Audre Lorde – författare

Your Silence Will Not Protect You collects the essential essays and poems of Audre Lorde for the first time, including the classic ‘The Master’s Tools Will Never Dismantle the Master’s House’. A trailblazer in intersectional feminism, Lorde’s luminous writings have inspired a new generation of thinkers and writers charged by the Black Lives Matter movement.Her lyrical and incisive prose takes on sexism, racism, homophobia, and class; reflecting struggle but ultimately offering messages of hope that remain ever-more trenchant today. Also a celebrated poet, Lorde was New York State Poet Laureate until her death; her poetry and prose together produced an aphoristic and incomparably quotable style, as evidenced by her constant presence on many Women’s Marches against Trump across the world.This beautiful edition honours the ways in which Lorde’s work resonates more than ever thirty years after they were first published.

'Women so empowered are dangerous'Written with a 'black woman's anger' and the precision of a poet, these searing pieces by the groundbreaking writer Audre Lorde are a celebration of female strength and solidarity, and a cry to speak out against those who seek to silence anyone they see as 'other'.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deepThe revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.'The truth of her writing is as necessary today as it's ever been' Guardian

"The self-described black feminist lesbian mother poet used a mixture of prose, theory, poetry, and experience to interrogate oppressions and uplift marginalized communities. She was one of the first black feminists to target heteronormativity, and to encourage black feminists to expand their understanding of erotic pleasure. She amplified anti-oppression, even as breast cancer ravaged her ailing body." — Evette Dionne, Bustle MagazineA great American theorist of race, gender, living, and dying, poet and activist Audre Lorde created a body of work that was ahead of its time in its embrace of intersectionality. Lorde's writings have become increasingly influential since her death in 1992, contributing to the timeliness of her 1988 American Book Award-winning collection, A Burst of Light.From reflections on her struggle with cancer to thoughts on lesbian sexuality and African-American identity in a straight white man's world, Lorde's voice remains enduringly relevant. Those who practice and encourage social justice activism frequently quote her exhortation, "Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare." In addition to the journal entries of "A Burst of Light: Living with Cancer," this edition includes an interview, "Sadomasochism: Not About Condemnation," and three essays, "I Am Your Sister: Black Women Organizing Across Sexualities," "Apartheid U.S.A.," and "Turning the Beat Around: Lesbian Parenting 1986," as well as a new Foreword by Sonia Sanchez."When I don't know what to do, I turn to the Lorde." — Alexis Pauline Gumbs, Bitch Media

I have been womanfor a long timebeware my smileI am treacherous with old magicFilled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power. 'Audre Lorde writes as a black woman, a mother, a daughter, a lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity ... which blaze and pulse on the page' Adrienne Rich

One of the BBC's '100 Novels That Shaped Our World'If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten aliveA little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.'Her work shows us new ways to imagine the world ... so many themes of Audre's work have endured' Renni Eddo Lodge, author of Why I'm No Longer Talking to White People About Race'I came across Audre Lorde's Zami, and I cried to think how lucky I was to have found her. She was an inspiration' Jackie Kay

”Den svarta enhörningen” från 1978 är en av Audre Lordes mest älskade diktsamlingar. Med ömhet och raseri talar den om mödrar och barn, krigare och gudinnor, världens våld och kärlekens kraft.

'A brave, beautiful book that could double as a handbook to accompany anyone on their journey through cancer' Jackie Kay, New StatesmanThe Cancer Journals is an intimate, poetic and invigorating account of the experience of breast cancer, from biopsy to mastectomy, told by the great feminist and activist Audre Lorde.Moving between journal entry, memoir, and essay, Lorde fuses the personal and political to reflect on the many questions breast cancer raises: questions of survival, sexuality, prosthesis and self-care. It is a journey of survival, friendship, and self-acceptance. 'Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet' Adrienne Rich'This book teaches me that with one breast or none, I am still me' Alice Walker

'Women so empowered are dangerous'Written with a 'black woman's anger' and the precision of a poet, these searing pieces by the groundbreaking writer Audre Lorde are a celebration of female strength and solidarity, and a cry to speak out against those who seek to silence anyone they see as 'other'.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

From the self-described 'black, lesbian, mother, warrior, poet', these soaring, urgent essays on the power of women, poetry and anger are filled with darkness and light. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

From the self-described 'black, lesbian, mother, warrior, poet', these soaring, urgent essays on the power of women, poetry and anger are filled with darkness and light. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

One of the BBC's '100 Novels That Shaped Our World'If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten aliveA little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.'Her work shows us new ways to imagine the world ... so many themes of Audre's work have endured' Renni Eddo Lodge, author of Why I'm No Longer Talking to White People About Race'I came across Audre Lorde's Zami, and I cried to think how lucky I was to have found her. She was an inspiration' Jackie Kay

I have been womanfor a long timebeware my smileI am treacherous with old magicFilled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power.

The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deepThe revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.'The truth of her writing is as necessary today as it's ever been' Guardian

'A brave, beautiful book that could double as a handbook to accompany anyone on their journey through cancer' Jackie Kay, New StatesmanThe Cancer Journals is an intimate, poetic and invigorating account of the experience of breast cancer, from biopsy to mastectomy, told by the great feminist and activist Audre Lorde.Moving between journal entry, memoir, and essay, Lorde fuses the personal and political to reflect on the many questions breast cancer raises: questions of survival, sexuality, prosthesis and self-care. It is a journey of survival, friendship, and self-acceptance. 'Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet' Adrienne Rich'This book teaches me that with one breast or none, I am still me' Alice Walker

90 classic titles celebrating 90 years of Penguin Books‘I am Black because I come from the earth’s insidenow take my word for jewel in the open light.’ Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection is a testament to Lorde’s beloved and hugely influential lyric voice, which faithfully captures the complex interiority of the self. These timeless poems resonate down the years.

‘I am Black because I come from the earth’s insidenow take my word for jewel in the open light.’ Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde’s children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.

“ZAMI is a fast-moving chronicle. From the author’s vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde’s work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.”—Off Our BacksFrom the Trade Paperback edition.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, SISTER OUTSIDER celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is. . . .”       Reviews"...it's been almost a quarter of a century since Audre Lorde's essays and speeches in Sister Outsider made an indelible mark on 20th-century literature. But the words of the black lesbian feminist poet seem as lyrical and unforgettable, and, sadly, as relevant today as when she first tackled everything from racism and homophobia to ageism and class dichotomies. A must-have book that every lesbian should read."—Curve Editor's Pick “Lorde was a brilliant feminist poet and intellectual whose theories on the power of embracing our internal contradictions as well as the differences between people and groups is the way to powerful coalition building and social progress.” —New York Post, Sunday “Poet and librarian Lorde collected 15 of her finest essays and speeches in this 1984 volume. With her poet's command of language, she addresses sexism, racism, black women, black lesbians, eroticism, and more. Still powerful.”—Library Journal, Starred Review“Audre Lorde is a passionate sage. I say ‘is' and not ‘was' because her keen insights continue to provoke and sustain us and give us courage. The reissue of this book is a gift to longtime admirers and to new readers who have yet to discover the power and grace and splendid audacity of Audre Lorde.”—Valerie Miner, author of After Eden and professor of feminist studies at Stanford University“[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”—New York TimesFrom the Trade Paperback edition.

Chosen Poems is also, Lorde says, “a linguistic and emotional tour through the conflicts, fears, and hopes of the worlds I have inhabited.” Among those worlds are such earlier books as The First Cities, Cables to Rage, From a Land Where Other People Live, New York Head Shop and Museum, and Coal. “Only the worlds of Africa scrutinized in The Black Unicorn, too complex for excerpt, have been excluded.” The volume also includes seven new poems. As Adrienne Rich has written, Lorde, “for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet.” Chosen Poems will provide for Lorde’s readers, both old and new, another proof of this continuing truth.

"Undersong is a remarkable poetic document...."--Adrienne Rich

This collection, 39 poems written between 1987 and 1992, is the final volume by "a major American poet whose concerns are international, and whose words have left their mark on many lives,” in the words of Adrienne Rich. Audre Lorde (1934-1992) was the author of ten volumes of poetry and five works of prose. She was named New York State Poet in 1991; her other honors include the Manhattan Borough President’s Award for Excellence in the Arts. The Marvelous Arithmetics of Distance was nominated for a National Book Critics Circle Award in 1994.

As Marilyn Hacker has written, "Black, lesbian, mother, cancer survivor, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."

Coal is one of the earliest collections of poems by a woman who, Adrienne Rich writes, "for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet."Marilyn Hacker captures the essence of Lorde and her poetry: "Black, lesbian, mother, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."