Carole Fontaine – författare

Fontaine explores the social roles of women as depicted within the book of Proverbs, as well as the character archetypes and patriarchal ideologies which undergird the sages' portrayal. Using feminist folklore methodologies and performance studies, the author explores an alternative paradigm for understanding women's relationship to wisdom traditions in the ancient Near East, using parallel texts, later midrash and extrabiblical re-presentations of biblical women associated with wisdom. Fontaine is thus able to show that women were culturally authorized 'performers' of the family-based wisdom traditions of teaching, economic problem-solving, and care-giving, and that these roles provided them with a platform to use their acknowledged wisdom in public roles.

This book explores the social roles of women as portrayed within the book of Proverbs, as well as the character archetypes and patriarchal ideologies which undergird the sages' portrayal. Using feminist folklore methodologies and performance studies, the author explores an alternative paradigm for understanding women's relationship to wisdom traditions in the ancient near east, using parallel texts, later midrash and extrabiblical re-presentations of biblical women associated with wisdom. The author demonstrates that women were culturally authorized 'performers' of the family based wisdom traditions of teaching, economic problem solving, and care giving, and that these roles provided them with a platform to use their acknowledged wisdom in public roles.

This valuable resource both presents and demonstrates the numerous developments in feminist criticsm of the Bible and the enormous rage of influence that feminist criticism has come to have in biblical studies.The purpose of the book is to raise issues of method that are largely glossed over or merely implied in most non-feminist works on the Bible. The editors have included broadly theoretical essays on feminist methods and the various roles they may play in research and pedagogy, as well as non-feminist essays that have direct bearing on the methods or subject matter that feminists use, as well as reading that illustrate the variety of methodological strategies adopted by feminist scholars.Some 30 scholars, from North America and Europe, have contributed to this Companion.

The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.

A Feminist Companion to Reading the Bible: Approaches, Methods and Strategies forms a conclusion to the series of 10 volumes published in the groundbreaking Feminist Companion to the Bible since 1993. Not only is this the companion to the Companion, but, it is at the same time the forerunner and companion to a second series of nine volumes of the Feminist Companion. In all, there will be a unique collection of 20 volumes representing the enormous range of influence that feminist criticism has come to have in biblical studies. Anchored always in particular biblical texts, the essays in this multi-authored Companion to Reading the Bible have a distinct methodological slant, reflecting the numerous developments in feminist criticism that have occurred since the first books in the series were published, and forming an indispensable handbook for every biblical scholar and student today.