Ashutosh Bhardwaj – författare

When used in India, the term Kala pani refers to the cellular jail in Port Blair, where the British colonisers sent a select category of freedom fighters. In the diaspora it refers to the transoceanic migration of indentured labour from India to plantation colonies across the globe from the mid-19th century onwards.This volume discusses the legacies of indenture in the Caribbean, Reunion, Mauritius, and Fiji, and how they still imbue our present. More importantly, it draws attention to India and raises new questions: doesn’t one need, at some stage, to wonder why this forgotten chapter of Indian history needs to be retrieved? How is it that this history is better known outside India than in India itself? What are the advantages of shining a torch onto a history that was made invisible? Why have the tribulations of the old diaspora been swept under the carpet at a time when the successes of the new diaspora have been foregrounded? What do we stand to gain from resurrecting these histories in the early 21st century and from shifting our perspectives?A key volume on Indian diaspora, modern history, indentured labour, and the legacy of indentureship, this co-edited collection of essays examines these questions largely through the frame of important works of literature and cinema, folk songs, and oral tales, making it an artistic enquiry of the past and of the present. It will be of great interest to scholars and researchers of world history, especially labour history, literature, postcolonial studies, cultural studies, diaspora studies, sociology and social anthropology, Indian Ocean studies, and South Asian studies.

When used in India, the term Kala pani refers to the cellular jail in Port Blair, where the British colonisers sent a select category of freedom fighters. In the diaspora it refers to the transoceanic migration of indentured labour from India to plantation colonies across the globe from the mid-19th century onwards.This volume discusses the legacies of indenture in the Caribbean, Reunion, Mauritius, and Fiji, and how they still imbue our present. More importantly, it draws attention to India and raises new questions: doesn’t one need, at some stage, to wonder why this forgotten chapter of Indian history needs to be retrieved? How is it that this history is better known outside India than in India itself? What are the advantages of shining a torch onto a history that was made invisible? Why have the tribulations of the old diaspora been swept under the carpet at a time when the successes of the new diaspora have been foregrounded? What do we stand to gain from resurrecting these histories in the early 21st century and from shifting our perspectives?A key volume on Indian diaspora, modern history, indentured labour, and the legacy of indentureship, this co-edited collection of essays examines these questions largely through the frame of important works of literature and cinema, folk songs, and oral tales, making it an artistic enquiry of the past and of the present. It will be of great interest to scholars and researchers of world history, especially labour history, literature, postcolonial studies, cultural studies, diaspora studies, sociology and social anthropology, Indian Ocean studies, and South Asian studies.

A haunting ode to those who paid the ultimate price-through the prism of the Maoist insurgency, Ashutosh Bhardwaj meditates on larger questions of violence and betrayal, love and obsession, and what it means to live with and write about death.From 2011 to 2015, Ashutosh lived in the Red Corridor in India wherein the Ultra-Left Naxalites, taking inspiration from the Russian revolution and Mao's tactics, work to overthrow the Indian government by the barrel of the gun. He made several trips thereafter reporting on the insurgents, on police and governmental atrocities, and on the lives caught in the crossfire. Ashutosh chronicles his experiences and bears witness to the lives and deaths of the unforgettable men and women he meets from both sides of the struggle, bringing home the human cost of conflict with astonishing power. Narrated in multiple voices, the book is a creative biography of the region, Dandakaranya, that combines the rigour of journalism, the intimacy of a diary, the musings of a travelogue, and the craft of a novel.The Death Script is one of the most significant works of non-fiction to be published in recent times, bringing often overlooked perspectives and events to light with empathy. Praised by India's topmost scholars and critics, the book has already won various awards.