Antonio Córdoba – författare

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study.Materials analyzed here-ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources-make explicit a dynamic scenario where actors embody a variety of positions towards death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study.Materials analyzed here-ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources-make explicit a dynamic scenario where actors embody a variety of positions towards death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.

This book explores how modernity, the urban, and the sacred overlap in fundamental ways in contemporary Spain.

This book explores how modernity, the urban, and the sacred overlap in fundamental ways in contemporary Spain.

This volume analyzes how science fiction tropes are used by non-Anglophone European filmmakers to explore national and global issues. The essays participate in the increasingly productive scholarly discussion of how speculative aesthetics helps us understand our present and envision possible futures. They explore how science fiction films from these societies tackle a wide range of modern and contemporary topics, from the actual possibility of human-made planetary apocalypse to the tension of the Cold War, outer space exploration, new discourses on colonialism, gender and sexualities, formulation of new transhumanist and posthumanist identities, and more. The films analyzed in this volume come from more than a dozen European countries and were produced from the 1960s to the 2010s.

This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought.

This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold thatoppressive systems have over the ways in which societies are constructed and governed.

This award-winning monograph explores advanced topics in harmonic analysis, addressing both classical and contemporary problems. Several connections to number theory, crystallography or atomic theory are also surveyed. The term “suprematism” refers to a certain geometric point of view underlying proofs and arguments.The opening of the book is dedicated to a few results, with short statements and proofs, that could be called “mathematical haikus”. Then, in the first part of the book, singular integrals beyond the classical Calderón-Zygmund theory, such as Vitali-type covering lemmas and estimates for the corresponding maximal operators, are explored. The exponential overlapping of parallelepipeds, the strong maximal function, and Zygmund's conjecture about monotonic bases are also covered. The core of this part is devoted to the Kakeya maximal function and its relation to the spherical summation of Fourier series and integrals. The two-dimensional case is well understood, but the case of higher dimensions still presents many open problems and conjectures. The chapters in the second part of the book treat questions at the interface of harmonic analysis and number theory, including applications of the Poisson summation formula to crystallography and arithmetic, estimates of the Minkowski dimension of Riemann graphs, random lattice point problems, and the role of Weyl sums in atomic energy oscillations.With a focus on rigorous research insights for graduate students and researchers in mathematics, this book provides a comprehensive journey through the hidden landscapes of harmonic analysis.