the persian Sufis and the popular folk poetry of India and Pakistan.

Translated by Corinne AttwoodThe Mughal empire (1526-1857) has long been viewed as a wonderland of unimaginable treasure; it was in fact the mightiest Islamic empire in the history of India. In this comprehensive cultural history, now available in paperback, Annemarie Schimmel describes the political, military and economic rise of the Mughals, their system of rule, the incredible unfolding of their power and splendour, and their gradual collapse, finally supplanted by the British colonial empire in 1857.Beginning with a concise historical overview, she paints a detailed picture of life at court: of rank and status in this strictly hierarchical society; of the life of women; of the various religions, languages and literatures of the Mughal era; of the patronage of the arts by the rulers; and the remarkable accomplishments and techniques of artists at the Mughal court. Who, for example, has not heard of the Taj Mahal, the renowned mausoleum that the emperor Shah Jahan constructed for his wife in the Indian city of Agra? This amazing edifice of white marble, inlaid with a filigree of precious stones, is an impressive demonstration of the refined sense of beauty of the Mughal rulers. Building and landscape architecture, painting and literature, indeed, the entire court culture of the Mughals, all testify to an aesthetic sensibility within which they strove to harmonise all aspects of life.The Empire of the Great Mughals is a richly illustrated and fascinating portrait of an advanced civilization, the historical and cultural legacy of which still inspires universal admiration today.