Barbara Hall – författare

This accessible book takes a unique person-centred approach to working with older people and provides an introduction to the legislation, policy, theory and research needed by social workers. The authors explore the experience of being an older person and how practitioners can work to make positive differences to older people's lives. In addition, the book:Goes beyond the mechanistic care management approaches to social work and encourages the reader to see older people holisticallyFeatures case studies and exercises to assist readers in reflecting on their practice Examines a range of contexts and perspectives, including sexuality, spirituality, learning disabilitiesEncourages wider reflection on the constraints posed by organisations employing social workers and the impact on their practiceProvides an up-to-date exploration of safeguarding issuesThe authors take into account financial constraints with regard to the care of older people and the impact of a changing demography, but remain upbeat and positive about the value of social work intervention.

Social Work with Older People is relevant for students on placement in adult services or voluntary organizations and social work practitioners working with older people.

Contributors: Gill Butler, Rick Fisher, Chris Gaine, David Gaylard, John Gisby, Vivienne Killner, Andrea Linell, Andy Mantell, Debbie Smallbones, Chris Smethurst, Sally Stapleton, Graham Tooth, Christine Wright

This accessible book takes a unique person-centred approach to working with older people and provides an introduction to the legislation, policy, theory and research needed by social workers. The authors explore the experience of being an older person and how practitioners can work to make positive differences to older people''s lives. In addition, the book:Goes beyond the mechanistic care management approaches to social work and encourages the reader to see older people holisticallyFeatures case studies and exercises to assist readers in reflecting on their practice Examines a range of contexts and perspectives, including sexuality, spirituality, learning disabilitiesEncourages wider reflection on the constraints posed by organisations employing social workers and the impact on their practiceProvides an up-to-date exploration of safeguarding issuesThe authors take into account financial constraints with regard to the care of older people and the impact of a changing demography, but remain upbeat and positive about the value of social work intervention.

Social Work with Older People is relevant for students on placement in adult services or voluntary organizations and social work practitioners working with older people.

Contributors: Gill Butler, Rick Fisher, Chris Gaine, David Gaylard, John Gisby, Vivienne Killner, Andrea Linell, Andy Mantell, Debbie Smallbones, Chris Smethurst, Sally Stapleton, Graham Tooth, Christine Wright

At the age of 16, it''s standard procedure for every girl at Lynnie Russo''s posh Los Angeles prep school to get a car. So on her 16th birthday, Lynnie is startled when she opens the small gift box from her father—it doesn''t contain the shiny new set of keys she was expecting. Instead she finds a worn-out bird charm bracelet. What can he be thinking? When she cuts school to go try surfing so as to have a special day, instead of grounding her, her father hands her a manuscript box and says, "Your mother wanted you to have this when it seemed you were losing perspective. I think now''s the time."Through "The Noah Confessions," Lynnie uncovers her family''s secrets, loves, and tragedies, and comes to recognize that their past may not necessarily determine her future.From the Hardcover edition.

It’s tough enough defining your identity—imagine if your father was a rock legend.Blanche Kelly''s dad is a famous indie rock icon, but not many people at the private school she attends on scholarship know this. Her father left when she was in the first grade, and she can’t quite forgive her mom for not understanding that an artist like her dad needs the time and space to connect to his muse.When Blanche creates an all-girl rock band, their sound captures a wide audience and the band is invited to compete at the Coachella Music Festival. Blanche feels this could be the perfect time for a reunion with her father. Won’t he be proud to hear her band? Won’t he be happy to get to know his only daughter?Author Barbara Hall sensitively explores the expectations between parents and teens, as well as the value of learning about your past to make your own future.From the Hardcover edition.

Rare notes, memos, and telegrams from Humphrey Bogart, Audrey Hepburn, Frank Sinatra, Jane Fonda, and moreLetters from Hollywood reproduces in full color scores of entertaining and insightful pieces of correspondence from some of the most notable and talented film industry names of all time—from the silent era to the golden age, and up through the pre-email days of the 1970s. Culled from libraries, archives, and personal collections, the 135 letters, memos, and telegrams are organized chronologically and are annotated by the authors to provide backstories and further context. While each piece reveals a specific moment in time, taken together, the letters convey a bigger picture of Hollywood history. Contributors include celebrities like Greta Garbo, Alfred Hitchcock, Humphrey Bogart,Frank Sinatra, Katharine Hepburn, Marlon Brando, Elia Kazan, Cary Grant, Francis Ford Coppola, Tom Hanks, and Jane Fonda. This is the gift book of the season for fans of classic Hollywood.

Haunted by a nightmare she cant remember, Krista Redding seeks the help of a professional psychologist. What he uncovers is a shocking secret that has been kept for fifteen years. Cade Sheridan is an undercover FBI agent posing as Andrew Walker. He has been after Robinson Kane for as long as he can remember. Together, he and Krista discover that her painful past is harsh reality. Can a killer be caught before it is too late?

In the aftermath of a violent incident and near-death experience, Sarah Lange is plagued by heavenly voices and dogged by a desire to return “home.” Frightened by her desire to terminate her existence on earth, she checks into a trauma center in Malibu, California, and meets Dr. David Sutton, an intellectual, scientist, reductionist, and someone who believes in nothing beyond his immediate experience. David’s world is as divorced from mystery and magic as Sarah’s is alive with and animated by it. Their sessions open up a dialogue about the separation of worlds—one easily defined and explained and one unknowable and waiting on the other side of human experience. Even as his faith in his profession fades, David struggles to bring his disturbed patient back to the real world. In a desperate effort to define herself, Sarah “escapes,” and David must decide how far he is willing to go to save a patient, and ultimately, himself.

In the tradition of Anne Rivers Siddons and Pat Conroy comes this sensual, beautifully written novel of the South, about a world on the verge of change and the secrets it fears will be revealed When you enter the town of Fawley, you take a step back to a simpler time, back to when neighbors shared potluck dinners, church socials were the only parties decent people attended, and people knew who they were and what they valued—and didn’t tolerate outsiders who tried to change things. It is into this closed but nonetheless appealing community that Danny Crane brings his new wife, Lydia. They met at Myrtle Beach, where they spent a week in the rush and confusion of falling in love. The relationship that ensued startled them both, and the fact that they married six months later was equally disorienting. It was an act of passionate conviction and blind faith. From the outset, Lydia finds Fawley to be different from the exclusive and privileged environment in which she was raised, secure in both “name” and “position” in her family’s stately home in the Georgetown section of Washington, DC. But gradually Lydia comes to realize that few things in Fawley are as they seem, for behind the serenity and the clean-scrubbed façades, there exists a tradition of suspicion and anger, of hostility toward outsiders and fear of change of any kind. Even more disturbing is her realization that Danny, too, is not what he had seemed—that beneath the easy charm lies a darkness borne of distrust and deception, and of secrets too closely kept. In a struggle to hold on to the marriage she continues to believe in, Lydia is forced to confront the forces that have shaped her husband—the town of Fawley itself, and Danny’s family, most especially his cousin Kyle, whose personal magnetism even Lydia has to acknowledge, but whose hold on those around him becomes more and more destructive. Filled with the heat generated by passions too long suppressed and secrets too long kept buried, Close to Home is both a sensual and a literary gem.

Nora Braxton’s life is falling apart. Her husband has run off with a waitress almost young enough to be his daughter, leaving behind unpaid taxes amounting to thousands of dollars. In addition, her vindictive mother continues to criticize her, telling her how to run her life, constantly berating her with shrill choruses of “I-told-you-so.”  To make matters worse, Nora’s thirteen-year-old son wants to run off to Miami to live with his freethinking, free-spending dad. So when Simone Gray, Nora’s old college friend from the University of Virginia, invites her to New Orleans for a week’s vacation, Nora jumps at the chance to get away from it all and get a fresh perspective. Once in this exotic, almost foreign city, Nora finds that she is not the only friend to be summoned by Simone. Poppy Marchand, another former schoolmate, is there as well. Almost immediately after the initial reunion, Nora and Poppy learn that Simone's invitation is not a purely social one and that she has much more in mind than a week of fun and relaxation. Simone, a prominent Los Angeles–based food critic, is a rape victim, and she has asked these old friends to be with her for moral support during the trial of the man she has charged with attacking her. A year earlier, while on assignment in New Orleans, Simone was raped after leaving a nightclub. Once model-beautiful, she is now shockingly thin—in fact, she’s anorexic. Nora, already emotionally at sea and diminished by heartache, resolves nonetheless to stand by her friend. And Poppy Marchand, a blisteringly plainspoken woman who has recently found religion and left her husband, also vows to be there for Simone, but not without her own bitter reservations.   What follows—before, during, and after the trial—is an unraveling of the precepts upon which these three women have built their relationship, each struggling to come to terms with lives that haven’t worked out the way they planned. Pasts are explored, secrets are shared, and the truth of what really happened to Simone is put into question. Drawn from the author’s own experience, A Summons to New Orleans is a wonderfully written and beautifully crafted novel of three women and their fateful reunion that propels each one to search her past— and, together, their shocking revelations test the true limits of loyalty, friendship, and trust.

Resentments emerge when a woman returns to her Virginia hometown after a failed quest for stardom, in “a fine novel of manners about life in the South” (Library Journal).   In an attempt to discover why her life hasn’t worked out the way she had hoped it would, Valerie Caldwell returns to the Southern town she left twelve years earlier to visit her old haunts and two friends from her school days, Tess and Mary Grace—much to their alarm and chagrin.