Brendan Dooley - Böcker

In its various European contexts, the invention and spread of newspapers in the seventeenth century had a profound effect on early modern culture and politics. While recent research has explored the role of the newspaper in transforming information into ideology in various European countries, this book is the first to bring this work together into a comprehensive and comparative survey.

In its various European contexts, the invention and spread of newspapers in the seventeenth century had a profound effect on early modern culture and politics. While recent research has explored the role of the newspaper in transforming information into ideology in various European countries, this book is the first to bring this work together into a comprehensive and comparative survey.

A Mattress Maker’s Daughter richly illuminates the narrative of two people whose mutual affection shaped their own lives and in some ways their times. According to the Renaissance legend, told and retold across the centuries, a woman of questionable reputation bamboozles a middle-aged warrior-prince into marrying her, and the family takes revenge. He is don Giovanni de’ Medici, son of the Florentine grand duke; she is Livia Vernazza, daughter of a Genoese artisan. They live in luxury for a while, far from Florence, and have a child. Then, Giovanni dies, the family pounces upon the inheritance, and Livia is forced to return from riches to rags. Documents, including long-lost love letters, reveal another story behind the legend, suppressed by the family and forgotten. Brendan Dooley investigates this largely untold story, among the various settings where episodes occurred, between Florence, Genoa, Venice.In the course of explaining their improbable liaison and its consequences, A Mattress Maker’s Daughter explores early modern emotions, material culture, heredity, absolutism, and religious tensions at the crux of one of the great transformations in European culture, society, and statecraft. Giovanni and Livia exemplify changing concepts of love and romance, new standards of public and private conduct, and emerging attitudes toward property and legitimacy just as the age of Renaissance humanism gave way to the culture of Counter Reformation and Early Modern Europe.

One year before Galileo's, another trial was the talk of Rome. The city's most notorious astrologer--Orazio Morandi, abbot of the monastery of Santa Prassede--was brought before the governor's court on charges of possessing prohibited books, fortune telling, and political chicanery. His most serious crime was to have predicted the death of Pope Urban VIII and allowed news of this to spread as far as Spain, where cardinals quickly embarked for Italy to attend a conclave that would not occur for fourteen years. The pope, furious at such astrological and political effrontery, personally ordered the criminal inquiry that led to Morandi's arrest, trial, and death in prison, probably by assassination. Based on new evidence, this book chronicles Morandi's fabulous rise and fall against the backdrop of enormous political and cultural turmoil that characterized Italy in the early seventeenth century. It documents a world in which occult knowledge commanded power, reveals widespread libertinism behind monastery walls, and illuminates the arduous metamorphosis of intellectual culture already underway.It also sets the stage for, and lends new understanding to, the trial of Galileo that would follow shortly. The mystery of Morandi concerns the basic compulsion to advance in a status-drenched society and the very nature of knowledge at the birth of science. Told here in colorful detail, Morandi's story is fascinating in its own right. Beyond that, it allows us to glimpse the underside of early modern high society as never before.

How will humanity continue to meet its energy needs without destroying the conditions necessary to sustain human life on earth? The search for an answer to this question depends as much on the past as on the present; and as much on the physical sciences as on the social sciences. This book offers a truly trans-disciplinary and trans-cultural look at the problem of energy production and consumption in modern times. Discussing issues of history, politics, science, risk, lifestyle and representation, contributors demonstrate that experiences through time can provide insights into the kinds of solutions that have succeeded, as well as reasons why other solutions have failed. They also show what different countries and cultures might learn from each other, emphasizing how discoveries in one discipline have inspired new approaches in another discipline. Among many other important conclusions, the book suggests that energy transitions do not occur simply because of the exhaustion of old energy sources, and any solutions to the incipient energy crisis of the 21st century will depend on people's perceptions of science, environment and risk, informed and shaped in turn by the media.

Modern communications allow the instant dissemination of information and images, creating a sensation of virtual presence at events that occur far away. This sensation gives meaning to the notions of 'real time' and of a 'present' that is shared within and among societies”in other words, a sensation of contemporaneity. But how were time and space conceived before modernity? When did this begin to change in Europe? To help answer such questions, this volume looks at the exchange of information and the development of communications networks at the dawn of journalism, when widespread public and private networks first emerged for the transmission of political news. What happened in Prague quickly reached Venice, and what happened in Naples was soon the talk of Hamburg. Gradually, enough became known about daily affairs around Europe for people to begin to think in terms of a 'shared present'. An analysis of contemporaneity adds a new dimension to the study of the origins of news and media history, as well as to the origins of a European identity. For whilst our understanding of the circulation of manuscript newsletters and printed reports has increased in recent years, much less is known about the impact of this burgeoning journalism on a pan-European scale. Each essay in this volume explores the ways in which this international impact helped foster a developing sense of contemporaneity that encompassed not just single countries, but Europe as a whole. Taken together the collection offers the first panoramic view of the way stories were born, grew and matured during their transmission from source to source, from country to country. The results published here suggest that a continent-wide network, including manuscript and print, for the transmission of stories from place to place, existed and was effective.

The regular public transmission of news was one of the great inventions of the Renaissance. This Element, while offering a general account of news in the period, will convey the latest research results concerning the dynamics and significance of this major development. Drivers of change, apart from sheer curiosity, included state officials seeking opportunities, merchants seeking markets, writers seeking jobs. Traditional oral settings for news exchange, in homes, at court, and in public squares, from this period onward would have a constant supply of new topics of conversation originating not only from local occurrences but from far away, and not only from books, pamphlets and private letters, but also from regularly produced news sheets - first handwritten, then printed -covering what were thought to be the major events of the day, with significant effects on widespread ways of thinking and behaving.

The regular public transmission of news was one of the great inventions of the Renaissance. This Element, while offering a general account of news in the period, will convey the latest research results concerning the dynamics and significance of this major development. Drivers of change, apart from sheer curiosity, included state officials seeking opportunities, merchants seeking markets, writers seeking jobs. Traditional oral settings for news exchange, in homes, at court, and in public squares, from this period onward would have a constant supply of new topics of conversation originating not only from local occurrences but from far away, and not only from books, pamphlets and private letters, but also from regularly produced news sheets - first handwritten, then printed -covering what were thought to be the major events of the day, with significant effects on widespread ways of thinking and behaving.

Modern communications allow the instant dissemination of information and images, creating a sensation of virtual presence at events that occur far away. This sensation gives meaning to the notions of 'real time' and of a 'present' that is shared within and among societies”in other words, a sensation of contemporaneity. But how were time and space conceived before modernity? When did this begin to change in Europe? To help answer such questions, this volume looks at the exchange of information and the development of communications networks at the dawn of journalism, when widespread public and private networks first emerged for the transmission of political news. What happened in Prague quickly reached Venice, and what happened in Naples was soon the talk of Hamburg. Gradually, enough became known about daily affairs around Europe for people to begin to think in terms of a 'shared present'. An analysis of contemporaneity adds a new dimension to the study of the origins of news and media history, as well as to the origins of a European identity. For whilst our understanding of the circulation of manuscript newsletters and printed reports has increased in recent years, much less is known about the impact of this burgeoning journalism on a pan-European scale. Each essay in this volume explores the ways in which this international impact helped foster a developing sense of contemporaneity that encompassed not just single countries, but Europe as a whole. Taken together the collection offers the first panoramic view of the way stories were born, grew and matured during their transmission from source to source, from country to country. The results published here suggest that a continent-wide network, including manuscript and print, for the transmission of stories from place to place, existed and was effective.

How will humanity continue to meet its energy needs without destroying the conditions necessary to sustain human life on earth? The search for an answer to this question depends as much on the past as on the present; and as much on the physical sciences as on the social sciences. This book offers a truly trans-disciplinary and trans-cultural look at the problem of energy production and consumption in modern times. Discussing issues of history, politics, science, risk, lifestyle and representation, contributors demonstrate that experiences through time can provide insights into the kinds of solutions that have succeeded, as well as reasons why other solutions have failed. They also show what different countries and cultures might learn from each other, emphasizing how discoveries in one discipline have inspired new approaches in another discipline. Among many other important conclusions, the book suggests that energy transitions do not occur simply because of the exhaustion of old energy sources, and any solutions to the incipient energy crisis of the 21st century will depend on people's perceptions of science, environment and risk, informed and shaped in turn by the media.

Through the lens of a history of material culture mediated by an object, Angelica's Book and the World of Reading in Late Renaissance Italy investigates aspects of women’s lives, culture, ideas and the history of the book in early modern Italy.Inside a badly damaged copy of Straparola’s 16th-century work, Piacevoli Notti, acquired in a Florentine antique shop in 2010, an inscription is found, attributing ownership to a certain Angelica Baldachini. The discovery sets in motion a series of inquiries, deploying knowledge about calligraphy, orthography, linguistics, dialectology and the socio-psychology of writing, to reveal the person behind the name. Focusing as much on the possible owner as upon the thing owned, Angelica’s Book examines the genesis of the Piacevoli Notti and its many editions, including the one in question. The intertwined stories of the book and its owner are set against the backdrop of a Renaissance world, still imperfectly understood, in which literature and reading were subject to regimes of control; and the new information throws aspects of this world into further relief, especially in regard to women’s involvement with reading, books and knowledge. The inquiry yields unexpected insights concerning the logic of accidental discovery, the nature of evidence, and the mission of the humanities in a time of global crisis.Angelica's Book and the World of Reading in Late Renaissance Italy is a thought-provoking read for any scholar of early modern Europe and its culture.

Through the lens of a history of material culture mediated by an object, Angelica's Book and the World of Reading in Late Renaissance Italy investigates aspects of women’s lives, culture, ideas and the history of the book in early modern Italy.Inside a badly damaged copy of Straparola’s 16th-century work, Piacevoli Notti, acquired in a Florentine antique shop in 2010, an inscription is found, attributing ownership to a certain Angelica Baldachini. The discovery sets in motion a series of inquiries, deploying knowledge about calligraphy, orthography, linguistics, dialectology and the socio-psychology of writing, to reveal the person behind the name. Focusing as much on the possible owner as upon the thing owned, Angelica’s Book examines the genesis of the Piacevoli Notti and its many editions, including the one in question. The intertwined stories of the book and its owner are set against the backdrop of a Renaissance world, still imperfectly understood, in which literature and reading were subject to regimes of control; and the new information throws aspects of this world into further relief, especially in regard to women’s involvement with reading, books and knowledge. The inquiry yields unexpected insights concerning the logic of accidental discovery, the nature of evidence, and the mission of the humanities in a time of global crisis.Angelica's Book and the World of Reading in Late Renaissance Italy is a thought-provoking read for any scholar of early modern Europe and its culture.

This volume directs a transdisciplinary gaze on the field of Renaissance Studies as currently practised in Europe, North America and beyond. The concept of the Renaissance as applied to a particular time and place is still regarded as being of central importance to the history of thought and culture. The essays collected here raise the question of the contemporary relevance of the Renaissance. What is the significance of doing Renaissance Studies now, not only in terms of the field per se, but in terms of what the field has to say to contemporary society? In the past, the field of Renaissance Studies has drawn themes and orientations from particular concerns of the moment, without losing its rigorous focus, and has given back crucial insights to those studying it. Could the same be said today? To facilitate a multifaceted answer, this book attempts to cover some of the principal areas of this interdisciplinary field within the humanities and social sciences. Contributors include specialists in history, languages and literatures, the history of science, cultural studies, art history, philosophy, sociology and politics.