Brian Doherty – författare

This book is an urgent and compelling account of the Occupy movements: from the M15 movement in Spain, to the wave of Occupations flooding across cities in American, Europe and Australia, to the harsh reality of evictions as corporations and governments attempted to reassert exclusive control over public space. Across a vast range of international examples over twenty authors analyse, explain and helps us understand the movement. These movements were a novel and noisy intervention into the recent capitalist crisis in developed economies, developing an exceptionally broad identity through a call to arms addressed to ‘the 99%’, and emphasizing the importance of public space in the creation and maintenance of opposition. The novelties of these movements, along with their radical positioning and the urgency of their claims all demand analysis. This book investigates the crucial questions of how and why this form of action spread so rapidly and so widely, how the inclusive discourse of ‘the 99%’ matched up to the reality of the practice. It is vital to understand not just the choice of tactics and the vitality of protest camps in public spaces, but also how the myriad of challenges and problems were negotiated.

This book was published as a special issue of Social Movement Studies.

This book is an urgent and compelling account of the Occupy movements: from the M15 movement in Spain, to the wave of Occupations flooding across cities in American, Europe and Australia, to the harsh reality of evictions as corporations and governments attempted to reassert exclusive control over public space. Across a vast range of international examples over twenty authors analyse, explain and helps us understand the movement. These movements were a novel and noisy intervention into the recent capitalist crisis in developed economies, developing an exceptionally broad identity through a call to arms addressed to ‘the 99%’, and emphasizing the importance of public space in the creation and maintenance of opposition. The novelties of these movements, along with their radical positioning and the urgency of their claims all demand analysis. This book investigates the crucial questions of how and why this form of action spread so rapidly and so widely, how the inclusive discourse of ‘the 99%’ matched up to the reality of the practice. It is vital to understand not just the choice of tactics and the vitality of protest camps in public spaces, but also how the myriad of challenges and problems were negotiated.

This book was published as a special issue of Social Movement Studies.

Globalisation is about transnational politics. While nation-state governments increasingly struggle with this new politics, which moves beneath, between and beyond national borders, others entities like transnational corporations have flourished. But it is not just business which increasingly bypasses these traditional boundaries. Environmental groups are also moving though this transnational space, and their politics are defined by such qualities as fluidity, ambiguity and rapid changes in identity, mission and structure. In this book, the politics of environmental movements are presented as particularly salient examples of these new phenomena.

Drawing on fieldwork from Europe, Asia, America, Africa and the Middle East, the contributors address a range of trans-national processes: efforts to construct common agendas transnationally; the diffusion of new repertoires of environmental protest; the role of environmental groups in the construction of new modes of environmental governance; how neo-liberalism affects local environmental activism; evidence of transnational influences and pressures on environmental politics in repressive regimes; and the dilemmas of defining questions of environmental justice and post-colonial environmental politics without suppressing the differences between environmentalism in different countries.

Globalisation is about transnational politics. While nation-state governments increasingly struggle with this new politics, which moves beneath, between and beyond national borders, others entities like transnational corporations have flourished. But it is not just business which increasingly bypasses these traditional boundaries. Environmental groups are also moving though this transnational space, and their politics are defined by such qualities as fluidity, ambiguity and rapid changes in identity, mission and structure. In this book, the politics of environmental movements are presented as particularly salient examples of these new phenomena.

Drawing on fieldwork from Europe, Asia, America, Africa and the Middle East, the contributors address a range of trans-national processes: efforts to construct common agendas transnationally; the diffusion of new repertoires of environmental protest; the role of environmental groups in the construction of new modes of environmental governance; how neo-liberalism affects local environmental activism; evidence of transnational influences and pressures on environmental politics in repressive regimes; and the dilemmas of defining questions of environmental justice and post-colonial environmental politics without suppressing the differences between environmentalism in different countries.

A complete narrative history of the weird and wonderful world of underground comix

In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture.

Their “comix”—spelled that way to distinguish the work from their dime-store contemporaries—presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips was printed on out-of-date machinery, published in zines and underground newspapers, and distributed in head shops, in porno stores, and on street corners. Comix often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form out of the gutter and into fine-art galleries.

Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse among many others, detailing the complete narrative history of this movement that came to define “cool.” Via dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s and the rivalries, ideological battles, and conflicts that flourished. Dirty Pictures is the essential exploration of a truly American art form that re-contextualized the way people thought about war, race, sex, gender, and expression.