Athalya Brenner-Idan – författare

Athalya Brenner, a leading feminist critic of the Hebrew Bible, has gathered a unique anthology of feminist writing, offering a rich resource for reclaiming the female heritage in these classic texts.

Judges is a book with much to say about women, especially about their fate in a masculine world, subject to male values. This sparkling new collection of studies subjects Achsah, Delilah and Jephthah''s daughter to the female critical gaze, while an increased emphasis on the body (whether gendered or not), violence of various forms, and intertextuality reflect the growing importance of these issues in biblical exegesis. The contributors to this second Judges Companion are Lillian Klein, Claudia Rakel, Shulamit Valler, Phyllis Silverman Kramer, Carol Smith, Renate Jost, Ilse Müllner and Alice Bach.

This collection of studies, reflecting developments in feminist exegesis over the last few years in Europe and the United States, includes treatments of key female figures (''Tamar and the "Coat of Many Colours"'' by Adrien Janis Bledstein; ''Michal, the Barren Wife'' by Lillian R. Klein; ''On Centering a Fringe Figure: The Wife of Jeroboam in 1 Kings 14:1-18'' by Uta Schmidt; ''The Widow of Zarephath and the Great Woman of Shunem: A Comparative Analysis of Two Stories'' by Jopie Siebert-Hommes), and a new examination of a biblical threesome, ''Saul, David and Jonathan: The Story of a Triangle? A Contribution to the Issue of Homosexuality in the First Testament'' by Silvia Schroer and Thomas Staubli.

The OT semantic field of ''colour'' is presented as a coherent, interdependent, and graded linguistic structure. The relevant lexical items are organized under the following categories: primary (basic) terms; secondary and tertiary terms; terms for pigments, dyes, painting and paints; and terms for stains, speckles, and other phenomena related to colour. Proper names, and names of objects which carry ''colour'' associations are discussed as well. Many OT texts are discussed in detail. Finally, the OT colour field is compared to its Mishnaic Hebrew counterpart, and an Appendix dealing with the renewal of the same lexical sector within modern spoken Hebrew brings the study up to the present.

Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.

This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar''s mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O''Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.

In comparison with other literary aspects of the Old Testament, humour has suffered much scholarly neglect. The present collection of essays (by the editors and ten other authors) argues that humour is plentiful in biblical literature and that many passages, indeed even whole books, can be properly understood only when the humorous intention of the author is acknowledged. This collection is a particularly interesting, innovative and provocative one.

A stimulating collection of studies by leading feminist scholars offering radical readings of the Old Testament books of Samuel and Kings. Although gender ideology may have been only a ''side issue'' for the writers of these texts, the articles in this collection show that it is definitely a constituent of the general ideological framework of this section of Israel''s historiography, and they explore the texts for women''s lives, female voices, gendered types, and the presence of women in the written history. As Athalya Brenner states in her introduction to the volume, in looking at the presentation of women and femaleness in Samuel and Kings we ''encounter chiefly relational images'': women are seen as daughters, mothers, queen mothers, and in their relations to kings and prophets.

The authoritative status of ''Prophecy'' in the Bible poses a challenge to the feminist readers. This challenge is sharpened by the widespread symbolism in prophetic discourse of woman, wife, mother, harlot and the use of what the volume call ''pornoprophetics''. In this collection it is the book of Hosea that attracts special attention, but there are also articles on sexual violence and an introductory essay on prophecy itself as a literary phenomenon. This Feminist Companion offers a sharp confrontation between the voice of the prophetic male and the resistance of the feminist reader.

This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. The contributors to this volume are Lyn Bechtel, Mark Bredin, Athalya Brenner, Edna Brocke, Carole Fontaine, Lillian Klein, Amy-Jill Levine, Judith Lieu, Heather McKay, Adele Reinhartz, Jane Schaberg, Marla Selvidge, Leonore Siegele-Wenschkewitz, Beverly Stratton, Arie Troost, Pieter van der Horst, and Bea Wyler.

This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. ''An enterprising series of collections of important and pioneering studies.... Those teaching feminist courses will find the books invaluable as a resource for students.'' C.S. Rodd, Expository Times.

This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. The essays in this volume deal with social status and female sexuality, the textual figure of ''the daughter'' and the character of Miriam. ''An enterprising series of collections of important and pioneering studies.... Those teaching feminist courses will find the books invaluable as a resource for students'' (C.S. Rodd, Expository Times).

This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. In this volume, Brenner-Idan collects some of the foremost feminist scholars in biblical studies, including Susanne Scholz, Carol Delaney and Lyn M. Bechtel, to offer their words on the role of woman in the first book of the Old Testament, how she is portrayed, and the implication of attitudes towards her.

The authoritative status of ''Prophecy'' in the Bible poses a challenge to the feminist readers. This challenge is sharpened by the widespread symbolism in prophetic discourse of woman, wife, mother, harlot and the use of what the volume call ''pornoprophetics''. In this collection it is the book of Hosea that attracts special attention, but there are also articles on sexual violence and an introductory essay on prophecy itself as a literary phenomenon. This Feminist Companion offers a sharp confrontation between the voice of the prophetic male and the resistance of the feminist reader.

The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three ''revisits'': the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston''s ''Moses, Man of the Mountain'', Ilona Rashkow on ''Oedipus Wreckes: Moses and God''s Rod'', and ''Divine Puppeteer: Yahweh of Exodus'' by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises ''Miriam'' by Phyllis Silverman Kramer, ''Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings'' by Helen Leneman, Alice Bach, ''Dreaming of Miriam''s Well'' and Irmtraud Fischer on ''The Authority of Miriam''. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on'' Serah and the Exodus''.

A Feminist Companion to Reading the Bible: Approaches, Methods and Strategies forms a conclusion to the series of 10 volumes published in the groundbreaking Feminist Companion to the Bible since 1993. Not only is this the companion to the Companion, but, it is at the same time the forerunner and companion to a second series of nine volumes of the Feminist Companion. In all, there will be a unique collection of 20 volumes representing the enormous range of influence that feminist criticism has come to have in biblical studies. Anchored always in particular biblical texts, the essays in this multi-authored Companion to Reading the Bible have a distinct methodological slant, reflecting the numerous developments in feminist criticism that have occurred since the first books in the series were published, and forming an indispensable handbook for every biblical scholar and student today.

This volume in the acclaimed feminist companion to the bible series, edited by Athalya Brenner, draws together a range of leading biblical commentators to discuss one of the most challenging and fascinating biblical texts for feminist interpretation, the book of Genesis.

The book of Judges is replete with female figurations, and has, therefore, received a lot of attention from feminist critics. This volume of essays, however, changes the motivation behind this apparent centrality of female figures, claiming that in fact strong androcentric premises underlie the texts. The overall theme of this sparkling collection focusses on wives, daughters and mothers, and their relationships. An introductory section surveys the women of Judges, investigation satire, paradigm and deviation and the midrashic sources; Brenner and Van Dyck investigate the story and song of Deborah; Fuchs and Exum turn their attention to Jephthah''s daughter; Amit and Reinhartz look at women in the Samson story. Finally, three essays, including one by Mieke Bal, deal with the brutal finale of the book in chapters 19-21.

The second series of Feminist Companions moves beyond the confines of sex- and gender-specific issues and studies of biblical women. Biblical feminist critics now address contemporary life situations, marginalization and a range of questions once not thought accessible to such critique. Feminist theory has also continued a rapid evolution. Among the topics included in this volume are composition, Torah, Ruth-the-Cat, female networking-together with much else to inform and stimulate female (and male) biblical scholars and non-scholars.

This volume in the prestigious Feminist Companions series edited by Athalya Brenner covers this fascinating figures of Esther, Judith, and Susanna.

Provides feminist approaches to Wisdom Literature from leading scholars of the Hebrew Bible and feminist hermeneutics.

The format of the new The Bible in the 21st Century series reflects an international dialogue between experts and graduate students. In this book, experts on Bible translations present essays on the practices of translating the Bible for the present and the future, through Christian and Jewish approaches, in Western Europe and North America as well as in the former Eastern Bloc and in Africa. Each paper is paired with a response. The international contributors here include Adele Berlin, John Rogerson, Robert Carroll, Mary Phil Korsak, Everett Fox, Jeremy Punt and Athalya Brenner, and the debate is prefaced with an introduction by the Editors.

The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.

The format of the new The Bible in the 21st Century series reflects an international dialogue between experts and graduate students. In this book, experts on Bible translations present essays on the practices of translating the Bible for the present and the future, through Christian and Jewish approaches, in Western Europe and North America as well as in the former Eastern Bloc and in Africa. Each paper is paired with a response. The international contributors here include Adele Berlin, John Rogerson, Robert Carroll, Mary Phil Korsak, Everett Fox, Jeremy Punt and Athalya Brenner, and the debate is prefaced with an introduction by the Editors.

A Feminist Companion to Tobit and Judith extends the work of the hugely influential and respected Feminist Companion series, which continues to set the standard for feminist approaches to the Hebrew Bible and related texts. In the present volume Athalya Brenner-Idan (with Helen Efthimiadis-Keith) draws together a range of scholarly commentators and addresses the core issues relating to feminist interpretations of the two texts at hand. The volume examines attitudes to gender, identities, exile, social mores, beliefs, clothing, food and drink, personal relationships, and biblical reception. The contributors are: Beverly Bow and George Nickelsburg, Athalya Brenner-Idan, Ora Brison, Helen Efthimiadis-Keith, Renate Egger-Wenzel, Beate Ego, Emma England, Jennifer Glancy, Jan Willem van Henten, Naomi Jacobs, Amy-Jill Levine, Pamela Milne, and Barbara Schmitz.

A Feminist Companion to Tobit and Judith extends the work of the hugely influential and respected Feminist Companion series, which continues to set the standard for feminist approaches to the Hebrew Bible and related texts. In the present volume Athalya Brenner-Idan (with Helen Efthimiadis-Keith) draws together a range of scholarly commentators and addresses the core issues relating to feminist interpretations of the two texts at hand. The volume examines attitudes to gender, identities, exile, social mores, beliefs, clothing, food and drink, personal relationships, and biblical reception. The contributors are: Beverly Bow and George Nickelsburg, Athalya Brenner-Idan, Ora Brison, Helen Efthimiadis-Keith, Renate Egger-Wenzel, Beate Ego, Emma England, Jennifer Glancy, Jan Willem van Henten, Naomi Jacobs, Amy-Jill Levine, Pamela Milne, and Barbara Schmitz.

A Feminist Companion to Tobit and Judith extends the work of the hugely influential and respected Feminist Companion series, which continues to set the standard for feminist approaches to the Hebrew Bible and related texts. In the present volume Athalya Brenner-Idan (with Helen Efthimiadis-Keith) draws together a range of scholarly commentators and addresses the core issues relating to feminist interpretations of the two texts at hand. The volume examines attitudes to gender, identities, exile, social mores, beliefs, clothing, food and drink, personal relationships, and biblical reception. The contributors are: Beverly Bow and George Nickelsburg, Athalya Brenner-Idan, Ora Brison, Helen Efthimiadis-Keith, Renate Egger-Wenzel, Beate Ego, Emma England, Jennifer Glancy, Jan Willem van Henten, Naomi Jacobs, Amy-Jill Levine, Pamela Milne, and Barbara Schmitz.

In the first edition of The Israelite Woman Athalya Brenner-Idan provided the first book-length treatment by a feminist biblical scholar of the female characters in the Hebrew Bible. Now, thirty years later, Brenner provides a fresh take on this ground-breaking work, considering how scholarly observation of female biblical characters has changed and how it has not. Brenner-Idan also provides a new and highly personal introduction to the book, which details, perhaps surprisingly to present readers, what was at stake for female biblical scholars looking to engage honestly in the academic debate at the time in which the book was first written. This will make difficult reading for some, particularly those whose own views have not changed.The main part of the book presents Brenner-Idans’s now classic examination of the roles of women in the society of ancient Israel, and the roles they play in the biblical narratives. In Part I Brenner-Idan surveys what can be known about the roles of queens, wise women, women poets and authors, prophetesses, magicians, sorcerers and witches and female prostitutes in Israelite society. In Part II the focus is on the typical roles in which Hebrew women appear in biblical stories, as mother of the hero, as temptress, as foreigner, and as ancestress. In these narratives, for which there are standard plots and structures and characterizations readily available, women play a generally domestic role.Not only is the book a highly valuable resource detailing the social role of women in ancient Israel, and showing how the interpretation of women in the bible has been influenced by convention, but it is also a challenging reminder of how outdated attitudes can still prevail.

In the first edition of The Israelite Woman Athalya Brenner-Idan provided the first book-length treatment by a feminist biblical scholar of the female characters in the Hebrew Bible. Now, thirty years later, Brenner provides a fresh take on this ground-breaking work, considering how scholarly observation of female biblical characters has changed and how it has not. Brenner-Idan also provides a new and highly personal introduction to the book, which details, perhaps surprisingly to present readers, what was at stake for female biblical scholars looking to engage honestly in the academic debate at the time in which the book was first written. This will make difficult reading for some, particularly those whose own views have not changed.The main part of the book presents Brenner-Idans''s now classic examination of the roles of women in the society of ancient Israel, and the roles they play in the biblical narratives. In Part I Brenner-Idan surveys what can be known about the roles of queens, wise women, women poets and authors, prophetesses, magicians, sorcerers and witches and female prostitutes in Israelite society. In Part II the focus is on the typical roles in which Hebrew women appear in biblical stories, as mother of the hero, as temptress, as foreigner, and as ancestress. In these narratives, for which there are standard plots and structures and characterizations readily available, women play a generally domestic role.Not only is the book a highly valuable resource detailing the social role of women in ancient Israel, and showing how the interpretation of women in the bible has been influenced by convention, but it is also a challenging reminder of how outdated attitudes can still prevail.