Benjamin Wilke - Böcker

This book documents the creation of the Taiyuan Museum of Art: a geometric visual feast that seeks to redefine the structure of museums, galleries, and other public spaces. The architects behind this phenomenal project have described it as a building which "produces the impression of a unified sequence of spaces while at the same time giving visitors the freedom either to follow a path that is clearly defined by the architecture or to skip from one gallery to another in a non-linear fashion". This book embraces the ideas that generated the project through interviews with graduate students at the Knowlton School of Architecture, interviews with contemporary critics, and critical commentary from architects, designers, and colleagues of the architect. The design process is described in detail through drawings, diagrams and study models.

This book covers the work of four of Neil Denari's projects: Sotoak Extension in Al Paso, Texas, the HL-23 Building in New York, the Keelung Harbor in Taiwan, and the Alan Voo House in Los Angeles.

This catalog is a record of the inquiries and proposals that were developed thanks to the LeFevre Fellowship.

Ryue Nishizawa was the Herbert Baumer Distinguished Visiting Professor at the Knowlton School of Architecture during the 2016-17 academic year. Ryue Nishizawa / SANAA : Grace Farms is the thirteenth book in the Source Books in Architecture series.

Source Books in Architecture No.14: Rem Koolhaas / OMA + AMO Spaces for Prada is the most recent volume in the Source Books in Architecture series. Among the topics discussed in the book are the longstanding relationship with Prada and how the early objectives in that relationship have both maintained and shifted. An underlying theme to the conversations held with students and faculty of the Knowlton School community is the topic of architect client relationships, their history, their problems, and how they have contributed to the discipline over time. Explicitly, a focus of the conversation is on a number of projects that OMA has developed or completed with Prada, a large number of which are installation scale environments that manifest in the form of runway shows and exhibitions. The challenge of such projects is to retain a commitment to the political and cultural agenda that OMA embeds in the larger and permanent buildings. Given the ephemerality and role of these environments as literal backgrounds to highlighted events, the projects are ideal scenarios in which to develop an architecture that lacks the permanence of buildings while still carrying potency and contributing to larger cultural discussions involving, for example, event, place, concept, product, staging, the crowd, lighting, and materiality. Source Books in Architecture No.14 contains project documentation from the OMA and Prada archives, transcripts from Koolhaas’ conversations with students at the Knowlton School at The Ohio State University, and commentary and critique from architects, critics, and theorists.