Posthumanism and Latin(x) American Science Fiction

Antonio Córdoba is Associate Professor of Modern Languages and Literatures at Manhattan College, USA. His main area of specialization is Latin American and Iberian science fiction. He has published ¿Extranjero en tierra extraña?: El género de la ciencia ficción en América Latina (2011) and published articles and book chapters on Latin American and Spanish science fiction and horror.Emily A. Maguire is Associate Professor of Spanish and Portuguese at Northwestern University, USA, where she specializes in literature of the Hispanic Caribbean and its diasporas. The author of Racial Experiments in Cuban Literature and Ethnography (2011; 2nd edition, 2018), her articles have appeared in Revista de Estudios Hispánicos, Small Axe, A Contracorriente, ASAP/Journal, and Revista Iberoamericana, among other places.

• Introduction: “Posthumanism and Speculative Aesthetics in Latin(x) American Science Fiction”.- Chapter 1. “Prosthetic Futures: Disability and Genre Self-Consciousness in Maielis González Fernández’s Sobre los nerds y otras criaturas mitológicas.” Ana Ugarte Fernández, College of the Holy Cross.- Chapter 2. “We Have Always Been Posthuman: Virtus and the Reconfiguration of the Lettered Subject.” Miguel García, Fordham University.- Chapter 3. “Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on the Posthuman Written by Mexicans (2001-2007).” Stephen Tobin, UCLA.- Chapter 4. Maia Gil’Adi, “Fukú, Postapocalyptic Haunting, and Science-Fiction Embodiment in Junot Díaz’s ‘Monstro.’” Maia Gil’Adi, University of Massachusetts-Lowell.- Chapter 5. “Villa Epecuén: Slow Violence and the Posthuman Film Set.” Jonathan Risner, Indiana University.- Chapter 6. Catfish and Nanobots: Invasive Species and Eco-Critical Futures in Alejandro RojasMedina’s Chunga Maya, Samuel Ginsburg, Washington State University.- - Chapter 7. “Cyborgs in the Margins: Indigeneity in ‘El Cementerio de Elefantes,’ by Miguel Esquirol.” Liliana Colanzi, Cornell University.- Chapter 8. “Race, Performance and the Discipline of the Body in Brazil’s Dystopian Thriller 3%.” M. Elizabeth Ginway, University of Florida.- Chapter 9. “Bruja Theory: On Witches and Worldmaking.” William Orchard, Queens College of the City University of New York.- Afterword: “Posthuman Subjectivity in Latin America:  Changing the Conversation.” Silvia Kurlat Ares.