Anselm Kiefer – författare

“For a long time, it was not clear if I would become a writer or an artist,” says Anselm Kiefer, whose paintings and sculptures have made him one of the most significant and influential artists of our time. Since he was awarded the Peace Prize by the German Book Trade in 2008, his essays, speeches, and lectures have gradually received more attention, but until now his diary accounts have been almost completely unknown. The power in Kiefer’s images, however, is rivaled by his writings on nature and history, literature and antiquity, and mysticism and mythology.The first volume of Notebooks spans the years 1998-1999 and traces the origins and creative process of Kiefer’s visual works during this period. In this volume, Kiefer returns constantly to his touchstones: sixteenth-century alchemist Robert Fludd, German romantic poet Novalis, Martin Heidegger, Ingeborg Bachmann, Robert Musil, and many other writers and thinkers. The entries reveal the process by which his artworks are informed by his reading—and vice versa—and track the development of the works he created in the late 1990s. Translated into English for the first time by Tess Lewis, the diaries reveal Kiefer’s strong affinity for language and let readers witness the process of thoughts, experiences, and adventures slowly transcending the limits of art, achieving meaning in and beyond their medium.

In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes.The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

A layered and lyrical collaboration between two great artists—Anselm Kiefer and Alexander Kluge—that explores what it means to remain faithful amid the shifting forces of power, love, truth, and money.What holds us together in times of uncertainty? For decades, artist Anselm Kiefer and filmmaker-writer Alexander Kluge have explored this question—both as friends and collaborators. This latest volume is a bold and poetic exchange of images and texts in which they delve into the idea of reliability and its relationship to the four great forces that shape our lives: power, love, truth, and money.Moving across history, myth, and the present day, Kiefer and Kluge ask: What is time? In a world of endless change, how do we hold on to what endures? Inspired by Hölderlin’s call “to remain faithful under shifting circumstances,” they use art to keep memory alive, invite the past into the present, and welcome the future before it arrives. Layered, provocative, and profoundly human, this new collaboration is a powerful meditation on what connects us—and what makes us endure.

Since the late 1960s, Anselm Kiefer has explored the profound depths of human history through his work. For his first American retrospective in twenty years, he takes the river as a metaphor for the flux of life and passage of time. Breathtaking new landscapes join iconic works to celebrate the achievements of his nearly sixty-year career. Becoming the Sea explores Kiefer’s remarkable body of work. From his early evocative landscapes of postwar Europe to his later, monumental canvases on themes of destruction and regeneration, Kiefer’s oeuvre challenges our understanding of history and memory. Catalogue highlights include previously unpublished artist writings, lavish illustrations and contributions by writers who inspired Kiefer’s famously literary art.

“I think in pictures. Poems help me with this. They are like buoys in the sea. I swim to them, from one to the other. In between, without them, I am lost. They are the handholds where something masses together in the infinite expanse.”—Anselm Kiefer The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. Kiefer describes how the central materials of his art—lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink—influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer’s own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.