Basil Stewart – författare

First published in 1929, The Mystery of the Great Pyramid attempts to unravel the secrets of the Great Pyramid by drawing parallels with the rituals in the Book of the Dead. The conception of the Pyramid and the origin of the cult of Osiris and of the Book of the Dead are to be found in a common source, which maybe expressed in the one word, Messianism. The author argues that this is why the literature of early Christian gnosticism abounds in mystical pyramid figures and associated astronomical conceptions and constellations. This book will be of interest to students of history, philosophy, and theology.

First published in 1929, The Mystery of the Great Pyramid attempts to unravel the secrets of the Great Pyramid by drawing parallels with the rituals in the Book of the Dead. The conception of the Pyramid and the origin of the cult of Osiris and of the Book of the Dead are to be found in a common source, which maybe expressed in the one word, Messianism. The author argues that this is why the literature of early Christian gnosticism abounds in mystical pyramid figures and associated astronomical conceptions and constellations. This book will be of interest to students of history, philosophy, and theology.

First published in 1917, On Collecting Japanese-Prints is meant to assist the amateur who has started a collection for the first time, or the person who, while not actually a collector, is sufficiently interested to read about the subject, yet finds the more exhaustive and advanced works thereon somewhat beyond them. How to distinguish forgeries and imitations; what prices should be given; what examples can still be obtained, are some of the questions which the writer has attempted to answer. The following chapters being primarily written for the beginner, artists whose work is very rare, or whose prints they are unlikely to come across in their search for examples, are not mentioned, unless where necessary from a historical or artistic point of view.

First published in 1917, On Collecting Japanese-Prints is meant to assist the amateur who has started a collection for the first time, or the person who, while not actually a collector, is sufficiently interested to read about the subject, yet finds the more exhaustive and advanced works thereon somewhat beyond them. How to distinguish forgeries and imitations; what prices should be given; what examples can still be obtained, are some of the questions which the writer has attempted to answer. The following chapters being primarily written for the beginner, artists whose work is very rare, or whose prints they are unlikely to come across in their search for examples, are not mentioned, unless where necessary from a historical or artistic point of view.