Birgitt Rottger-Rossler – författare

Emotions have emerged as a topic of interest across the disciplines, yet studies and findings on emotions tend to fall into two camps: body versus brain, nature versus nurture. Emotions as Bio-cultural Processes offers a unique collaboration across the biological/social divide—from psychology and neuroscience to cultural anthropology and sociology—as 15 noted researchers develop a common language, theoretical basis, and methodology for examining this most sociocognitive aspect of our lives. Starting with our evolutionary past and continuing into our modern world of social classes and norms, these multidisciplinary perspectives reveal the complex interplay of biological, social, cultural, and personal factors at work in emotions, with particular emphasis on the nuances involved in pride and shame.

A sampling of the topics: (1) The roles of the brain in emotional processing. (2) Emotional development milestones in childhood. (3) Social feeling rules and the experience of loss. (4) Emotions as commodities? The management of feelings and the self-help industry. (5) Honor and dishonor: societal and gender manifestations of pride and shame. (6) Emotion regulation and youth culture. (7) Pride and shame in the classroom.

A volume of such wide and integrative scope as Emotions as Bio-cultural Processes should attract a large cohort of readers on both sides of the debate, among them emotion researchers, social and developmental psychologists, sociologists, social anthropologists, and others who analyze the links between humans that on the one hand differentiate us as individuals but on the other hand tie us to our socio-cultural worlds.

This book offers an interdisciplinary analysis of current formations of publics that is informed by in-depth knowledge of affect and emotion theory.

Using empirical case studies from contexts as diverse as India, Pakistan, Tanzania, and the Americas as well as Europe, the book challenges dichotomous distinctions between private and public. Instead, publics are understood as a relational structure that encompasses both people and their physical and mediatized environment. While each kind of public is affectively constituted, the intensity of its affective attunement varies considerably.

The volume is aimed at academic readers interested in understanding the dynamic and fluid forms of contemporary formation of publics—be it digital or face-to-face encounters as well as in the intersection of both forms. This includes researchers from media and communication studies, social anthropology, theatre or literary studies. It is aimed at advanced students of these disciplines who are interested in the unfolding of contemporary publics.