This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions.

Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings.

This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.

This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions.

Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings.

This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.

Discussions around digital technologies, new media, platforms and information have long centred on the protection of personal data and privacy. This timely volume extends the conversation to address fundamental societal and structural issues from three perspectives: people, practices and politics.

Organised around an international collection of case studies, the book provides a valuable contribution to our understanding of the challenges of privacy in the digital sphere, from emerging regulatory programmes to surveillance capitalism and big tech companies.

Taking a multidisciplinary approach, this is a new and innovative perspective on our datafied societies that goes beyond privacy. It will be a key resource for scholars and students of communication and media studies, and science and technology studies.

Discussions around digital technologies, new media, platforms and information have long centred on the protection of personal data and privacy. This timely volume extends the conversation to address fundamental societal and structural issues from three perspectives: people, practices and politics.

Organised around an international collection of case studies, the book provides a valuable contribution to our understanding of the challenges of privacy in the digital sphere, from emerging regulatory programmes to surveillance capitalism and big tech companies.

Taking a multidisciplinary approach, this is a new and innovative perspective on our datafied societies that goes beyond privacy. It will be a key resource for scholars and students of communication and media studies, and science and technology studies.

This book is the first to thoroughly account for the changes in the landscape of cultural policy caused by digital communication and digital media. Valtysson investigates how communication infrastructures and dominant tech giants increasingly shape citizens’ production and consumption patterns, influencing how people meet and interact with cultural products. This book builds theoretical foundations to illuminate the complexities of the changing field of cultural policy and provides concrete manifestations of how policy relates to and shapes practice. The book focuses on archival politics, institutional politics and user politics, and includes analysis of Google Cultural Institute, Europeana, the BBC, the Brooklyn Museum and Te Papa Tongarewa. In order to further understand the complex nature of digital cultural politics, Valtysson provides an analysis of YouTube and Google’s privacy policies and how these relate to the EU’s regulatory frameworks within audio-visual media services, telecommunications, and data protection.

This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions.

Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings.

This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.

This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions.

Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings.

This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.

Discussions around digital technologies, new media, platforms and information have long centred on the protection of personal data and privacy. This timely volume extends the conversation to address fundamental societal and structural issues from three perspectives: people, practices and politics.

Organised around an international collection of case studies, the book provides a valuable contribution to our understanding of the challenges of privacy in the digital sphere, from emerging regulatory programmes to surveillance capitalism and big tech companies.

Taking a multidisciplinary approach, this is a new and innovative perspective on our datafied societies that goes beyond privacy. It will be a key resource for scholars and students of communication and media studies, and science and technology studies.

Discussions around digital technologies, new media, platforms and information have long centred on the protection of personal data and privacy. This timely volume extends the conversation to address fundamental societal and structural issues from three perspectives: people, practices and politics.

Organised around an international collection of case studies, the book provides a valuable contribution to our understanding of the challenges of privacy in the digital sphere, from emerging regulatory programmes to surveillance capitalism and big tech companies.

Taking a multidisciplinary approach, this is a new and innovative perspective on our datafied societies that goes beyond privacy. It will be a key resource for scholars and students of communication and media studies, and science and technology studies.

This book is the first to thoroughly account for the changes in the landscape of cultural policy caused by digital communication and digital media. Valtysson investigates how communication infrastructures and dominant tech giants increasingly shape citizens’ production and consumption patterns, influencing how people meet and interact with cultural products. This book builds theoretical foundations to illuminate the complexities of the changing field of cultural policy and provides concrete manifestations of how policy relates to and shapes practice. The book focuses on archival politics, institutional politics and user politics, and includes analysis of Google Cultural Institute, Europeana, the BBC, the Brooklyn Museum and Te Papa Tongarewa. In order to further understand the complex nature of digital cultural politics, Valtysson provides an analysis of YouTube and Google’s privacy policies and how these relate to the EU’s regulatory frameworks within audio-visual media services, telecommunications, and data protection.