Häftad, Engelska, 2017
1 163 kr
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Antonio Krüger – författare
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45 produkter
45 produkter
- Inbunden, Engelska, 2017
1 402 kr
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- Häftad, Engelska, 2018
1 163 kr
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- E-bokPDF, Engelska, 2018
1 105 kr
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The Handbook of Multimodal-Multisensor Interfaces provides the first authoritative resource on what has become the dominant paradigm for new computer interfaces: user input involving new media (speech, multi-touch, hand and body gestures, facial expressions, writing) embedded in multimodal-multisensor interfaces that often include biosignals. This edited collection is written by international experts and pioneers in the field. It provides a textbook, reference, and technology roadmap for professionals working in this and related areas. This second volume of the handbook begins with multimodal signal processing, architectures, and machine learning. It includes recent deep learning approaches for processing multisensorial and multimodal user data and interaction, as well as context-sensitivity. A further highlight is processing of information about users'' states and traits, an exciting emerging capability in next-generation user interfaces. These chapters discuss real-time multimodal analysis of emotion and social signals from various modalities, and perception of affective expression by users. Further chapters discuss multimodal processing of cognitive state using behavioral and physiological signals to detect cognitive load, domain expertise, deception, and depression. This collection of chapters provides walk-through examples of system design and processing, information on tools and practical resources for developing and evaluating new systems, and terminology and tutorial support for mastering this rapidly expanding field. In the final section of this volume, experts exchange views on the timely and controversial challenge topic of multimodal deep learning. The discussion focuses on how multimodal-multisensor interfaces are most likely to advance human performance during the next decade. - E-bokEngelska, 2018
1 008 kr
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The Handbook of Multimodal-Multisensor Interfaces provides the first authoritative resource on what has become the dominant paradigm for new computer interfaces: user input involving new media (speech, multi-touch, hand and body gestures, facial expressions, writing) embedded in multimodal-multisensor interfaces that often include biosignals. This edited collection is written by international experts and pioneers in the field. It provides a textbook, reference, and technology roadmap for professionals working in this and related areas. This second volume of the handbook begins with multimodal signal processing, architectures, and machine learning. It includes recent deep learning approaches for processing multisensorial and multimodal user data and interaction, as well as context-sensitivity. A further highlight is processing of information about users'' states and traits, an exciting emerging capability in next-generation user interfaces. These chapters discuss real-time multimodal analysis of emotion and social signals from various modalities, and perception of affective expression by users. Further chapters discuss multimodal processing of cognitive state using behavioral and physiological signals to detect cognitive load, domain expertise, deception, and depression. This collection of chapters provides walk-through examples of system design and processing, information on tools and practical resources for developing and evaluating new systems, and terminology and tutorial support for mastering this rapidly expanding field. In the final section of this volume, experts exchange views on the timely and controversial challenge topic of multimodal deep learning. The discussion focuses on how multimodal-multisensor interfaces are most likely to advance human performance during the next decade. - Inbunden, Engelska, 2018
1 402 kr
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- Häftad, Engelska, 2019
1 402 kr
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- E-bokPDF, Engelska, 2019
1 042 kr
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The Handbook of Multimodal-Multisensor Interfaces provides the first authoritative resource on what has become the dominant paradigm for new computer interfaces-user input involving new media (speech, multi-touch, hand and body gestures, facial expressions, writing) embedded in multimodal-multisensor interfaces.
This three-volume handbook is written by international experts and pioneers in the field. It provides a textbook, reference, and technology roadmap for professionals working in this and related areas.
This third volume focuses on state-of-the-art multimodal language and dialogue processing, including semantic integration of modalities. The development of increasingly expressive embodied agents and robots has become an active test bed for coordinating multimodal dialogue input and output, including processing of language and nonverbal communication. In addition, major application areas are featured for commercializing multimodal-multisensor systems, including automotive, robotic, manufacturing, machine translation, banking, communications, and others. These systems rely heavily on software tools, data resources, and international standards to facilitate their development. For insights into the future, emerging multimodal-multisensor technology trends are highlighted in medicine, robotics, interaction with smart spaces, and similar areas. Finally, this volume discusses the societal impact of more widespread adoption of these systems, such as privacy risks and how to mitigate them. The handbook chapters provide a number of walk-through examples of system design and processing, information on practical resources for developing and evaluating new systems, and terminology and tutorial support for mastering this emerging field. In the final section of this volume, experts exchange views on a timely and controversial challenge topic, and how they believe multimodal-multisensor interfaces need to be equipped to most effectively advance human performance during the next decade.
- E-bokEngelska, 2019
1 019 kr
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The Handbook of Multimodal-Multisensor Interfaces provides the first authoritative resource on what has become the dominant paradigm for new computer interfaces-user input involving new media (speech, multi-touch, hand and body gestures, facial expressions, writing) embedded in multimodal-multisensor interfaces.
This three-volume handbook is written by international experts and pioneers in the field. It provides a textbook, reference, and technology roadmap for professionals working in this and related areas.
This third volume focuses on state-of-the-art multimodal language and dialogue processing, including semantic integration of modalities. The development of increasingly expressive embodied agents and robots has become an active test bed for coordinating multimodal dialogue input and output, including processing of language and nonverbal communication. In addition, major application areas are featured for commercializing multimodal-multisensor systems, including automotive, robotic, manufacturing, machine translation, banking, communications, and others. These systems rely heavily on software tools, data resources, and international standards to facilitate their development. For insights into the future, emerging multimodal-multisensor technology trends are highlighted in medicine, robotics, interaction with smart spaces, and similar areas. Finally, this volume discusses the societal impact of more widespread adoption of these systems, such as privacy risks and how to mitigate them. The handbook chapters provide a number of walk-through examples of system design and processing, information on practical resources for developing and evaluating new systems, and terminology and tutorial support for mastering this emerging field. In the final section of this volume, experts exchange views on a timely and controversial challenge topic, and how they believe multimodal-multisensor interfaces need to be equipped to most effectively advance human performance during the next decade.
- Inbunden, Engelska, 2019
1 627 kr
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- E-bokPDF, Tyska, 2017
442 kr
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Dieses kompakte Grundlagen-Lehrbuch orientiert sich in Inhalt und Aufbau an einer einführenden Vorlesung zum Thema Mensch-Maschine-Interaktion und lehnt sich an das von der Association for Computing Machinery (ACM) vorgeschlagene Curriculum des Gebiets an. Es besteht aus vier großen Teilen. Davon umfassen die ersten drei den Stoff der Grundvorlesung und behandeln nacheinander die menschliche Seite (u.a. Wahrnehmung, Informationsverarbeitung, Motorik), die Seite der Maschine (u.a. technische Grundlagen, etablierte Interaktionsformen) und den Entwicklungsprozess (User Centered Design, Prototypen, Evaluation). Der vierte Teil gibt einen Ausblick auf spezielle Anwendungsgebiete (Desktop und Web, Touch, mobile Interaktion, Ubiquitous Computing, VR und AR) und bildet damit den Leitfaden für eine aufbauende Vorlesung. Die vorliegende zweite Auflage wurde in den Grundlagenteilen ergänzt und im Anwendungsteil deutlich erweitert.
Begleitet wird das Buch durch eine Webseite (mmibuch.de) mit Material für Studierende (Übungsaufgaben, Musterlösungen, multimediale Inhalte) und Dozenten (Bildmaterial, Vorlesungsfolien, weiterführende Literatur).
Andreas Butz
studierte Informatik an der Universitä t des Saarlandes und promovierte dort 1997. Nach einem Jahr an der Columbia University, New York sowie mehreren Jahren am DFKI Saarbrücken und als Geschäftsführer eines Technologie-Startup erhielt er 2004 einen Ruf an die Ludwig-Maximilians-Universität, München, wo er heute den Lehrstuhl für Mensch-Maschine-Interaktion innehat. Seit 2014 lehrt er das Fachgebiet zudem als Gastprofessor in Chengdu, China.
Antonio Krüger
studierte ebenfalls Informatik an der Universität des Saarlandes und promovierte dort 1999. Nach mehreren Jahren am Deutschen Forschungszentrum für Künstliche Intelligenz erhielt er 2004 einen Ruf an die Universität Münster und 2010 den Lehrstuhl für »Ubiquitous Media Technologies« an der Universität des Saarlandes. Daneben ist er Direktor des »Innovative Retail Laboratory« amDeutschen Forschungszentrum für Künstliche Intelligenz.
- E-bokTyska, 2017
442 kr
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Dieses kompakte Grundlagen-Lehrbuch orientiert sich in Inhalt und Aufbau an einer einführenden Vorlesung zum Thema Mensch-Maschine-Interaktion und lehnt sich an das von der Association for Computing Machinery (ACM) vorgeschlagene Curriculum des Gebiets an. Es besteht aus vier großen Teilen. Davon umfassen die ersten drei den Stoff der Grundvorlesung und behandeln nacheinander die menschliche Seite (u.a. Wahrnehmung, Informationsverarbeitung, Motorik), die Seite der Maschine (u.a. technische Grundlagen, etablierte Interaktionsformen) und den Entwicklungsprozess (User Centered Design, Prototypen, Evaluation). Der vierte Teil gibt einen Ausblick auf spezielle Anwendungsgebiete (Desktop und Web, Touch, mobile Interaktion, Ubiquitous Computing, VR und AR) und bildet damit den Leitfaden für eine aufbauende Vorlesung. Die vorliegende zweite Auflage wurde in den Grundlagenteilen ergänzt und im Anwendungsteil deutlich erweitert.
Begleitet wird das Buch durch eine Webseite (mmibuch.de) mit Material für Studierende (Übungsaufgaben, Musterlösungen, multimediale Inhalte) und Dozenten (Bildmaterial, Vorlesungsfolien, weiterführende Literatur).
Andreas Butz
studierte Informatik an der Universitä t des Saarlandes und promovierte dort 1997. Nach einem Jahr an der Columbia University, New York sowie mehreren Jahren am DFKI Saarbrücken und als Geschäftsführer eines Technologie-Startup erhielt er 2004 einen Ruf an die Ludwig-Maximilians-Universität, München, wo er heute den Lehrstuhl für Mensch-Maschine-Interaktion innehat. Seit 2014 lehrt er das Fachgebiet zudem als Gastprofessor in Chengdu, China.
Antonio Krüger
studierte ebenfalls Informatik an der Universität des Saarlandes und promovierte dort 1999. Nach mehreren Jahren am Deutschen Forschungszentrum für Künstliche Intelligenz erhielt er 2004 einen Ruf an die Universität Münster und 2010 den Lehrstuhl für »Ubiquitous Media Technologies« an der Universität des Saarlandes. Daneben ist er Direktor des »Innovative Retail Laboratory« amDeutschen Forschungszentrum für Künstliche Intelligenz.
- Häftad, Tyska, 2022
573 kr
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- E-bokPDF, Tyska, 2022
669 kr
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Das Lehrbuch richtet sich nach den Vorlesungen »Mensch-Maschine-Interaktion« an der LMU München und ist im Gegensatz zu bestehenden MMI-Büchern explizit als kompaktes Grundlagenlehrbuch konzipiert. Zusätzlich zum Buch wird eine Website mit Bildmaterial, Foliensätzen, Verständnisfragen und Übungsaufgaben angeboten. Die dritte und aktualisierte Auflage wurde an einigen Stellen erweitert und präzisiert und enthält zudem ein neues Kapitel über Voice User Interfaces.
- E-bokTyska, 2022
669 kr
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Das Lehrbuch richtet sich nach den Vorlesungen »Mensch-Maschine-Interaktion« an der LMU München und ist im Gegensatz zu bestehenden MMI-Büchern explizit als kompaktes Grundlagenlehrbuch konzipiert. Zusätzlich zum Buch wird eine Website mit Bildmaterial, Foliensätzen, Verständnisfragen und Übungsaufgaben angeboten. Die dritte und aktualisierte Auflage wurde an einigen Stellen erweitert und präzisiert und enthält zudem ein neues Kapitel über Voice User Interfaces.
- E-bokPDF, Tyska, 2014
384 kr
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Dieses kompakte Grundlagen-Lehrbuch orientiert sich in Inhalt und Aufbau an einer einführenden Vorlesung zum Thema Mensch-Maschine-Interaktion und lehnt sich an das von der Association for Computing Machinery (ACM) vorgeschlageneCurriculum des Gebiets an. Es besteht aus vier großen Teilen. Davon umfassen die ersten drei den Stoff der Grundvorlesung und behandeln nacheinander die menschliche Seite (u.a.Wahrnehmung, Informationsverarbeitung, Motorik), die Seite der Maschine (u.a. technische Grundlagen, etablierte Interaktionsformen) und den Entwicklungsprozess(User Centered Design, Prototypen, Evaluation). Der vierte Teil gibt einen Ausblick auf spezielle Anwendungsgebiete (Desktop und Web, Touch, mobile Interaktion) und bildet damit den Leitfaden für eine aufbauende Vorlesung.Begleitet wird das Buch durch eine Webseite (mmibuch.de) mit Material für Studierende (Übungsaufgaben, Musterlösungen, multimediale Inhalte) und Dozenten (Bildmaterial, Vorlesungsfolien, weiterführende Literatur).
Prof. Dr. Andreas Butz, LMU München
Prof. Dr. Antonio Krüger, Deutschen Forschungszentrum für Künstliche Intelligenz (DFKI)
- E-bokTyska, 2014
388 kr
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Dieses kompakte Grundlagen-Lehrbuch orientiert sich in Inhalt und Aufbau an einer einführenden Vorlesung zum Thema Mensch-Maschine-Interaktion und lehnt sich an das von der Association for Computing Machinery (ACM) vorgeschlageneCurriculum des Gebiets an. Es besteht aus vier großen Teilen. Davon umfassen die ersten drei den Stoff der Grundvorlesung und behandeln nacheinander die menschliche Seite (u.a.Wahrnehmung, Informationsverarbeitung, Motorik), die Seite der Maschine (u.a. technische Grundlagen, etablierte Interaktionsformen) und den Entwicklungsprozess(User Centered Design, Prototypen, Evaluation). Der vierte Teil gibt einen Ausblick auf spezielle Anwendungsgebiete (Desktop und Web, Touch, mobile Interaktion) und bildet damit den Leitfaden für eine aufbauende Vorlesung.Begleitet wird das Buch durch eine Webseite (mmibuch.de) mit Material für Studierende (Übungsaufgaben, Musterlösungen, multimediale Inhalte) und Dozenten (Bildmaterial, Vorlesungsfolien, weiterführende Literatur).
Prof. Dr. Andreas Butz, LMU München
Prof. Dr. Antonio Krüger, Deutschen Forschungszentrum für Künstliche Intelligenz (DFKI)
- Häftad, Engelska, 2004
566 kr
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The International Symposium on Smart Graphics 2004 was held on May 23-25, 2004 in Ban?, Canada. It was the ?fth event in a series which originally started in 2000 as a AAAI Spring Symposium. In response to the overwhelming success of the 2000 symposium, its organizers decided to turn it into a self-contained event in 2001. With the support of IBM, the ?rst two InternationalSymposia on Smart Graphics were held at the T. J. Watson Research Center in Hawthorne, NY in 2001 and 2002. The 2003 symposium moved to the European Media Lab in Heidelberg to underline the international character of the Smart Graphics enterprise and its community. The 2004 symposium particularly emphasized the contribution of arts and design to the interdisciplinary ?eld of Smart Graphics andwasthereforeheldattheBan?CentreinAlberta,Canada,aninternationally recognized center of creative excellence. The core idea behind these symposia is to bring together researchers and practitioners from the ?eld of computer graphics, arti?cial intelligence, cog- tive psychology and the ?ne arts.Each of these disciplines contributes to what we mean by the term "Smart Graphics": the intelligent process of creating - pressive and esthetic graphical presentations. While artists and designers have been creatingcommunicativegraphicsfor centuries,arti?cialintelligencefocuses on automating this process by means of the computer. While computer graphics providesthetoolsforcreatinggraphicalpresentationsinthe?rstplace,cognitive sciences contribute the rules and models of perception necessary for the design of e?ective graphics. - E-bokPDF, Engelska, 2004
739 kr
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- Häftad, Engelska, 2005
566 kr
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TheInternationalSymposiumonSmartGraphics2005washeldfromAugust22- 24, 2005 in the cloister Frauenwort .. h on the island of Frauenchiemsee, Germany. It was the sixth event in a series which originally started in 2000 as a AAAI Spring Symposium. Inresponsetotheoverwhelmingsuccessofthe2000symposium,itsorganizers decided to turn it into a self-contained event. With the support of IBM, the ?rst two International Symposia on Smart Graphics were held at the T.J. Watson Research Center in Hawthorne, NY in 2001 and 2002. The 2003 symposium moved to the European Media Lab in Heidelberg to underline the international character of the Smart Graphics enterprise and its community. The core idea behind these symposia is to bring together researchers and practitioners fromthe ?eld ofcomputer graphics,arti?cialintelligence, cognitive science, graphic design and the ?ne arts. Each of these disciplines contributes to what we mean by the term "Smart Graphics": the intelligent process of creating e?ective, expressive and esthetic graphical presentation. Many Smart Graphics symposiaemphasizea particularaspectofthe?eldin thecallfor papers.In2005 our focus was on "Visual Analytics"- the art and science of analytical reasoning facilitated by interactive visual interfaces. - E-bokPDF, Engelska, 2005
732 kr
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- Häftad, Engelska, 2006
566 kr
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The International Symposium on Smart Graphics 2006 was held during July 23–25, 2006, at the University of British Columbia in Vancouver, Canada. It was the seventh event in a series which originally started in 2000 as an AAAI Spring Symposium. In response to the overwhelming success of the 2000 symposium, its or- nizers decided to turn it into a self-contained event. With the support of IBM, the ?rst two International Symposia on Smart Graphics were held at the T. J. Watson Research Center in Hawthorne, New York, in 2001 and 2002. The 2003 symposium moved to the European Media Lab in Heidelberg. Since then the conference has alternated between North America and Europe. It was held at Ban? Alberta Canada in 2004 and at the cloister Frauenw¨ orth on the island of Frauenchiemsee in Germany in 2005. The core idea behind these symposia is to bring together researchers and practitionersfrom the ?eld of computer graphics,arti?cialintelligence, cognitive science, graphic design and the ?ne arts. Each of these disciplines contributes to what we mean by the term “Smart Graphics”: the intelligent process of c- ating e?ective, expressive and esthetic graphical presentation. While artists and designers have been creating communicative graphics for centuries, arti?cial - telligence focuses on automating this process by means of the computer. While computer graphics provides the tools for creating graphical presentations in the ?rst place, the cognitive sciences contribute the rules and models of perception necessary for the design of e?ective graphics. - E-bokPDF, Engelska, 2006
734 kr
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The International Symposium on Smart Graphics 2006 was held during July 23–25, 2006, at the University of British Columbia in Vancouver, Canada. It was the seventh event in a series which originally started in 2000 as an AAAI Spring Symposium. In response to the overwhelming success of the 2000 symposium, its or- nizers decided to turn it into a self-contained event. With the support of IBM, the ?rst two International Symposia on Smart Graphics were held at the T. J. Watson Research Center in Hawthorne, New York, in 2001 and 2002. The 2003 symposium moved to the European Media Lab in Heidelberg. Since then the conference has alternated between North America and Europe. It was held at Ban? Alberta Canada in 2004 and at the cloister Frauenw¨ orth on the island of Frauenchiemsee in Germany in 2005. The core idea behind these symposia is to bring together researchers and practitionersfrom the ?eld of computer graphics,arti?cialintelligence, cognitive science, graphic design and the ?ne arts. Each of these disciplines contributes to what we mean by the term “Smart Graphics”: the intelligent process of c- ating e?ective, expressive and esthetic graphical presentation. While artists and designers have been creating communicative graphics for centuries, arti?cial - telligence focuses on automating this process by means of the computer. While computer graphics provides the tools for creating graphical presentations in the ?rst place, the cognitive sciences contribute the rules and models of perception necessary for the design of e?ective graphics. Smart Grapics
Third International Symposium, SG 2003, Heidelberg, Germany, July2-4, 2003, Proceedings
E-bokPDF, Engelska, 2003732 kr
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The International Symposium on Smart Graphics 2003 was held on July 2–4, 2003 in Heidelberg, Germany. It was the fourth event in a series that started in 1999 as an AAAI Spring Symposium. In response to the overwhelming success of the 1999 symposium, its organizers decided to turn it into a self-contained event in2000. WiththesupportofIBM,the?rsttwoInternationalSymposiaonSmart Graphics were held at the T. J. Watson Research Center in Hawthorne, NY. The 2003 symposium was supported by the Klaus Tschira Foundation and moved to the European Media Lab in Heidelberg, thus underlining the international character of the Smart Graphics enterprise and its community. The core idea behind these symposia is to bring together researchers and practitioners from the ?eld of computer graphics, arti?cial intelligence, cog- tive psychology, and ?ne art. Each of these disciplines contributes to what we mean by the term “Smart Graphics”: the intelligent process of creating expr- sive and esthetic graphical presentations. While artists and designers have been creating communicative graphics for centuries, arti?cial intelligence focuses on automating this process by means of the computer. While computer graphics provides the tools for creating graphical presentations in the ?rst place, cog- tive sciences contribute the rules and models of perception necessary for the design of e?ective graphics. The exchange of ideas between these four discip- nes has led to many exciting and fruitful discussions, and the Smart Graphics Symposia draw their liveliness from a spirit of open minds and the willingness to learn from and share with other disciplines.Smart Grapics
Third International Symposium, SG 2003, Heidelberg, Germany, July2-4, 2003, Proceedings
Häftad, Engelska, 2003549 kr
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The International Symposium on Smart Graphics 2003 was held on July 2–4, 2003 in Heidelberg, Germany. It was the fourth event in a series that started in 1999 as an AAAI Spring Symposium. In response to the overwhelming success of the 1999 symposium, its organizers decided to turn it into a self-contained event in2000. WiththesupportofIBM,the?rsttwoInternationalSymposiaonSmart Graphics were held at the T. J. Watson Research Center in Hawthorne, NY. The 2003 symposium was supported by the Klaus Tschira Foundation and moved to the European Media Lab in Heidelberg, thus underlining the international character of the Smart Graphics enterprise and its community. The core idea behind these symposia is to bring together researchers and practitioners from the ?eld of computer graphics, arti?cial intelligence, cog- tive psychology, and ?ne art. Each of these disciplines contributes to what we mean by the term “Smart Graphics”: the intelligent process of creating expr- sive and esthetic graphical presentations. While artists and designers have been creating communicative graphics for centuries, arti?cial intelligence focuses on automating this process by means of the computer. While computer graphics provides the tools for creating graphical presentations in the ?rst place, cog- tive sciences contribute the rules and models of perception necessary for the design of e?ective graphics. The exchange of ideas between these four discip- nes has led to many exciting and fruitful discussions, and the Smart Graphics Symposia draw their liveliness from a spirit of open minds and the willingness to learn from and share with other disciplines.- Häftad, Engelska, 2007
566 kr
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The International Symposium on Smart Graphics 2007 was held during June 25–27, 2007 in Kyoto, Japan. It was the eighth event in a series which originally started in 2000 as a AAAI Spring Symposium and has taken place every year since then in Europe and North America. The 2007 Symposium was our ?rst to reach out to the Asian Smart Graphics community. As a result the number of submissions has again increased and the acceptance rate dropped to 31–36% (depending on category). The core idea behind the Smart Graphics symposia is to bring together - searchers and practitioners from the ?eld of computer graphics, arti?cial intel- gence,cognitivescience,graphicdesignandthe?nearts.Eachofthesedisciplines contributes to what we mean by the term “smart graphics”: the intelligent p- cess of creating e?ective, expressive and esthetic graphical presentation. While artists and designers have been creating communicative graphics for centuries, arti?cial intelligence focuses on automating this process by means of the c- puter. While computer graphics provides the tools for creating graphicalpres- tations in the ?rst place, the cognitive sciences contribute the rules and models ofperceptionnecessaryforthedesignofe?ectivegraphics.Theexchangeofideas between these four disciplines has led to many exciting and fruitful discussions, andthesmartgraphicssymposiadrawtheirlivelinessfromaspiritofopenminds and the willingness to learn from and share with other disciplines. - E-bokPDF, Engelska, 2007
732 kr
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The International Symposium on Smart Graphics 2007 was held during June 25–27, 2007 in Kyoto, Japan. It was the eighth event in a series which originally started in 2000 as a AAAI Spring Symposium and has taken place every year since then in Europe and North America. The 2007 Symposium was our ?rst to reach out to the Asian Smart Graphics community. As a result the number of submissions has again increased and the acceptance rate dropped to 31–36% (depending on category). The core idea behind the Smart Graphics symposia is to bring together - searchers and practitioners from the ?eld of computer graphics, arti?cial intel- gence,cognitivescience,graphicdesignandthe?nearts.Eachofthesedisciplines contributes to what we mean by the term “smart graphics”: the intelligent p- cess of creating e?ective, expressive and esthetic graphical presentation. While artists and designers have been creating communicative graphics for centuries, arti?cial intelligence focuses on automating this process by means of the c- puter. While computer graphics provides the tools for creating graphicalpres- tations in the ?rst place, the cognitive sciences contribute the rules and models ofperceptionnecessaryforthedesignofe?ectivegraphics.Theexchangeofideas between these four disciplines has led to many exciting and fruitful discussions, andthesmartgraphicssymposiadrawtheirlivelinessfromaspiritofopenminds and the willingness to learn from and share with other disciplines. - E-bokPDF, Engelska, 2008
1 035 kr
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For centuries, artists and designers have been creating communicative graphics. With the advent of new forms of media, the emergence of paradigms such as ubiquitous computing, and the rapid evolution of interaction devices, there is a continuous cycle of renewal of the technologies and methods to support artists, interaction designers and developers. Developingnewapproachesrequiresanunderstandingofthe fundamentals of perception and cognition as they relate to interaction and communication te- nologies, together with arti?cial intelligence and computer graphics techniques to automate reasoning and enhance cognition. Smart Graphics is in essence an interdisciplinary endeavor and brings together the ?elds of computer graphics, arti?cial intelligence, cognitive science, graphic design and ?ne art. The International Symposium on Smart Graphics 2008 was held on August 27–29 in Rennes, France. It was the ninth event in a series which originally started in 2000 as an American Association for Arti?cial Intelligence Spring Symposium and has taken place every year since then. Due to the high quality of the papers submitted this year, the ProgramCommittee decided to accept 17 fullpapers(insteadoftheusual15),9shortpapersand3systemdemonstrations. The acceptance rate for full papers was 34%. This year’s meeting included a discussion as to the nature of the shape, contentandfutureoftheevent.Representativesfromdi?erentcommunitieswere invitedtogivetheiropinions,andtheorganizingcommitteewouldliketowarmly thank them here. Such questions as the ongoing viability of the symposium and theconsequencesofco-locatingSmartGraphicswithotherlargerresearchevents led to interesting debates and have prepared the groundwork for what could be the future of the Smart Graphics conferenceseries. - Häftad, Engelska, 2009
566 kr
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This book constitutes the refereed proceedings of the 10th International Symposium on Smart Graphics, SG 2009, held in Salamanca, Spain in May 2009. The 15 revised full papers together with 8 short papers and 2 demonstrations presented were carefully reviewed and selected. The papers are organized in topical sections on visual analytics, user studies, human computer interaction, computer graphics and artificial intelligence, as well as virtual and mixed reality. - E-bokPDF, Engelska, 2009
732 kr
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This book constitutes the refereed proceedings of the 10th International Symposium on Smart Graphics, SG 2009, held in Salamanca, Spain in May 2009. The 15 revised full papers together with 8 short papers and 2 demonstrations presented were carefully reviewed and selected. The papers are organized in topical sections on visual analytics, user studies, human computer interaction, computer graphics and artificial intelligence, as well as virtual and mixed reality.
