Bartholomew Ryan – författare

This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."

This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."

As a young man, Fernando Pessoa wrote ‘be plural like the universe.’ Staying true to this, he went on to invent more than one hundred fictional alter-egos, which he called heteronyms. This biography, probing Pessoa’s experience and imagination of reality, navigates the poet’s early days in Lisbon and South Africa, reveals a philosopher-poet and pioneer of Portuguese modernism, and delves into the birth of Pessoa’s heteronymic universe. Bartholomew Ryan traverses Pessoa’s writings on evolving radical politics and his messianic dream of an empire of poets, his ventures into esoteric realms and his expertise in astrology. The book unravels Pessoa’s real and imaginary relationships, and explores his unfinished prose masterpiece, The Book of Disquiet. This is a compelling, timely exploration of Pessoa’s profound and innovative ideas, including his revolutionary concepts of identity and self-multiplicity.

9 Artists is an international, multigenerational group exhibition that considers the mutable and mutating role of the artist in contemporary culture. Bringing together the expansive practices of some of the most provocative and engaged artists working today--Yael Bartana, Liam Gillick, Natascha Sadr Haghighian, Renzo Martens, Bjarne Melgaard, Nástio Mosquito, Hito Steyerl and Danh Vo--the show examines ways that they negotiate the complicities and contradictions of living in an ever more complex and networked world. Rarely considered together, they each use their own backgrounds or identities as material, frequently in antagonistic or subversive ways. For this catalogue, each artist has contributed a 16-page artist's book exploring some aspect of their practice, often in collaboration with other artists, writers, or designers including Karl Holmqvist, Phùng Vo, Galit Eilat, Vic Pereiró, An Art Service, Federica Bueti and T.J. Demos. Some contributions are purely visual; others entirely textual, ranging from new essays to ghostwritten letters, cease and desist orders, and cinematic diaries. An accompanying compendium of works provides a visual journey through past projects and ephemera, setting up an associative conversation between the artists' works. Additionally, exhibition curator Bartholomew Ryan's essay weaves together their various approaches, placing them in the context of broader contemporary art practice and the complex world we inhabit. As each artist has developed strong networks of collaborators, the volume is anticipated as a means to promote and create dialogue between the participants and their respective communities.

Nietzsche's critique of the modern subject is often presented as a radical break with modern philosophy and associated with the so-called ‘death of the subject’ in 20th century philosophy. But Nietzsche claimed to be a ‘psychologist’ who was trying to open up the path for ‘new versions and sophistications of the soul hypothesis.’ Although there is no doubt that Nietzsche gave expression to a fundamental crisis of the modern conception of subjectivity (both from a theoretical and from a practical-existential perspective), it is open to debate whether he wanted to abandon the very idea of subjectivity or only to pose the problem of subjectivity in new terms.The volume includes 26 articles by top Nietzsche scholars. The chapters in Part I, “Tradition and Context”, deal with the relationship between Nietzsche's views on subjectivity and modern philosophy, as well as with the late 19th century context in which his thought emerged; Part II, “The Crisis of the Subject”, examines the impact of Nietzsche's critique of the subject on 20th century philosophy, from Freud to Heidegger to Dennett, but also in such authors as Deleuze, Foucault, Derrida, or Luhmann; Part III, “Current Debates - From Embodiment and Consciousness to Agency”, shows that the way in which Nietzsche engaged with such themes as the self, agency, consciousness, embodiment and self-knowledge makes his thought highly relevant for philosophy today, especially for philosophy of mind and ethics.

Nietzsche's critique of the modern subject is often presented as a radical break with modern philosophy and associated with the so-called ‘death of the subject’ in 20th century philosophy. But Nietzsche claimed to be a ‘psychologist’ who was trying to open up the path for ‘new versions and sophistications of the soul hypothesis.’ Although there is no doubt that Nietzsche gave expression to a fundamental crisis of the modern conception of subjectivity (both from a theoretical and from a practical-existential perspective), it is open to debate whether he wanted to abandon the very idea of subjectivity or only to pose the problem of subjectivity in new terms.The volume includes 26 articles by top Nietzsche scholars. The chapters in Part I, “Tradition and Context”, deal with the relationship between Nietzsche's views on subjectivity and modern philosophy, as well as with the late 19th century context in which his thought emerged; Part II, “The Crisis of the Subject”, examines the impact of Nietzsche's critique of the subject on 20th century philosophy, from Freud to Heidegger to Dennett, but also in such authors as Deleuze, Foucault, Derrida, or Luhmann; Part III, “Current Debates - From Embodiment and Consciousness to Agency”, shows that the way in which Nietzsche engaged with such themes as the self, agency, consciousness, embodiment and self-knowledge makes his thought highly relevant for philosophy today, especially for philosophy of mind and ethics.