Bill Griffiths – författare

Stotty 'n' Spice Cake brings together regional recipes, dialect, social history and kitchen technology to give us an insight into how kitchen skills, tools and diets have developed. Bill Griffiths takes us on a journey through cooking history - from the griddle on an open fire and the 'beehive' oven to the widely used, much loved and polished kitchen range (th' yuven).This book describes the changing tastes - as well as changes in supplies of meat, fish and grain over the years to include traditions such as the popularity of oatcakes, broth and bread. Recipes from across the region, such as Leak Pudding, Carlins, Singin'-hinny, Taffle Apple, Barley Broth and wartime recipes 'Warton Pie' (Wartime Pie) of course, all served with much home grown North East humour. A joyous celebration of the history of the food and its people from the North East of England.

Until the 20th century, dialect was a marker of economic, social and cultural change. We know that the North East maritime connections with the Dutch led to the introduction of many 'new' words. The Scottish influence of the keelmen (fisherman) on the Tyne and their effect on local language was much more radical. Although the Tyneside dialect and identity and this way of speaking is fast waning, the popularity of discovering this language and dialect shows there is still a great interest in the languages and dialect of the past.

The last major mine in the North East region closed in 2005 and with it went a way of life. Through dialect words, humour, stories and songs Pitmatic will help you to understand the everyday lives and work of miners. Miners who provided fuel, helped sustain an economy, consolidated communities and created a unique and rich regional culture. This book is a joyous celebration of the history of the North East bringing together the words spoken by miners and their families and how they related to the wider languages of the world.

This volume is the first comprehensive overview of Roman experimental archaeology, exploring its key themes, methodologies and applications through a diverse array of international case studies. Experiments, simulations and reconstructions are important methods for understanding the past, from uncovering how ancient objects and structures were made, used, destroyed, deposited and affected underground, to illuminating the experiences of tasting ancient foods, fighting alongside comrades or living in replicated structures. Although the incorporation of experimentation has had great success in prehistoric studies, greater reliance on the wealth of literary and material sources remaining from the classical period has meant that its potential for Roman studies has yet to be fully realised. The 26 chapters in this book are divided into 5 thematic parts, each of which opens with a contextualizing introduction that frames the detailed case studies found in individual chapters and showcases the actual and potential diversity of experimentation as applied to the Roman past by scholars, re-enactors, and practitioners in the heritage sector. In laying out a detailed guide to Roman experimental archaeology, the volume as a whole maps its past, present and future, and provides a firm foundation for further practical research and collaboration. In doing so, it reasserts that experiments and reconstructions are a significant resource for testing or developing theories, rather than merely artistic replicas, and that the vast amount of quantifiable data they yield can be invaluable in support of interpretations of relevant archaeological or historical evidence, regardless of the period in question and beyond the confines of academia.

This volume is the first comprehensive overview of Roman experimental archaeology, exploring its key themes, methodologies and applications through a diverse array of international case studies. Experiments, simulations and reconstructions are important methods for understanding the past, from uncovering how ancient objects and structures were made, used, destroyed, deposited and affected underground, to illuminating the experiences of tasting ancient foods, fighting alongside comrades or living in replicated structures. Although the incorporation of experimentation has had great success in prehistoric studies, greater reliance on the wealth of literary and material sources remaining from the classical period has meant that its potential for Roman studies has yet to be fully realised. The 26 chapters in this book are divided into 5 thematic parts, each of which opens with a contextualizing introduction that frames the detailed case studies found in individual chapters and showcases the actual and potential diversity of experimentation as applied to the Roman past by scholars, re-enactors, and practitioners in the heritage sector. In laying out a detailed guide to Roman experimental archaeology, the volume as a whole maps its past, present and future, and provides a firm foundation for further practical research and collaboration. In doing so, it reasserts that experiments and reconstructions are a significant resource for testing or developing theories, rather than merely artistic replicas, and that the vast amount of quantifiable data they yield can be invaluable in support of interpretations of relevant archaeological or historical evidence, regardless of the period in question and beyond the confines of academia.

This volume is the first comprehensive overview of Roman experimental archaeology, exploring its key themes, methodologies and applications through a diverse array of international case studies. Experiments, simulations and reconstructions are important methods for understanding the past, from uncovering how ancient objects and structures were made, used, destroyed, deposited and affected underground, to illuminating the experiences of tasting ancient foods, fighting alongside comrades or living in replicated structures. Although the incorporation of experimentation has had great success in prehistoric studies, greater reliance on the wealth of literary and material sources remaining from the classical period has meant that its potential for Roman studies has yet to be fully realised. The 26 chapters in this book are divided into 5 thematic parts, each of which opens with a contextualizing introduction that frames the detailed case studies found in individual chapters and showcases the actual and potential diversity of experimentation as applied to the Roman past by scholars, re-enactors, and practitioners in the heritage sector. In laying out a detailed guide to Roman experimental archaeology, the volume as a whole maps its past, present and future, and provides a firm foundation for further practical research and collaboration. In doing so, it reasserts that experiments and reconstructions are a significant resource for testing or developing theories, rather than merely artistic replicas, and that the vast amount of quantifiable data they yield can be invaluable in support of interpretations of relevant archaeological or historical evidence, regardless of the period in question and beyond the confines of academia.

This volume is the first comprehensive overview of Roman experimental archaeology, exploring its key themes, methodologies and applications through a diverse array of international case studies. Experiments, simulations and reconstructions are important methods for understanding the past, from uncovering how ancient objects and structures were made, used, destroyed, deposited and affected underground, to illuminating the experiences of tasting ancient foods, fighting alongside comrades or living in replicated structures. Although the incorporation of experimentation has had great success in prehistoric studies, greater reliance on the wealth of literary and material sources remaining from the classical period has meant that its potential for Roman studies has yet to be fully realised. The 26 chapters in this book are divided into 5 thematic parts, each of which opens with a contextualizing introduction that frames the detailed case studies found in individual chapters and showcases the actual and potential diversity of experimentation as applied to the Roman past by scholars, re-enactors, and practitioners in the heritage sector. In laying out a detailed guide to Roman experimental archaeology, the volume as a whole maps its past, present and future, and provides a firm foundation for further practical research and collaboration. In doing so, it reasserts that experiments and reconstructions are a significant resource for testing or developing theories, rather than merely artistic replicas, and that the vast amount of quantifiable data they yield can be invaluable in support of interpretations of relevant archaeological or historical evidence, regardless of the period in question and beyond the confines of academia.

Roman Frontier Archaeology – in Britain and beyond gathers contributions by some 30 leading archaeologists and historians in honour of Paul Bidwell. In a wide-ranging career Paul has been one of the leading excavators and pottery specialists of his generation, admired for his ground-breaking work both in the south-west and the military north of Roman Britain.Contributions reflect the wide range of Paul Bidwell’s interests. Studies of samian pottery use, coins, carved stone pinecones, multi-piece bone dice and agricultural strategies shed light on the economy and everyday life of a Roman frontier province. For the civil southern part of the province there are studies of place-names and various aspects of the public baths of the Roman cities, as well as the impact of changing sea-levels on coastal topography. A number of contributions focus on the problems of the military north and Hadrian’s Wall, including studies of the nineteenth century antiquarian pioneers and assessments of the purpose of the Wall, the possibility of destructive attacks by an enemy, the way in which Roman forts were designed, and the use of Iron Age tradition military gear by the Roman army. The papers also take us beyond Britannia to consider developments on and beyond Rome’s Eastern, Danube and North African frontiers.The collection will be essential reading for anyone with an interest in either the civil or military aspects of Roman Britain, or the frontiers of the Roman empire.Paul Bidwell (1949-2022)Tragically Paul Bidwell died after a short illness in November 2022 soon after being presented with this book by his friends and colleagues. What was conceived as a gesture to honour Paul has become, in effect, a monument to one of the most respected Roman archaeologists of his generation, and a testament to the wide range of his archaeological interests and achievements.

This book draws together a major selection of poems from 1984-2004. Including works on London, sport, boats, cartoons, food, the classics, the mystical, history, crime, and the North. A taut, rhythmic verse, with respect for word-sound and a cheering disregard for consensus on history, language and ‘poetry’.

Griffiths has one of the finest ears – for song, for varieties and cadences of speech – of any poet writing today. His compacted lyrics flash with intelligence and humour. They are shaped by anger, empathy and childish delight. But they are also charged with the excitement of contemporary form: swift, filmic montage and free use of the page space. His poems dig, probe, reveal, expose the language as it is lived, with a range possibly unequalled in any British poet. Their sharp diagnoses of social domination and the ideas that sustain and mask it are a wake-up call. But there is nothing dry about them: they savour language, ask you to dance with it, show you the pain in it, enlarge the world with it. Griffiths was a key member of the British Poetry Revival, both as an activist in the Poetry Society and in the small press scene, and as a writer of inventive, formally innovative poetry. He continues to explore the shapes of contemporary experience, and to denounce agencies of unfreedom. By now he is the author of a large body of work, which this book seeks to make available to ordinary readers. The essays collected here offer guides to reading, commentaries on forms and sources, and a range of insights into how the poems work. There is also a bibliography, an interview, photographs and visuals, all of which help to give a vivid sense of Griffiths’s world.