Jaka Primorac – författare

What happens when cultural policy turns digital? Digital Transformation and Cultural Policies in Europe analyzes and compares different digital cultural policies of Europe.Through case studies of seven European countries (UK, Germany, Croatia, Sweden, Spain, Norway, and Switzerland) as well as the analysis of EU digital cultural policy, the book investigates what happens when cultural policy gets changed and challenged by digital culture. Based on a thorough discussion of key concepts and analytical perspectives, this collection also offers a unique multi-disciplinary contribution that shows how digital cultural policy is hyperconvergent. These policies contain established ideas of cultural policy – such as democratization, welfare, access, and national, protectionist ideas – brought together within a digital framework, while also adding new cultural policy tools and instruments, such as digital standards, international regulations, directives, etc. The book shows how digital cultural policies are works in progress, struggling to align their aspirations with their effectiveness.Overall, this book provides a valuable tool for understanding the current policy framework of digital culture. It will be of interest not only to scholars and students in cultural and creative industries but also to creative professionals and policy makers.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

What happens when cultural policy turns digital? Digital Transformation and Cultural Policies in Europe analyzes and compares different digital cultural policies of Europe.Through case studies of seven European countries (UK, Germany, Croatia, Sweden, Spain, Norway, and Switzerland) as well as the analysis of EU digital cultural policy, the book investigates what happens when cultural policy gets changed and challenged by digital culture. Based on a thorough discussion of key concepts and analytical perspectives, this collection also offers a unique multi-disciplinary contribution that shows how digital cultural policy is hyperconvergent. These policies contain established ideas of cultural policy – such as democratization, welfare, access, and national, protectionist ideas – brought together within a digital framework, while also adding new cultural policy tools and instruments, such as digital standards, international regulations, directives, etc. The book shows how digital cultural policies are works in progress, struggling to align their aspirations with their effectiveness.Overall, this book provides a valuable tool for understanding the current policy framework of digital culture. It will be of interest not only to scholars and students in cultural and creative industries but also to creative professionals and policy makers.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

This book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the visual and performing arts, popular music, the platform economy, and film.The creative economy has been lauded by national and regional governments for its job-creating potential, even though the jobs created might be insecure or poorly paid. This edited collection emerges from a research network examining this contradiction. It gathers empirical material and case studies across European creative sectors to explore how creative work is perceived by both workers and policymakers, and how these understandings shape practical worker support. The volume brings together renowned European experts from cultural sociology, cultural studies, and creative labour research. Combining cross-national writing teams with focused national case studies, it provides comprehensive insights into diverse creative economies across Europe. Addressing the tension between the creative economy's promise and workers' lived experiences, it examines how cultural and economic policies intersect with social inequalities, determining who can access and thrive in creative careers. The research reveals both the challenges facing creative workers and emerging strategies for creating more equitable opportunities. Through analysis of macro-level policy frameworks alongside micro-level worker experiences, this book offers nuanced perspectives and examines the structural factors that shape the conditions of creative work.With insights from renowned European experts, Creative and Cultural Work in Europe will be of value to those studying and researching cultural policy, labour studies, and the creative industries more broadly.

This book is situated in the nexus between technology, labour and politics. The book will, therefore, be of interest to researchers and students in the fields of sociology of work, media studies, cultural studies, gender studies, science and technology studies and Critical Theory as well as to trade-unionists and policy makers.