Aukje van Rooden – författare

One of the most complicated and ambiguous tendencies in contemporary western societies is the phenomenon referred to as the "turn to religion." In philosophy, one of the most original thinkers critically questioning this "turn" is Jean-Luc Nancy. Re-treating Religion is the first volume to analyze his long-term project "The Deconstruction of Christianity," especially his major statement of it in Dis-Enclosure.Nancy conceives monotheistic religion and secularization not as opposite worldviews that succeed each other in time but rather as springing from the same history. This history consists in a paradoxical tendency to contest one's own foundations—whether God, truth, origin, humanity, or rationality—as well as to found itself on the void of this contestation. Nancy calls this unique combination of self-contestation and self-foundation the "self-deconstruction" of the Western world.The book includes discussion with Nancy himself, who contributes a substantial "Preamble" and a concluding dialogue with the volume editors. The contributions follow Nancy in tracing the complexities of Western culture back to the persistent legacy of monotheism, in order to illuminate the tensions and uncertainties we face in the twenty-first century.

One of the most complicated and ambiguous tendencies in contemporary western societies is the phenomenon referred to as the "turn to religion." In philosophy, one of the most original thinkers critically questioning this "turn" is Jean-Luc Nancy. Re-treating Religion is the first volume to analyze his long-term project "The Deconstruction of Christianity," especially his major statement of it in Dis-Enclosure.Nancy conceives monotheistic religion and secularization not as opposite worldviews that succeed each other in time but rather as springing from the same history. This history consists in a paradoxical tendency to contest one's own foundations—whether God, truth, origin, humanity, or rationality—as well as to found itself on the void of this contestation. Nancy calls this unique combination of self-contestation and self-foundation the "self-deconstruction" of the Western world.The book includes discussion with Nancy himself, who contributes a substantial "Preamble" and a concluding dialogue with the volume editors. The contributions follow Nancy in tracing the complexities of Western culture back to the persistent legacy of monotheism, in order to illuminate the tensions and uncertainties we face in the twenty-first century.

It is often argued that a new form of committed literature is needed. Embracing the 18th-century Romantic idea of aesthetic autonomy, literature is believed to have turned its back to everyday social and political reality. One of the central questions occupying contemporary literary debates is therefore whether literary autonomy is essential to modern literature (‘autonomism’) or should be abandoned (‘anti-autonomism’). Aukje van Rooden argues that the debate between autonomists and anti-autonomists cannot be anything but a fruitless tug-of-war, because it is based on a distorted historical picture. In order to make sense of the social relevance of contemporary literature, a new theoretical paradigm has to be formulated.Literature, Autonomy and Commitment not only offers an historical-conceptual reconstruction of the Romantic paradigm and the theoretical impasse it has created, but also sketches the outline of a new paradigm, called ‘the relational paradigm’, based on the relational ontologies developed in 20th- and 21st-century philosophy.

It is often argued that a new form of committed literature is needed. Embracing the 18th-century Romantic idea of aesthetic autonomy, literature is believed to have turned its back to everyday social and political reality. One of the central questions occupying contemporary literary debates is therefore whether literary autonomy is essential to modern literature ('autonomism') or should be abandoned ('anti-autonomism'). Aukje van Rooden argues that the debate between autonomists and anti-autonomists cannot be anything but a fruitless tug-of-war, because it is based on a distorted historical picture. In order to make sense of the social relevance of contemporary literature, a new theoretical paradigm has to be formulated.Literature, Autonomy and Commitment not only offers an historical-conceptual reconstruction of the Romantic paradigm and the theoretical impasse it has created, but also sketches the outline of a new paradigm, called 'the relational paradigm', based on the relational ontologies developed in 20th- and 21st-century philosophy.

It is often argued that a new form of committed literature is needed. Embracing the 18th-century Romantic idea of aesthetic autonomy, literature is believed to have turned its back to everyday social and political reality. One of the central questions occupying contemporary literary debates is therefore whether literary autonomy is essential to modern literature ('autonomism') or should be abandoned ('anti-autonomism'). Aukje van Rooden argues that the debate between autonomists and anti-autonomists cannot be anything but a fruitless tug-of-war, because it is based on a distorted historical picture. In order to make sense of the social relevance of contemporary literature, a new theoretical paradigm has to be formulated.Literature, Autonomy and Commitment not only offers an historical-conceptual reconstruction of the Romantic paradigm and the theoretical impasse it has created, but also sketches the outline of a new paradigm, called 'the relational paradigm', based on the relational ontologies developed in 20th- and 21st-century philosophy.

It is often argued that a new form of committed literature is needed. Embracing the 18th-century Romantic idea of aesthetic autonomy, literature is believed to have turned its back to everyday social and political reality. One of the central questions occupying contemporary literary debates is therefore whether literary autonomy is essential to modern literature (‘autonomism’) or should be abandoned (‘anti-autonomism’). Aukje van Rooden argues that the debate between autonomists and anti-autonomists cannot be anything but a fruitless tug-of-war, because it is based on a distorted historical picture. In order to make sense of the social relevance of contemporary literature, a new theoretical paradigm has to be formulated.Literature, Autonomy and Commitment not only offers an historical-conceptual reconstruction of the Romantic paradigm and the theoretical impasse it has created, but also sketches the outline of a new paradigm, called ‘the relational paradigm’, based on the relational ontologies developed in 20th- and 21st-century philosophy.

Explores the connection between Jean-Luc Nancy's political works on community and his works on art and literature, thus providing not only a comprehensive introduction into Nancy’s work but also a broader examination of the social and political role of literature.What is the connection between the work of community and the work of literature? And in what way is literature implied in Jean-Luc Nancy's "inoperative" community? The Unraveled Plot investigates the relation between two domains that have only separately been addressed in the reception of Nancy's work: his political works on community on the one hand and his works on art and literature on the other. Lucidly traversing Nancy's entire oeuvre, Aukje van Rooden offers not only a comprehensive introduction into Nancy’s work but also a much broader reflection on the social and political role of literature. Situating Nancy's thought within a larger philosophical tradition leading from German Romanticism to contemporary social and political theory, she offers new insights, with and beyond Nancy, on the forming of communities and how literature can play a role.