Arthur Koestler – författare

A brilliant new translation of Koestler's long-lost original manuscript. A chilling and unforgettable 20th century classic.From a prison cell in an unnamed country run by a totalitarian government Rubashov reflects. Once a powerful player in the regime, mercilessly dispensing with anyone who got in the way of his party’s aims, Rubashov has had the tables turned on him. He has been arrested and he’ll be interrogated, probably tortured and certainly executed.Darkness at Noon is as gripping as a thriller and a seminal work of twentieth-century literature. Published in Great Britain in 1940, it was feted by George Orwell, went on to be translated into thirty languages and is considered the finest work of pre-eminent European master, Arthur Koestler. And yet the novel’s worldwide reputation has, for over seventy years, been based on the first incomplete and inexpert English translation – Koestler’s original manuscript was lost when he fled the German occupation of Paris in 1940.In 2016, a student discovered that long-lost manuscript in a Zurich archive. At last, with the publication of this new translation of the rediscovered original, Koestler’s masterpiece can be experienced afresh and in its entirety for the first time.THE NEW TRANSLATION BY PHILIP BOEHM

Arthur Koestler's extraordinary history of humanity's changing vision of the universeIn this masterly synthesis, Arthur Koestler cuts through the sterile distinction between 'sciences' and 'humanities' to bring to life the whole history of cosmology from the Babylonians to Newton. He shows how the tragic split between science and religion arose and how, in particular, the modern world-view replaced the medieval world-view in the scientific revolution of the seventeenth century. He also provides vivid and judicious pen-portraits of a string of great scientists and makes clear the role that political bias and unconscious prejudice played in their creativity.

This was the third novel of Arthur Koestler's trilogy on ends and means - the other two are THE GLADIATORS and DARKNESS AT NOON - and the first he wrote in English. The central theme is the conflict between morality and expediency, and in this novel Koestler worked it out in terms of individual psychology. Peter Slavek starts out as a brave young revolutionary, but suffers a breakdown. On the analyst's couch he is made to discover, in Koestler's own words, 'that his crusading zeal was derived from unconscious guilt'.

Darkness at Noon is set in an unnamed country ruled by a totalitarian government. Rubashov, once a powerful player in the regime, finds the tables turned on him when he is arrested and tried for treason. His reflections on his previous life and his experiences in prison form the heart of this moving and though-provoking masterpiece.

The second volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon.Taken together, Arthur Koestler's volumes of autobiography constitute an unrivalled study of a twentieth-century life. The Invisible Writing picks up where the first volume, Arrow in the Blue, ended, with Koestler joining the Communist Party. This second volume goes on to detail some of the most important, gruelling and electrifying experiences in his life. This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It tells of how he survived in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home.

Arthur Koestler's extraordinary history of humanity's changing vision of the universeIn this masterly synthesis, Arthur Koestler cuts through the sterile distinction between 'sciences' and 'humanities' to bring to life the whole history of cosmology from the Babylonians to Newton. He shows how the tragic split between science and religion arose and how, in particular, the modern world-view replaced the medieval world-view in the scientific revolution of the seventeenth century. He also provides vivid and judicious pen-portraits of a string of great scientists and makes clear the role that political bias and unconscious prejudice played in their creativity.

The story of Koestler's imprisonment in France in 1940, his escape and his extraordinary and adventurous journey to the safety of London, which unfolds like some travel nightmare by Kafka. The 'scum of the earth' are those heroic individuals, like Koestler himself, who had fought the tide of fascism and come to live in liberal France under the mistaken impression that they would be safe.

The first volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon.In 1931, Arthur Koestler joined the Communist Party, an event he felt to be second only in importance to his birth in shaping his destiny. Before that point, he lived a tumultuous and varied existence. He was a member of the duelling fraternity at the University of Vienna; a collective farm worker in Galilee; a tramp and street vendor in Haifa; the editor of a weekly paper in Cairo; the foreign correspondent of the biggest continental newspaper chain in Paris and the Middle East; a science editor in Berlin; and a member of the North Pole expedition of the Graf Zeppelin. Written with enormous zest, joie de vivre and frankness, Arrow in the Blue is a fascinating self-portrait of a remarkable young man at the heart of the events that shaped the twentieth century. The second volume of Arthur Koestler's autobiography is The Invisible Writing.

Arthur Koestler's first novel, set in the late Roman Republic, tells the story of the revolt of Spartacus and man's search for Utopia. The first of three novels concerned with the 'ethics of revolution', it addresses the age-old debate of whether the end justifies the means, an argument continued in his classic novels Darkness at Noon and Arrival and Departure.

The second volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon.Taken together, Arthur Koestler's volumes of autobiography constitute an unrivalled study of a twentieth-century life. The Invisible Writing picks up where the first volume, Arrow in the Blue, ended, with Koestler joining the Communist Party. This second volume goes on to detail some of the most important, gruelling and electrifying experiences in his life. This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It tells of how he survived in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home.

This was the third novel of Arthur Koestler's trilogy on ends and means - the other two are THE GLADIATORS and DARKNESS AT NOON - and the first he wrote in English. The central theme is the conflict between morality and expediency, and in this novel Koestler worked it out in terms of individual psychology. Peter Slavek starts out as a brave young revolutionary, but suffers a breakdown. On the analyst's couch he is made to discover, in Koestler's own words, 'that his crusading zeal was derived from unconscious guilt'.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book consists of three parts, “Background”, “Close-up” and “Perspective”. The first part is a survey of the developments which led to the foundation of the State of Israel. It lays no claim to historical completeness and is written from a specific angle which stresses the part played by irrational forces and emotive bias in history. I am not sure whether this emphasis has not occasionally resulted in over-emphasis—as is almost inevitable when one tries to redress a balance by spot-lighting aspects which are currently neglected. But it was certainly not my intention, by underlining the psychological factor, to deny or minimize the importance of the politico-economic forces. My aim was rather to present, if I may borrow a current medical term, a “psycho-somatic” view of one of the most curious episodes in modern history.The second part, “Close-up”, is meant to give the reader a close and coloured, but not I hope technicoloured, view of the Jewish war and of everyday life in the new State. It opens and ends with extracts from the diary of my last sojourn as a war correspondent in Israel. The emphasis here is on life in the towns, with only occasional glimpses of the collective settlements, since I have given a detailed description of these in an earlier book.The third part, “Perspective”, is an attempt to present to the reader a comprehensive survey of the social and political structure, the cultural trends and future prospects of the Jewish State.

Thieves in the Night : Chronicle of an Experiment was written in 1946. Originally intended to be the first of a trilogy, Koestler later concluded that the book stood on its own and plans for further novels made redundant.Based on the author''s own experiences in a kibbutz, it sets up a stage in describing the historical roots of the conflict between Arabs and Jewish settlers in the British ruled Palestine.The book tackles many subjects, such as Zionism and idealism. Koestler was Zionist early in life, but later abandoned the idea.The title is a Biblical reference, quoted on the title page: "But the day of the Lord will come as a thief in the night." (2 Peter 3:10)

In this novel the call-girls are the men and women of the international jet-set who, at the lift of a telephone, will fly from conference to congress to symposium to discuss subjects of world importance. This time the place is Switzerland and the subject Survival...

Arthur Koestler''s publications manifest a wide range of political, scientific and literary interests. The Trail of the Dinosaur gathers some of his best-known essays and speeches.The Trail of the Dinosaur , first published in 1955, contains a great deal of Koestler''s thinking for the first ten years after the war – a ''farewell to arms'' as he wrote in his preface. These essays deal with the political questions that obsessed him for the best part of a quarter of a century.The essays in ''The Trail of the Dinosaur'' cover the decade 1946–55-the early or classical period of the Cold War. In that confrontation the West was on the defensive, and the majority of its progressive intellectuals were still turning a benevolently blind eye on Soviet foreign policy and the facts of life behind the Iron Curtain . In the dramatic contest between Whitaker Chambers and Alger Hiss, which has been called the Dreyfus Affair of our century, progressive opinion stood firmly behind Hiss. And when, in the New York Times, I took Chambers'' part, I became, if possible, even more unpopular among self-styled progressives than I had been before.In 1937, during the Civil War in Spain, I spent three months under sentence of death as a suspected spy, witnessing the executions of my fellow prisoners and awaiting my own. These three months left me with a vested interest in capital punishment-rather like ''half-hanged Smith'', who was cut down after fifteen minutes and lived on.

A brilliant new translation of Koestler's long-lost original manuscript. A chilling and unforgettable 20th century classic.From a prison cell in an unnamed country run by a totalitarian government Rubashov reflects. Once a powerful player in the regime, mercilessly dispensing with anyone who got in the way of his party’s aims, Rubashov has had the tables turned on him. He has been arrested and he’ll be interrogated, probably tortured and certainly executed.Darkness at Noon is as gripping as a thriller and a seminal work of twentieth-century literature. Published in Great Britain in 1940, it was feted by George Orwell, went on to be translated into thirty languages and is considered the finest work of pre-eminent European master, Arthur Koestler. And yet the novel’s worldwide reputation has, for over seventy years, been based on the first incomplete and inexpert English translation – Koestler’s original manuscript was lost when he fled the German occupation of Paris in 1940.In 2016, a student discovered that long-lost manuscript in a Zurich archive. At last, with the publication of this new translation of the rediscovered original, Koestler’s masterpiece can be experienced afresh and in its entirety for the first time.THE NEW TRANSLATION BY PHILIP BOEHM

The first volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon.In 1931, Arthur Koestler joined the Communist Party, an event he felt to be second only in importance to his birth in shaping his destiny. Before that point, he lived a tumultuous and varied existence. He was a member of the duelling fraternity at the University of Vienna; a collective farm worker in Galilee; a tramp and street vendor in Haifa; the editor of a weekly paper in Cairo; the foreign correspondent of the biggest continental newspaper chain in Paris and the Middle East; a science editor in Berlin; and a member of the North Pole expedition of the Graf Zeppelin. Written with enormous zest, joie de vivre and frankness, Arrow in the Blue is a fascinating self-portrait of a remarkable young man at the heart of the events that shaped the twentieth century. The second volume of Arthur Koestler's autobiography is The Invisible Writing.