Birte Heidemann – författare

This volume explores new perspectives on contemporary forms of violence in South Asia. Drawing on extensive fieldwork and case studies, it examines the infiltration of violence at the societal level and affords a comparative regional analysis of its historical, cultural and geopolitical origins in South Asia. Featuring essays from Sri Lanka to Nepal, and from Afghanistan to Burma, it sheds light on issues as wide-ranging as lynching and mob justice, hate speech, caste violence, gender-based violence and the plight of the Rohingyas, among others. Lucid and engaging, this book will be an invaluable source of reference as well as scholarship to students and researchers of postcolonial studies, anthropology, sociology, cultural geography, minority studies, politics and gender studies.

This volume explores new perspectives on contemporary forms of violence in South Asia. Drawing on extensive fieldwork and case studies, it examines the infiltration of violence at the societal level and affords a comparative regional analysis of its historical, cultural and geopolitical origins in South Asia. Featuring essays from Sri Lanka to Nepal, and from Afghanistan to Burma, it sheds light on issues as wide-ranging as lynching and mob justice, hate speech, caste violence, gender-based violence and the plight of the Rohingyas, among others. Lucid and engaging, this book will be an invaluable source of reference as well as scholarship to students and researchers of postcolonial studies, anthropology, sociology, cultural geography, minority studies, politics and gender studies.

This volume explores new perspectives on contemporary forms of violence in South Asia. Drawing on extensive fieldwork and case studies, it examines the infiltration of violence at the societal level and affords a comparative regional analysis of its historical, cultural and geopolitical origins in South Asia. Featuring essays from Sri Lanka to Nepal, and from Afghanistan to Burma, it sheds light on issues as wide-ranging as lynching and mob justice, hate speech, caste violence, gender-based violence and the plight of the Rohingyas, among others. Lucid and engaging, this book will be an invaluable source of reference as well as scholarship to students and researchers of postcolonial studies, anthropology, sociology, cultural geography, minority studies, politics and gender studies.

This volume explores new perspectives on contemporary forms of violence in South Asia. Drawing on extensive fieldwork and case studies, it examines the infiltration of violence at the societal level and affords a comparative regional analysis of its historical, cultural and geopolitical origins in South Asia. Featuring essays from Sri Lanka to Nepal, and from Afghanistan to Burma, it sheds light on issues as wide-ranging as lynching and mob justice, hate speech, caste violence, gender-based violence and the plight of the Rohingyas, among others. Lucid and engaging, this book will be an invaluable source of reference as well as scholarship to students and researchers of postcolonial studies, anthropology, sociology, cultural geography, minority studies, politics and gender studies.

This book uncovers a new genre of ‘post-Agreement literature’, consisting of a body of texts – fiction, poetry and drama – by Northern Irish writers who grew up during the Troubles but published their work in the aftermath of the Good Friday Agreement. In an attempt to demarcate the literary-aesthetic parameters of the genre, the book proposes a selective revision of postcolonial theories on ‘liminality’ through a subset of concepts such as ‘negative liminality’, ‘liminal suspension’ and ‘liminal permanence.’ These conceptual interventions, as the readings demonstrate, help articulate how the Agreement’s rhetorical negation of the sectarian past and its aggressive neoliberal campaign towards a ‘progressive’ future breed new forms of violence that produce liminally suspended subject positions.

This book uncovers a new genre of ‘post-Agreement literature’, consisting of a body of texts – fiction, poetry and drama – by Northern Irish writers who grew up during the Troubles but published their work in the aftermath of the Good Friday Agreement. In an attempt to demarcate the literary-aesthetic parameters of the genre, the book proposes a selective revision of postcolonial theories on ‘liminality’ through a subset of concepts such as ‘negative liminality’, ‘liminal suspension’ and ‘liminal permanence.’ These conceptual interventions, as the readings demonstrate, help articulate how the Agreement’s rhetorical negation of the sectarian past and its aggressive neoliberal campaign towards a ‘progressive’ future breed new forms of violence that produce liminally suspended subject positions.