Bożena Shallcross – författare

In a time of national introspection regarding the country's involvement in the persecution of Jews, Poland has begun to reimagine spaces of and for Jewishness in the Polish landscape, not as a form of nostalgia but as a way to encourage the pluralization of contemporary society. The essays in this book explore issues of the restoration, restitution, memorializing, and tourism that have brought present inhabitants into contact with initiatives to revive Jewish sites. They reveal that an emergent Jewish presence in both urban and rural landscapes exists in conflict and collaboration with other remembered minorities, engaging in complex negotiations with local, regional, national, and international groups and interests. With its emphasis on spaces and built environments, this volume illuminates the role of the material world in the complex encounter with the Jewish past in contemporary Poland.

In a time of national introspection regarding the country's involvement in the persecution of Jews, Poland has begun to reimagine spaces of and for Jewishness in the Polish landscape, not as a form of nostalgia but as a way to encourage the pluralization of contemporary society. The essays in this book explore issues of the restoration, restitution, memorializing, and tourism that have brought present inhabitants into contact with initiatives to revive Jewish sites. They reveal that an emergent Jewish presence in both urban and rural landscapes exists in conflict and collaboration with other remembered minorities, engaging in complex negotiations with local, regional, national, and international groups and interests. With its emphasis on spaces and built environments, this volume illuminates the role of the material world in the complex encounter with the Jewish past in contemporary Poland.

The Jewish inn (żydowska karczma) was a central pillar of economic and social life in Polish lands before the Second World War. While its primary role was to provide hospitality, it also functioned as a multifaceted hub for business, leisure, and religious festivities, reflecting its vital role in the community.In The Jewish Inn: Between Practice and Phantasm, editors Halina Goldberg and Bożena Shallcross present 11 captivating articles that delve into the inn's significance as a symbolic incubator of Jewish cultural possibilities. The collection examines the inn's evolving artistic potential across different eras, genres, media, and analytical perspectives.From exploring the intricate connections between music, dance, and other arts within the inn's spatial arrangement to highlighting the increasing prominence of women in the inn's family dynamics, The Jewish Inn offers a comprehensive and transdisciplinary reevaluation of this crucial institution and stands as a significant and creative contribution to Polish-Jewish studies.

The Jewish inn (żydowska karczma) was a central pillar of economic and social life in Polish lands before the Second World War. While its primary role was to provide hospitality, it also functioned as a multifaceted hub for business, leisure, and religious festivities, reflecting its vital role in the community.In The Jewish Inn: Between Practice and Phantasm, editors Halina Goldberg and Bożena Shallcross present 11 captivating articles that delve into the inn's significance as a symbolic incubator of Jewish cultural possibilities. The collection examines the inn's evolving artistic potential across different eras, genres, media, and analytical perspectives.From exploring the intricate connections between music, dance, and other arts within the inn's spatial arrangement to highlighting the increasing prominence of women in the inn's family dynamics, The Jewish Inn offers a comprehensive and transdisciplinary reevaluation of this crucial institution and stands as a significant and creative contribution to Polish-Jewish studies.

At a time when Poland is emphasizing its distance from Russia, Polish Encounters, Russian Identity points to the historical ties and mutual influences of these two great Slavic peoples. Whether Poland adopted a hostile or a friendly stance toward Russia, the intense responses of Russian thinkers, writers, and political leaders to Poland and to Polish culture shaped Russians' idea of themselves and their place in the world. Countering the recent trend to deny the rich interactions between Russia and Poland, this collection reminds readers that these longstanding, if often difficult, contacts constitute an important and enduring element in the consciousness of the peoples of both countries.The contributors are Manon de Courten, Megan Dixon, Halina Goldberg, Leonid Efremovich Gorizontov, Irina Grudzinska, Beth Holmgren, Judith Deutsch Kornblatt, Matthew Pauly, Nina Perlina, Robert Przygrodski, David L. Ransel, Bożena Shallcross, Barbara Skinner, and Andrzej Walicki.

In stark contrast to the widespread preoccupation with the wartime looting of priceless works of art, Bożena Shallcross focuses on the meaning of ordinary objects—pots, eyeglasses, shoes, clothing, kitchen utensils—tangible vestiges of a once-lived reality, which she reads here as cultural texts. Shallcross delineates the ways in which Holocaust objects are represented in Polish and Polish-Jewish texts written during or shortly after World War II. These representational strategies are distilled from the writings of Zuzanna Ginczanka, Władysław Szlengel, Zofia Nałkowska, Czesław Miłosz, Jerzy Andrzejewski, and Tadeusz Borowski. Combining close readings of selected texts with critical interrogations of a wide range of philosophical and theoretical approaches to the nature of matter, Shallcross's study broadens the current discourse on the Holocaust by embracing humble and overlooked material objects as they were perceived by writers of that time.

As the subject of ideological, aesthetic, and existential manipulations, the Polish home and its representation is an ever-changing phenomenon that absorbs new tendencies and, at the same time, retains its centrality to Polish literature, whether written in Poland or abroad. Framing the Polish Home is a pioneering work that explores the idea of home as fundamental to the question of cultural and national identity within Poland's recent history and its tradition.In this inaugural volume of the Polish and Polish-American Studies Series, the Polish home emerges in its rich verbal and visual representations and multiple material embodiments, as the discussion moves from the loss of the home during wartime to the Sovietized politics of housing and from the exilic strategies of having a home to the the idyllic evocation of the abodes of the past.Although, as Bożena Shallcross notes in her introduction, "few concepts seem to have such universal appeal as the notion of the home," this area of study is still seriously underdeveloped. In essays from sixteen scholars, Framing the Polish Home takes a significant step to correct that oversight, covering a broad range of issues pertinent to the discourse on the home and demonstrating the complexity of the home in Polish literature and culture.

In stark contrast to the widespread preoccupation with the wartime looting of priceless works of art, Bożena Shallcross focuses on the meaning of ordinary objects―pots, eyeglasses, shoes, clothing, kitchen utensils―tangible vestiges of a once-lived reality, which she reads here ascultural texts. Shallcross delineates the ways in which Holocaust objects are represented in Polish and Polish-Jewish texts written during or shortly after World War II. These representational strategies are distilled from the writings of Zuzanna Ginczanka, Władysław Szlengel, Zofia Nałkowska, Czesław Miłosz, Jerzy Andrzejewski, and Tadeusz Borowski. Combining close readings of selected texts with critical interrogations of a wide range of philosophical and theoretical approaches to the nature of matter, Shallcross's study broadens the current discourse on the Holocaust by embracing humble and overlooked material objects as they were perceived by writers of that time.

In stark contrast to the widespread preoccupation with the wartime looting of priceless works of art, Bożena Shallcross focuses on the meaning of ordinary objects―pots, eyeglasses, shoes, clothing, kitchen utensils―tangible vestiges of a once-lived reality, which she reads here ascultural texts. Shallcross delineates the ways in which Holocaust objects are represented in Polish and Polish-Jewish texts written during or shortly after World War II. These representational strategies are distilled from the writings of Zuzanna Ginczanka, Władysław Szlengel, Zofia Nałkowska, Czesław Miłosz, Jerzy Andrzejewski, and Tadeusz Borowski. Combining close readings of selected texts with critical interrogations of a wide range of philosophical and theoretical approaches to the nature of matter, Shallcross''s study broadens the current discourse on the Holocaust by embracing humble and overlooked material objects as they were perceived by writers of that time.