Antonio Machado – författare

I Spanien i mitt hjärta har Thomas Almqvist valt ut elva spanska favoritpoeter, varav flera aldrig tidigare har översatts till svenska. Antonio Machado, Federico García Lorca, Miguel Hernández, Rafael Alberti, Emilio Prados, Gabriel Celaya, Vicente Aleixandre, León Felipe, Blas de Otero, José Agustín Goytisolo och Carlos Bousoño. Många av poeterna i urvalet hörde till Generation 27, kallad La Generación de la República, »Republikens Generation«. Tre av dessa elva dog som martyrer under eller strax efter spanska inbördeskriget 1936-1939 – Lorca, Hernández och Machado, medan de andra fängslades eller tvingades i landsflykt. Kriget och döden är ofta närvarande i dessa dikter, men här finner läsaren också dikter om kärlek, om längtan till havet och naturen, om kamp och uppror.

Antonio Machado’s Juan de Mairena is a singular work that bridges poetic and philosophical traditions, crafting an imaginative space where art, pedagogy, and metaphysics converge. As much an exploration of the Spanish soul as it is a reflection of the poet himself, this work reveals Machado's profound preoccupation with identity, otherness, and the essence of human experience. Through the voice of the fictional professor Juan de Mairena and his teacher Abel Martín, Machado delves into questions of being, time, and Spain’s cultural heritage, presenting a tapestry of aphorisms, dialogues, and musings that blend irony, introspection, and wit. This translation, including excerpts from The Apocryphal Songbooks, introduces English readers to the depth and complexity of Machado’s intellectual and artistic achievement.The book offers more than a literary experience; it serves as an intimate dialogue with Machado's inner world, colored by the tragedies and reflections of his life. Mairena becomes not just a mouthpiece for the poet’s philosophical inclinations but a "complementary" self, allowing Machado to explore ideas he might not have expressed directly. This duality of creator and persona, coupled with Machado’s blend of existential musings and Spanish cultural critique, creates a work that is at once deeply personal and broadly resonant. As this translation demonstrates, Juan de Mairena is not merely a product of its time but a timeless inquiry into the nature of human thought, creativity, and the ineffable connections between them.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Antonio Machado’s Juan de Mairena is a singular work that bridges poetic and philosophical traditions, crafting an imaginative space where art, pedagogy, and metaphysics converge. As much an exploration of the Spanish soul as it is a reflection of the poet himself, this work reveals Machado's profound preoccupation with identity, otherness, and the essence of human experience. Through the voice of the fictional professor Juan de Mairena and his teacher Abel Martín, Machado delves into questions of being, time, and Spain’s cultural heritage, presenting a tapestry of aphorisms, dialogues, and musings that blend irony, introspection, and wit. This translation, including excerpts from The Apocryphal Songbooks, introduces English readers to the depth and complexity of Machado’s intellectual and artistic achievement.The book offers more than a literary experience; it serves as an intimate dialogue with Machado's inner world, colored by the tragedies and reflections of his life. Mairena becomes not just a mouthpiece for the poet’s philosophical inclinations but a "complementary" self, allowing Machado to explore ideas he might not have expressed directly. This duality of creator and persona, coupled with Machado’s blend of existential musings and Spanish cultural critique, creates a work that is at once deeply personal and broadly resonant. As this translation demonstrates, Juan de Mairena is not merely a product of its time but a timeless inquiry into the nature of human thought, creativity, and the ineffable connections between them.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Regarded by many as the finest poet of twentieth-century Spain, Antonio Machado y Ruiz (1875–1939) is not well known outside the Spanish-speaking world. This volume will introduce him to Anglo-American readers, enabling them to experience at first hand the subtle nuances of his verse. Some two hundred fifty poems in Spanish, drawn from Machado’s entire oeuvre, are accompanied on facing pages by sensitive and beautifully fluent translations which render the originals accessible to the mind and the ear.Alan S. Trueblood annotates the individual poems, placing them in context and illuminating their allusions and undertones. In addition, he provides a substantial biographical and critical Introduction. This gives an overview of Machado’s life, as a poet and teacher and wide-ranging commentator on cultural, political, and social affairs. (Forced into exile at the end of the Civil War, he crossed the Pyrenees on foot and died a month later.) The Introduction also discusses the qualities of Machado’s predominantly quiet and reflective verse, as well as the development of the thought of this major poet.

Antonio Machado, a school teacher and philosopher and one of Spain's foremost poets of the twentieth century, writes of the mountains, the skies, the farms and the sentiments of his homeland clearly and without narcissism: "Just as before, I'm interested/in water held in;/ but now water in the living/rock of my chest." "Machado has vowed not to soar too much; he wants to 'go down to the hells' or stick to the ordinary," Robert Bly writes in his introduction. He brings to the ordinary-to time, to landscape and stony earth, to bean fields and cities, to events and dreams-magical sound that conveys order, penetrating sight and attention. "The poems written while we are awake...are more original and more beautiful, and sometimes more wild than those made from dreams," Machado said. In the newspapers before and during the Spanish Civil War, he wrote of political and moral issues, and, in 1939, fled from Franco's army into the Pyrenees, dying in exile a month later. When in 1966 a bronze bust of Machado was to be unveiled in a town here he had taught school, thousands of people came in pilgrimage only to find the Civil Guard with clubs and submachine guns blocking their way. This selection of Machado's poetry, beautifully translated by Bly, begins with the Spanish master's first book, Times Alone, Passageways in the House, and Other Poems (1903), and follows his work to the poems published after his death: Poems from the Civil War (written during 1936-1939).

This edition of Antonio Machado’s work offers a complete revision of the interpretations advanced by critics on the first version of Soledades (1903). Based on Machado’s original edition it will be the only reliable text on the market of this work, the very embodiment of Spanish modernism. It will offer, as well as the text, a substantial analysis of the changes made for the second edition of 1907 that reveal the progressive influence of Modernismo on Machado’s conceptionsUsing new theoretical models, the editor has been able to tell us more about Machado’s poetic practice, his evolution as a poet and, consequently, more about the development of Symbolism in Spain than has previously been possible.The text will be useful to specialists of Machado and the period (1890–1910) and to postgraduates and final-year students working on the period.

This sweeping assessment of Machado''s work confirms his place as one of the twentieth century''s great poets.

Antonio Machado is, without a doubt, the father of modern Spanish lyric poetry: a bridge that stretches between Becquer, Ruben Dario and the generation of Jimenez, Lorca, Alberti, Guillen, Cernuda, Aleixandre and Otero. An early visit to Paris and an engagement with Symbolism, and its Spanish equivalent, modernism, in the shape of Ruben Dario, was to determine his course as a poet. Machado, however, unlike many of the French symbolists and perhaps because he was Spanish, never turned his back on common reality. Rather, reality and natural images were sacred to him as mysterious cyphers, flickering shadows at the mouth of the Cave. He was a deeply humanitarian poet; he believed in human emotions and intuitions, and he was always opposed to the baroque in Spanish poetry because he saw it as cerebral or conceptual and therefore an inadequate means of receiving significances from the temporal flux in which human beings live. This edition is fully bilingual.

A thoroughly edited text of one of 20th-century Spain's most famous volumes of poetry. An introduction offers an in-depth commentary on Machado's themes, techniques and metaphysical manner. In addition to examining the various influences on his work - Krausism, Bergsonism and the '98 Generation's concern for "el problema de Espana" - the introduction looks at Machado's life, especially the years of composition, 1907-17, and it traces the critical phases in his poetic development: the discovery of the Castilian landscape in Soria, his growing political consciousness, his personal tragedy as a bereaved husband and his existential meditaions in Baeza. Annotations in the form of endnotes provide additional factual information and clarify points of difficulty in the text.

"Traveler, there is no road; you make your path as you walk". While others suggest taking the road less travelled, Antonio Machado suggests that we each make our own road. In this series of brief poems Machado utilises traditional Spanish verse forms to create a wide ranging collection of reflections and philosophical insights in the form of aphorisms. Poems that have the immediacy of epigrams or Japanese haiku. Antonio Machado (1875-1939) is one of the greatest poets of 20th century Spain. He along with Juan Ramon Jimenez and Miguel de Unamuno formed the generation of 1898, which ushered in a new Spanish poetics.

Antonio Machado es lo más parecido a un poeta cívico que puede encontrarse en la literatura española. Así que en esta antología se recogen los poemas más conocidos de su obra, los que hemos aprendido de memoria en el colegio, hemos escuchado en la voz de nuestros cantautores, y hemos citado en nuestra conversación o nuestras intervenciones públicas. Es una buena forma de enriquecer la sabiduría de lo ya conocido y de iluminar la multiplicación de caracteres, rincones e incluso de personajes que cada autor, como cada lector, lleva dentro de sí mismo.

Antonio Machado (Sevilla, 1875-Collioure, 1939), poeta español. Aunque influido por el modernismo y el simbolismo, los Poemas de Antonio Machado son una expresión lírica del ideario de la Generación del 98. Su poesía es el resultado de la conjunción de una extremada sobriedad y sencillez formal, con la manifestación de emociones sinceras y humanas.«Desdeñoso de complacencias fáciles y de vanidades de los sentidos» (según Pedro Salinas), elimina toda la- retórica excesiva,- las metáforas brillantes,- el vocabulario rebuscado,- los elementos decorativos- y los virtuosismos técnicos,quedando reducido al más puro y auténtico lirismo.Si hay un tema que caracteriza la voz de este poeta y su individualidad, es el tema del tiempo. Para Antonio Machado la poesía es palabra en el tiempo, por esto es por lo que su yo lírico se introduce en el problema de la temporalidad y desde allí extrae la temática fundamental de su poesía.Es una poética meditativa, que reflexiona sobre el sentido de la existencia. Por esta razón Antonio Machado define la poesía como «la palabra esencial en el tiempo».