Brad Watson – författare

Did Jesus really beat death? That’s what Christians for hundreds of years have believed, that Jesus Christ returned to life after death and burial in a stone tomb. To the modern mind, “resurrection” is utterly implausible, but it was also doubtful to many first-century Greeks, Jews, and even some Christians. With such an incredible assertion at the heart of the Christian faith, it’s no wonder that some people struggle to believe. Unlike any other book on the resurrection, Raised? encourages you to doubt in order to believe. Too often Christians look down on doubt, but in Christ, we see a person who welcomes doubt and encourages faith. Jonathan Dodson and Brad Watson don’t shy away from the hard questions or settle for easy answers. They help you to see how the resurrection offers hope for the future and answers for the life and death questions we all face. “I encourage Christians and non-Christians alike to read this book. . . . provocative, illuminating, and succinct.”—Eileen Flynn, former religion reporter for Austin American-Statesman and Journalism and religion lecturer at the University of Texas “Wonderfully demonstrates the plausibility of the resurrection of Jesus and the possibilities for a life of hope.”—Sean McDonough, professor of New Testament at Gordon-Conwell Theological Seminary and author of Christ as Creator: Origins of a New Testament Doctrine

Since his award-winning debut collection of stories, Last Days of the Dog-Men, Brad Watson has been expanding the literary traditions of the South, in work as melancholy, witty, strange, and lovely as any in America.Now, drawing on the story of his own great-aunt, Watson explores the life of Miss Jane Chisolm, born in rural, early-twentieth-century Mississippi with a genital birth defect that would stand in the way of the central "uses" for a woman in that time and place: sex and marriage. From the highly erotic world of nature around her to the hard tactile labor of farm life, from the country doctor who befriends her to the boy who loved but was forced to leave her, Miss Jane Chisolm and her world are anything but barren.The potency and implacable cruelty of nature, as well as its beauty, is a trademark of Watson’s fiction. In Miss Jane, the author brings to life a hard, unromantic past that is tinged with the sadness of unattainable loves, yet shot through with a transcendent beauty. Jane Chisolm’s irrepressible vitality and generous spirit give her the strength to live her life as she pleases in spite of the limitations that others, and her own body, would place on her. Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

Winner of the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters and the Great Lakes Colleges Association New Writers Award In prose so precise and beautiful it makes a reader's hair stand on end, Brad Watson writes about people and dogs: dogs as companions, as accomplices, and as unwitting victims of human passions; and people responding to dogs as missing parts of themselves. In each of these stories he captures the animal crannies of the human personality -- yearning for freedom, mourning the loss of something wild, drawn to human connection but also to thoughtless abandon and savagery without judgment. Ultimately, however, people are responsible where dogs are not: "I'm told in medieval times," the narrator of the title story tells us, "animals were regularly put on trial, with witnesses and testimony and so forth. But it is relatively rare today."  Funny, dark, sometimes brutal, and stunning in their perfection of expression, Watson's stories herald the arrival of a true talent.

Brad Watson's first novel was eagerly awaited after his breathtaking, award-winning debut collection of short stories, Last Days of the Dog-Men. In The Heaven of Mercury, Watson fulfills that literary promise with a humorous and jaundiced eye. Finus Bates has loved Birdie Wells since the day he saw her do a naked cartwheel in the woods in 1916. Later he won her at poker, lost her, then nearly won her again after the mysterious poisoning of her womanizing husband. Does Vish, the old medicine woman down in the ravine, hold the key to Birdie's elusive character? Or does Parnell, the town undertaker, whose unspeakable desires bring lust for life and death together? Or does the secret lie with some other colorful old-timer in Mercury, Mississippi, not such a small town anymore? With "graceful, patient, insightful and hilarious" prose (USA Today), Brad Watson chronicles Finus's steadfast devotion and Mercury's evolution from a sleepy backwater to a small city.

In this, his first collection of stories since his celebrated, award-winning Last Days of the Dog-Men, Brad Watson takes us even deeper into the riotous, appalling, and mournful oddity of human beings.In prose so perfectly pitched as to suggest some celestial harmony, he writes about every kind of domestic discord: unruly or distant children, alienated spouses, domestic abuse, loneliness, death, divorce. In his masterful title novella, a freshly married teenaged couple are visited by an unusual pair of inmates from a nearby insane asylum—and find out exactly how mismatched they really are.With exquisite tenderness, Watson relates the brutality of both nature and human nature. There’s no question about it. Brad Watson writes so well—with such an all-seeing, six-dimensional view of human hopes, inadequacies, and rare grace—that he must be an extraterrestrial.

Since his award-winning debut collection of stories, Last Days of the Dog-Men, Brad Watson has been expanding the literary traditions of the South in work as melancholy, witty, strange, and lovely as any in America. Drawing on the true story of his great-aunt, he explores the life of Miss Jane Chisolm, born in rural, early-twentieth-century Mississippi with a genital birth defect that excludes her from the roles traditional for a woman of her time and place and frees her to live her life as she pleases. With irrepressible vitality and generosity of spirit, Miss Jane mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

‘As unexpectedly beguiling as it is affecting’ – Daily MailInspired by the true story of his own great-aunt, Brad Watson tells the story of Miss Jane Chisolm, born in rural, early-twentieth-century Mississippi with a genital birth defect that would stand in the way of the central ‘uses’ for a woman in that time and place - namely, sex and marriage.From the country doctor who adopts Jane to the hard tactile labour of farm life, from the sensual and erotic world of nature around her to the boy who loved but was forced to leave her, the world of Miss Jane Chisolm is anything but barren. Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.‘Watson‘s talent is singular, truly awesome; he reminds me of Raymond Carver, Flannery O‘Connor, Chris Offutt in his bravery, his unflinching willingness to look at what might set others running‘ – A. M. Homes‘Superb . . . Watson . . . has a great heart, and this great heart has made him a great writer‘ – IndependentPart of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature.

“Here is a generous portion of the work of a swiftly passing lifetime. Bountiful is the deserving page,” Joy Williams writes in her introduction to this astonishing selection of Brad Watson’s published and unpublished stories: “excellent, assured, funny, startling, heartbreaking, wild", full of “freakish flair” and “melancholy realism”—stories that give us a “glimpse” of ourselves “so surprising, so varied yet unequivocal, so ruthlessly complete, that it does awaken us in some manner, if not protect or prepare us.”Brad Watson was a master of dark comedy, extraordinary lyricism, appalling grotesquerie and unabashed vulnerability; a sublime prose stylist whose novels and stories drew upon the fecundity and moodiness of the South. Male meltdown, carrying with it the possibility of being saved by Dolly Parton or some other woman or maybe by animal friends, is a theme, as is young love and its disillusionment, as are strange neighbours who cannot be understood. A leopard that consumes its zookeeper, pronghorn antelope tenderly transporting the poop of their young, insufferably articulate birds and restless, tolerant dogs—this is also eco-fiction of a very peculiar sort, in which nature reassures, transcends and finally escapes judging or being judged by us.Roller-coastering from the mournful to the comical (sometimes in the same paragraph), Watson’s work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an under-recognised literary genius.

“Here is a generous portion of the work of a swiftly passing lifetime. Bountiful is the deserving page,” Joy Williams writes in her introduction to this astonishing selection of Brad Watson’s published and unpublished stories: “excellent, assured, funny, startling, heartbreaking, wild,“ full of “freakish flair” and “melancholy realism”—stories that give us a “glimpse” of ourselves “so surprising, so varied yet unequivocal, so ruthlessly complete, that it does awaken us in some manner, if not protect or prepare us.”Brad Watson was a master of dark comedy, extraordinary lyricism, appalling grotesquerie and unabashed vulnerability; a sublime prose stylist whose novels and stories drew upon the fecundity and moodiness of the South.Roller-coastering from the mournful to the comical (sometimes in the same paragraph), Watson’s work is both embedded in a literary heritage tied to place and at home in a universal literature of the absurd. His stories waltz with lovely and strange melancholy, infused with wit and astonishing beauty. There Is Happiness embodies the twisted hilarity and undeniable grace of an under-recognised literary genius.