Benedict Schofield – författare

A much-needed look at the fiction that was actually read by masses of Germans in the late nineteenth century, and the conditions of its publication and reception.The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings ofthe German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars.This volume offers new readings of literary realism by focusing not on the accepted intellectual canon but on commercially successful fiction in its material and social contexts. It investigates bestsellers from writers such as Freytag, Dahn, Jensen, Raabe, Viebig, Stifter, Auerbach, Storm, Möllhausen, Marlitt, Suttner, and Thomas Mann. The contributions examine the aesthetic strategies that made the works sucha success, and writers' attempts to appeal simultaneously on different levels to different readers. Bestselling writers often sought to accommodate the expectations of publishers and the marketplace, while preserving some sense ofartistic integrity. This volume sheds light on the important effect of the mass market on the writing not just of popular works, but of German prose fiction on all levels.Contributors: Christiane Arndt, Caroline Bland, Elizabeth Boa, Anita Bunyan, Katrin Kohl, Todd Kontje, Peter C. Pfeiffer, Nicholas Saul, Benedict Schofield, Ernest Schonfield, Martin Swales, Charlotte Woodford.Charlotte Woodford is Lecturer in German and Directorof Studies in Modern Languages at Selwyn College, University of Cambridge. Benedict Schofield is Senior Lecturer in German and Head of the Department of German at King's College London.

Weighs the value of Germanophone culture, and its study, in an age of globalization, transnationalism, and academic change.The study of German-language culture has been rapidly diversifying to express the vibrant multiplicity of what it is now possible to research, and teach, under the rubric of "German Studies." Responding to these developments, German in the World explores what happens when the geographic, linguistic, and temporal boundaries that have traditionally been used to define German-language culture are questioned, and are placed alongside more global perspectives. Chapters consider the transformation of the German-language cultural canon through its engagement with the world, trace the value of German Studies as an interdisciplinary subject practiced across different global locations, and investigate the impact of both on the work of organizations and practitioners entirely beyond the academy. In questioning where German-language culture can be found across these different "worlds," German in the World thus uncovers the continued value of German Studies as a field of critical cultural discourse within a globalized public sphere, placing that culture at the heart of debates on Transnational and World Literature. Ultimately, the contributions to this innovative volume demonstrate how attempts to locate German Studies in its wider geographic and social contexts result not in a discipline undone, but in a discipline reinvigorated and transformed.

This volume consists of a series of essays, written by leading scholars within the field, demonstrating the types of inquiry that can be pursued into the transnational realities underpinning German-language culture and history as these travel right around the globe. Contributions discuss the inherent cross-pollination of different languages, times, places and notions of identity within German-language cultures and the ways in which their construction and circulation cannot be contained by national or linguistic borders. In doing so, it is not the aim of the volume to provide a compendium of existing transnational approaches to German Studies or to offer its readers a series of survey chapters on different fields of study to date. Instead, it offers novel research-led chapters that pose a question, a problem or an issue through which contemporary and historical transcultural and transnational processes can be seen at work. Accordingly, each essay isolates a specific area of study and opens it up for exploration, providing readers, especially student readers, not just with examples of transnational phenomena in German language cultures but also with models of how research in these areas can be configured and pursued.Contributors: Angus Nicholls, Anne Fuchs, Benedict Schofield, Birgit Lang, Charlotte Ryland, Claire Baldwin, Dirk Weissmann, Elizabeth Anderson, James Hodkinson, Nicholas Baer, Paulo Soethe, Rebecca Braun, Sara Jones, Sebastian Heiduschke, Stuart Taberner and Ulrike Draesner.

This volume consists of a series of essays, written by leading scholars within the field, demonstrating the types of inquiry that can be pursued into the transnational realities underpinning German-language culture and history as these travel right around the globe. Contributions discuss the inherent cross-pollination of different languages, times, places and notions of identity within German-language cultures and the ways in which their construction and circulation cannot be contained by national or linguistic borders. In doing so, it is not the aim of the volume to provide a compendium of existing transnational approaches to German Studies or to offer its readers a series of survey chapters on different fields of study to date. Instead, it offers novel research-led chapters that pose a question, a problem or an issue through which contemporary and historical transcultural and transnational processes can be seen at work. Accordingly, each essay isolates a specific area of study and opens it up for exploration, providing readers, especially student readers, not just with examples of transnational phenomena in German language cultures but also with models of how research in these areas can be configured and pursued.Contributors: Angus Nicholls, Anne Fuchs, Benedict Schofield, Birgit Lang, Charlotte Ryland, Claire Baldwin, Dirk Weissmann, Elizabeth Anderson, James Hodkinson, Nicholas Baer, Paulo Soethe, Rebecca Braun, Sara Jones, Sebastian Heiduschke, Stuart Taberner and Ulrike Draesner.

In the increasingly globalised consumer culture of the twenty-first century, consumer goods have long become more than mere commodities: they are markers of identity and tools of narration. Advertising, branding and other processes of consumer culture are ubiquitous and charge objects with meaning, impacting the way we perceive them and those who wear, use, showcase or discard them. This close link between consumer culture and the narration of identities – ranging from an individual to a national level – affects the construction of «national brands», as can be seen through contemporary writing.With a focus on post-2000 Austrian literature, this book unveils how a skilful reading of consumer objects – both branded and non-branded – can enrich literary analysis. Introducing the concept of consumer literacy and applying it to Wolf Haas’ Das Wetter vor 15 Jahren, Thomas Glavinic’s Die Arbeit der Nacht, Arno Geiger’s Es geht uns gut and Raphaela Edelbauer’s Das flüssige Land, the study showcases the narrative power of consumer goods and the impact of Austrian literature and its writers on the idyllic national brand that stands in stark contrast to a troubled past.