Charlotte Woodford – författare

The literary history of early modern German convents is a much neglected field. Nuns' writings were rarely printed and generally only read within their institution. In this study - the first to highlight the significance of this large body of writing - Charlotte Woodford provides an overview of nuns' literary activities in this period, an examination of how the tradition of monastic history became established in convents, and the variety of ways in which it permitted women to express their creativity.Bringing together for the first time a significant collection of primary source material, Nuns as Historians in Early Modern Germany also includes a number of illuminating case studies, such as a biography of a fifteenth-century visionary, a prioress's diary, and an abbess's chronicle from the Thirty Years' War. It also offers a valuable reassessment of Caritas Pirckheimer's memoirs, written during the Reformation.

This book shows that the novel of German women's emancipation in the late nineteenth century has been marginalized precisely because of its engagement with politics and protest, and its communication to a wide public of challenging ideas for social reform.

A much-needed look at the fiction that was actually read by masses of Germans in the late nineteenth century, and the conditions of its publication and reception.The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings ofthe German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars.This volume offers new readings of literary realism by focusing not on the accepted intellectual canon but on commercially successful fiction in its material and social contexts. It investigates bestsellers from writers such as Freytag, Dahn, Jensen, Raabe, Viebig, Stifter, Auerbach, Storm, Möllhausen, Marlitt, Suttner, and Thomas Mann. The contributions examine the aesthetic strategies that made the works sucha success, and writers' attempts to appeal simultaneously on different levels to different readers. Bestselling writers often sought to accommodate the expectations of publishers and the marketplace, while preserving some sense ofartistic integrity. This volume sheds light on the important effect of the mass market on the writing not just of popular works, but of German prose fiction on all levels.Contributors: Christiane Arndt, Caroline Bland, Elizabeth Boa, Anita Bunyan, Katrin Kohl, Todd Kontje, Peter C. Pfeiffer, Nicholas Saul, Benedict Schofield, Ernest Schonfield, Martin Swales, Charlotte Woodford.Charlotte Woodford is Lecturer in German and Directorof Studies in Modern Languages at Selwyn College, University of Cambridge. Benedict Schofield is Senior Lecturer in German and Head of the Department of German at King's College London.