Anthony Ellis - Böcker

This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.

Why do some men use physical violence against others? How do some men come to value physical violence as a resource? Drawing on in-depth ethnographic research conducted with men involved in serious violence and crime over a period of two years in the North of England, Anthony Ellis addresses these questions and the complex relationship between these men and their use of physical violence against others. Using detailed life-history interviews and extended periods of observation with these men, Men, Masculinities and Violence describes their ‘inner’ subjective lives and experiences, exploring how they came to value violence, why they are willing to use it against others and risk serious harm to themselves in the process. Over the course of the book a picture emerges of a group of men that have experienced and perpetrated serious violence throughout their lives. This book advances a critical psychosocial understanding of such violence by situating these masculine biographies within their immediate contexts of de-industrialisation, fracturing working class community and culture, and broader shifts within the political economy of liberal capitalism. With its synthesis of rich ethnographic material and new developments in criminological theory, this book is essential reading for students and academics interested in issues of gender and violence.

This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.

The BSC Critical Criminology Network’s Book of the Year 2016Why do some men use physical violence against others? How do some men come to value physical violence as a resource? Drawing on in-depth ethnographic research conducted with men involved in serious violence and crime over a period of two years in the North of England, Anthony Ellis addresses these questions and the complex relationship between these men and their use of physical violence against others.Using detailed life-history interviews and extended periods of observation with these men, Men, Masculinities and Violence describes their ‘inner’ subjective lives and experiences, exploring how they came to value violence, why they are willing to use it against others and risk serious harm to themselves in the process. Over the course of the book a picture emerges of a group of men that have experienced and perpetrated serious violence throughout their lives. This book advances a critical psychosocial understanding of such violence by situating these masculine biographies within their immediate contexts of de-industrialisation, fracturing working class community and culture, and broader shifts within the political economy of liberal capitalism.With its synthesis of rich ethnographic material and new developments in criminological theory, this book is essential reading for students and academics interested in issues of gender and violence.

Envy, Jealousy and Zeal in the Ancient and Medieval Mediterranean is a cross-cultural history of the rivalrous emotions. Based in close studies of half a dozen pre-modern Mediterranean societies, from the biblical Israelites and the classical Greeks to Umayyad Córdoba and medieval Latin Christendom, it traces changing understandings of jealousy and envy across two millennia. By treating envy, jealousy and their estranged cousin zeal as concepts with long and complex histories, it shows how they have reflected and in turn influenced broader social changes in gender relations, friendship, class structure, marriage norms, religious piety, sexuality, emotional style and language. Is jealousy a healthy social virtue, or a manifestation of the utter depravity of human nature? The answer depends, to a remarkable extent, on the language you speak.A host of unexpected stories emerge along the way: how religious ‘zealotry’ evolved out of pious ‘jealousy’ to become the emotion which drove devout heroes to combat heretics; how ‘romantic jealousy’ developed in tandem with the biblical metaphor of God as a ‘jealous husband’ thrashing his wife for infidelity; how philosophers since antiquity have waged war on jealousy and envy through a succession of utopian projects spanning from Plato’s Republic and Christian monasticism all the way to the free, or heavily discounted, love of the Hippy communes. Ancient and medieval texts brim with answers to timeless questions: is jealousy the proof of love, or rather love’s opposite? What role is there for envy in a healthy community? When does ideological zeal improve society, when does it lead to intolerance and misguided violence? Using historical anthropology this open access book question basic assumptions about these emotions within contemporary psychology, philosophy and theology. Through extensive interdisciplinary dialogue, it offers a new basis for a cross-cultural understanding of these fundamental human feelings.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by The Swiss National Science Foundation.

This book asks whether the decision to lock down the world was justified in proportion to the potential harms and risks generated by the Covid-19 virus.

It is a broadly accessible text, particularly appealing to policymakers, general readers and academics in sociology, political sociology, politics, human geography, political economy, criminology, social policy, psychology, history, and infectious diseases and medicine.