Bernadette Bensaude-Vincent – författare

What kind of stuff is the world made of? What is the nature or substance of things? These are ontological questions, and they are usually answered with respect to the objects of science. The objects of technoscience tell a different story that concerns the power, promise and potential of things – not what they are but what they can be. Seventeen scholars from history and philosophy of science, epistemology, social anthropology, cultural studies and ethics each explore a research object in its technological setting, ranging from carbon to cardboard, from arctic ice cores to nuclear waste, from wetlands to GMO seeds, from fuel cells to the great Pacific garbage patch. Together they offer fascinating stories and novel analytic concepts, all the while opening up a space for reflecting on the specific character of technoscientific objects. With their promise of sustainable innovation and a technologically transformed future, these objects are highly charged with values and design expectations. By clarifying their mode of existence, we are learning to come to terms more generally with the furniture of the technoscientific world – where, for example, the ''dead matter'' of classical physics is becoming the ''smart material'' of emerging and converging technologies.

What kind of stuff is the world made of? What is the nature or substance of things? These are ontological questions, and they are usually answered with respect to the objects of science. The objects of technoscience tell a different story that concerns the power, promise and potential of things – not what they are but what they can be. Seventeen scholars from history and philosophy of science, epistemology, social anthropology, cultural studies and ethics each explore a research object in its technological setting, ranging from carbon to cardboard, from arctic ice cores to nuclear waste, from wetlands to GMO seeds, from fuel cells to the great Pacific garbage patch. Together they offer fascinating stories and novel analytic concepts, all the while opening up a space for reflecting on the specific character of technoscientific objects. With their promise of sustainable innovation and a technologically transformed future, these objects are highly charged with values and design expectations. By clarifying their mode of existence, we are learning to come to terms more generally with the furniture of the technoscientific world – where, for example, the ''dead matter'' of classical physics is becoming the ''smart material'' of emerging and converging technologies.

Carbon is much more than a chemical element: it is a polymorphic entity with many faces, at once natural, cultural and social. Ranging across ten million different compounds, carbon has as many personas in nature as it has roles in human life on earth. And yet it rarely makes the headlines as anything other than the villain of our fossil-based economy, feeding an addiction which is driving dangerous levels of consumption and international conflict and which, left unchecked, could lead to our demise as a species. But the impact of CO on climate change only tells part of the story, and to demonize carbon as an element which will bring about the downfall of humanity is to reduce it to a pale shadow of itself.

In this major new history of carbon, Bernadette Bensaude-Vincent and Sacha Loeve show that this omnipresent element is at the root of countless histories and adventures through time, thanks to its extraordinary versatility. Carbon has a long and prestigious CV: its work and achievements extend far beyond the burning of fossil fuels. The fourth most abundant element in the universe and the second most abundant element in the human body, carbon is the chemical basis of all known life. Carbon chemistry has a long history, with applications ranging from jewellery to heating, underpinning developments in metallurgy, textiles, pharmaceuticals, electronics, nanoscience and green technologies.

A biography of carbon transgresses the boundaries between chemical and social existence, between nature and culture, forcing us to abandon the simplified image of carbon as the anti-hero of human civilization and enabling us to see instead the great diversity of carbon’s modes of existence. With scientific precision and literary flair, Bensaude-Vincent and Loeve unravel the surprising ways in which carbon has shaped our world, showing how unrecognizable the earth would be without it. Uncovering the many hidden lives of carbon allows us to view our own with fresh eyes.

Offering an overall insight into the French tradition of philosophy of technology, this volume is meant to make French-speaking contributions more accessible to the international philosophical community. The first section, “Negotiating a Cultural Heritage,” presents a number of leading 20th century philosophical figures (from Bergson and Canguilhem to Simondon, Dagognet or Ellul) and intellectual movements (from Personalism to French Cybernetics and political ecology) that help shape philosophy of technology in the Francophone area, and feed into contemporary debates (ecology of technology, politics of technology, game studies). The second section, “Coining and Reconfiguring Technoscience,” traces the genealogy of this controversial concept and discusses its meanings and relevance. A third section, “Revisiting Anthropological Categories,” focuses on the relationships of technology with the natural and the human worlds from various perspectives that include anthropotechnology, Anthropocene, technological and vital norms and temporalities. The final section, “Innovating in Ethics, Design and Aesthetics,” brings together contributions that draw on various French traditions to afford fresh insights on ethics of technology, philosophy of design, techno-aesthetics and digital studies. The contributions in this volume are vivid and rich in original approaches that can spur exchanges and debates with other philosophical traditions.