Beatrice Gruendler – författare

This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat.

The little-known story of the sophisticated and vibrant Arabic book culture that flourished during the Middle Ages.During the thirteenth century, Europe’s largest library owned fewer than 2,000 volumes. Libraries in the Arab world at the time had exponentially larger collections. Five libraries in Baghdad alone held between 200,000 and 1,000,000 books each, including multiple copies of standard works so that their many patrons could enjoy simultaneous access.How did the Arabic codex become so popular during the Middle Ages, even as the well-established form languished in Europe? Beatrice Gruendler’s The Rise of the Arabic Book answers this question through in-depth stories of bookmakers and book collectors, stationers and librarians, scholars and poets of the ninth century.The history of the book has been written with an outsize focus on Europe. The role books played in shaping the great literary cultures of the world beyond the West has been less known—until now. An internationally renowned expert in classical Arabic literature, Gruendler corrects this oversight and takes us into the rich literary milieu of early Arabic letters.

This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat.

A robust defense of a poetic geniusAbū Tammām (d. 231 or 232/845 or 846) is one of the most celebrated poets in the Arabic language. Born in Syria to Greek Christian parents, he converted to Islam and quickly made his name as one of the premier Arabic poets in the caliphal court of Baghdad, promoting a new style of poetry that merged abstract and complex imagery with archaic Bedouin language. Both highly controversial and extremely popular, this sophisticated verse influenced all subsequent poetry in Arabic and epitomized the "modern style" (badīʿ), an avant-garde aesthetic that was very much in step with the intellectual, artistic, and cultural vibrancy of the Abbasid dynasty.In The Life and Times of Abū Tammām, translated into English for the first time, the courtier and scholar Abū Bakr Muḥammad ibn Yaḥyā al-Ṣūlī (d. 335 or 336/946 or 947) mounts a robust defense of "modern" poetry and of Abū Tammām's significance as a poet against his detractors, while painting a lively picture of literary life in Baghdad and Samarra. Born into an illustrious family of Turkish origin, al-Ṣūlī was a courtier, companion, and tutor to the Abbasid caliphs. He wrote extensively on caliphal history and poetry and, as a scholar of "modern" poets, made a lasting contribution to the field of Arabic literary history. Like the poet it promotes, al-Ṣūlī's text is groundbreaking: it represents a major step in the development of Arabic poetics, and inaugurates a long line of treatises on innovation in poetry.A bilingual Arabic-English edition.

This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat.

This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat.

In this collected volume, members of the Kalīla and Dimna project discuss, from different perspectives, a core aspect of their work with this textual tradition: the study of variation and mutability. The aim is to shed light on Kalīla and Dimna’s so-called mouvance and establish typologies of textual mobility and instability across linguistic traditions and historical periods, as well as to develop analytical tools to describe, classify, represent, and interpret these dynamics. As will be shown, the progressive digitalization of philology in the last decades has offered the unique opportunity of putting the concept of mouvance into practice. Contributors: Theodore S. Beers, Jan J. van Ginkel, Beatrice Gründler, Khouloud Khalfallah, Mahmoud Kozae, Rima Redwan, Johannes Stephan, Isabel Toral.