Brian Evenson – författare

A prequel to Dead Space, the novel focuses on the birth of Unitology. In this novel set centuries before the events of the main series, geophysicist Michael Altman investigates an alien artefact called The Black Marker.We have seen the future.A universe cursed with life after death.It all started deep beneath the Yucatan peninsula, where an archaeological discovery took us into a new age, bringing us face-to-face with our origins and destiny.Michael Altman had a theory that no one would hear.It cursed our world for centuries to come.This, at last, is his story.

A prequel to Dead Space, the novel focuses on the Black Marker. This novel set centuries before the events of the main series, elaborates on the lore of the Markers established in Dead Space 2 and 3.Two hundred and fifty years in the future, extinction threatens mankind. Tampering with dangerous technology from the Black Marker-an ancient alien artifact discovered on Earth eighty years earlier- Earthgov hopes to save humanity. But the Marker's influence reanimates corpses into grotesque rampaging nightmares. Steeped in desperation, deceit, and hubris, the history of the Markers reveals our ominous future....Brothers Istvan and Jensi grew up under the poorest dome on Vinduaga. Jensi has always looked after Istvan, who sometimes lashes out in sudden episodes of violent paranoia. When Istvan is sent offworld to a high-security prison, Jensi is determined to follow and find a way to keep his brother safe. But the prison guards a horrible secret, one that will push both brothers to the cusp of something much greater and darker than they ever imagined.

A stuffed bear’s heart beats with the rhythm of a dead baby, Reno keeps receding to the east no matter how far you drive, and in a mine on another planet, the dust won’t stop seeping in. In these stories, Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.Praise for Brian Evenson:"Brian Evenson is one of the treasures of American story writing, a true successor both to the generation of Coover, Barthelme, Hawkes and Co., but also to Edgar Allan Poe." —Jonathan Lethem"One of the most provocative, inventive, and talented writers we have working today." —The Believer"There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson." —George Saunders“Brian Evenson is one of the few who will still be read a hundred years from now: either by our grandchildren, or by the machines who have killed our grandchildren.” —Hobart, “An interview with Brian Evenson”"Packed with enough atrocities to give Thomas Harris pause. . . . Not many writers have the imagination or the audacity to transform what looks like salvation into an utterly original outpost of hell." —Bookforum “Evenson’s writing is something to be read in short intervals, like a good tea that you want to savor to the last drop.” —Twin Cities GeekPraised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice"Brian Evenson has been a finalist for the Edgar Award, the Shirley Jackson Award, and is the World Fantasy Award and the winner of the International Horror Guild Award, the American Library Association's award for Best Horror Novel, and one of Time Out New York's top books.

"Evenson has created a fascinating, mysterious, and austere prose set in scenes that attain the precision of staged burlesque. Through the sparse economy of the plot and settings, Evenson's great moral sensibility is glimpsed behind the carnival mask of apparently frivolous murder."-Seattle WeeklyBrian Evenson has added an O. Henry Award–winning short story, "Two Brothers," to this controversial book and a new afterword, in which he describes the troubling aftermath of the book's publication in 1994.

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

Cormac McCarthy meets The Twilight Zone. A modern-day Hawthorne, Evenson is a writer people will claim they discovered early.A woman falling out of sync with the world, a king’s servant hypnotized by his murderous horse, a transplanted ear with a mind of its own—the characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans struggle to persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity.

"[Evenson's] scary fictional treatment of church hypocrisy has the feeling of a reasoned attack on blind religious obedience."—Publishers Weekly Provost Eldon Fochs may be a sexual criminal. His therapist isn't sure, and his church is determined to protect its reputation. Father of Lies is Brian Evenson's fable of power, paranoia, and the dangers of blind obedience, and a terrifying vision of how far institutions will go to protect themselves against the innocents who may be their victims.

A taut literary thriller investigating the contemporary aftermath of Mormonism’s shrouded and violent past.When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice, and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half-brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual.

CRIMINAL ENTERPRISEby S. D. PerryThomas Chase wakes up from cryosleep to his first day at a new job - as a pilot for a contraband drug company dropping a shipment on Fantasia, a planet hiding an elaborate drug manufacturing operation. Everything from synthetic heroin to MX7 is cooked here, in protected caves guarded by the savage Aliens. When Chase touches down on Fantasia, a chain of events begins that cannot be stopped. As criminals and competitors try to take over the drug empire from the dangerous kingpin, Chase and his brother Pete are caught in the crossfire... with the Aliens adding blood to the mix.NO EXITby B. K. EvensonAfter thirty years of cryosleep, Detective Anders Kramm awakens to a changed world. The Alien threat has been subdued. Company interests dominate universal trade, with powerful men willing to do anything to assure dominance over other worlds.But Kramm has a secret. He knows why the Company killed its top scientists. He knows why the Aliens have been let loose on the surface of a contested planet. He knows that the Company will do everything it can to stop him from telling his secret to the world.Haunted by the brutal murder of his family, Kramm is set adrift amid billion-dollar stakes… with Aliens waiting around every corner.

Hugo Award winning editor and horror legend Ellen Datlow presents this chilling horror anthology of 19 original short stories from a world-class line-up of the masters of horror, delving into the histories and traditions of the spookiest season of the year.Featuring stories by Josh Malerman, Stephen Graham Jones, Garth Nix and many more.Halloween, Samhain, Dia de los Muertos-festivals across the world where we can commune with those we have lost, when spirits can cross over, and when the boundary between the living and the dead is far, far too thin.A young boy encounters a woman with an ancient and terrifying link to the holiday, a group of college students attend a Halloween party to die for, and a troubled girl exploits a local urban legend to try and turn her life around.From America to New Zealand via the rural Romanian wilderness, this anthology explores our worldwide obsession with the spookiest season of the year, when the veil is lifted and the spirits come alive. Featuring 19 original stories from bestselling and award-winning masters of the genre, and from Hugo, World Fantasy, Locus, Bram Stoker and Shirley Jackson award-winning editor and horror legend Ellen Datlow, this anthology invites you to carve a pumpkin, light the lanterns and welcome in trick or treaters from across the world. With stories by:Josh MalermanLee MurrayRich LarsonClay McLeod ChapmanLivia LlewellynMichael Marshall SmithStephen Graham JonesLinda D. AddisonChristopher GoldenAlma KatsuBrian EvensonSiobhan CarrollChikodili EmelumaduTheresa DeLucciGarth NixJeffrey FordRichard KadreyNathan BallingrudJohn Langan

In The Deaths of Henry King, the hapless Henry King, as advertised, dies. Not just once or even twice, but seven dozen times, each death making way for a new demise, moving from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré’s macabre, gravestone-rubbing-style art, Henry King’s ends are brought to a vividly absurd life.Brian Evenson is the author of a dozen books of fiction, most recently the story collection Windeye and the novel Immobility (both finalists for a Shirley Jackson Award). His novel Last Days won the ALA’s RUSA award for Best Horror Novel of 2009. His novel The Open Curtain was a finalist for an Edgar Award and an International Horror Guild Award. He lives in Providence, RI, where he teaches in Brown University’s literary arts department.Jesse Ball is the author of five novels, including the forthcoming A Cure for Suicide (Pantheon, 2015), Silence Once Begun, and several others. He has received numerous awards, including a 2014 NEA Creative Writing Fellowship and the 2008 The Paris Review’s Plimpton Prize. He gives classes on lucid dreaming and lying in the SAIC’s MFA Writing program.Lilli Carré is an artist living in Chicago. She has created several books of comics, including Heads or Tails (Fantagraphics), and her first children’s book, Tippy and the Night Parade (Toon Books). Her work has appeared in The New Yorker, The New York Times, and Best American Comics.