Barbara Spadaro – författare

Women in the Modern History of Libya features histories of Libyan women exploring the diversity of cultures, languages and memories of Libya from the age of the Empires to the present.The chapters explore a series of institutional and private archives inside and outside Libya, illuminating historical trajectories marginalised by colonialism, nationalism and identity politics. They provide engaging and critical exploration of the archives of the Ottoman cities, of the colonial forces of Italy, Britain and the US, and of the Libyan resistance – the Mawsūʻat riwāyāt al-jihād (Oral Narratives of the Jihād) collection at the Libyan Studies Center of Tripoli – as well as of the private records in the homes of Jewish and Amazigh Libyans across the world. Developing the tools of women’s and gender studies and engaging with the multiple languages of Libya, contributors raise a series of critical questions on the writing of history and on the representation of Libyan people in the past and the present.Illuminating the sheer diversity of histories, memories and languages of Libya, Women in the Modern History of Libya will be of great interest to scholars of North Africa; women’s and gender history; memory in history; cultural studies; and colonialism. The chapters were originally published as a special issue of the Journal of North African Studies.

Women in the Modern History of Libya features histories of Libyan women exploring the diversity of cultures, languages and memories of Libya from the age of the Empires to the present.The chapters explore a series of institutional and private archives inside and outside Libya, illuminating historical trajectories marginalised by colonialism, nationalism and identity politics. They provide engaging and critical exploration of the archives of the Ottoman cities, of the colonial forces of Italy, Britain and the US, and of the Libyan resistance – the Mawsūʻat riwāyāt al-jihād (Oral Narratives of the Jihād) collection at the Libyan Studies Center of Tripoli – as well as of the private records in the homes of Jewish and Amazigh Libyans across the world. Developing the tools of women’s and gender studies and engaging with the multiple languages of Libya, contributors raise a series of critical questions on the writing of history and on the representation of Libyan people in the past and the present.Illuminating the sheer diversity of histories, memories and languages of Libya, Women in the Modern History of Libya will be of great interest to scholars of North Africa; women’s and gender history; memory in history; cultural studies; and colonialism. The chapters were originally published as a special issue of the Journal of North African Studies.

This collection introduces the transnational dimensions of contemporary Italian comics to the predominantly Anglophone arena of comics studies. The volume explores how Italian comics culture transcends geographical and linguistic borders, revealing the mobility and multilingualism that characterise this dynamic field in the 21st century.Drawing on interdisciplinary perspectives from comics studies, Italian studies, and migration research, the collection examines key narrative themes including memory, migration, and transformation in contemporary Italian comics production. Contributors analyse diverse forms from autobiographical narratives and historical comics to graphic journalism and feminist artivism, demonstrating how Italian creators engage with complex social and political issues through sequential art. The book features research on iconic works such as Dylan Dog, contemporary graphic memoirs, and comics journalism addressing Mediterranean border crossings. Through case studies of collective biographies, transnational histories, and activist comics, the volume reveals how Italian comics serve as powerful vehicles for exploring identity, displacement, and social justice in an increasingly connected world.This collection will be essential reading for scholars of comics studies, Italian literature and culture, media studies, and migration research, offering new insights into the global circulation of Italian popular culture. This book was originally published as a special issue of Journal of Graphic Novels and Comics.

The history of Italians and of modern Italian culture stems from multiple experiences of mobility and migration: between the late 19th century and the early 20th century, 27 million Italians migrated and 60 to 80 million people worldwide see their identity as connected with the Italian diaspora. Since the time of Italian unification, a series of narratives about mobility have been produced both inside and outside the boundaries of Italy, by agents such as the Italian state, international organizations or migrant communities themselves.The essays in TransculturalItalies follow the multiple trajectories of this complex history and of itsrepresentations. They do so by focusing on the key concepts andpractices of mobility, memory and translation. Taken together, they represent a contrapuntalseries of case studies that offersa fresh perspective on the study of modern and contemporary Italy. The essaysin the volume explore the meanings that ‘transnational’ and ‘transcultural’assume when applied to the notion of Italian culture.Contributors: Charles Burdett, Jennifer Burns, Derek Duncan, Chiara Giuliani, Viviana Gravano, Giulia Grechi, Margaret Hills de Zárate, Eliana Maestri, Valerie McGuire, Loredana Polezzi, Barbara Spadaro, Ilaria Vanni, Naomi Wells, Rita Wilson