Brian Horowitz – författare

Vladimir Jabotinsky’s famous autobiography, published in English for the first time.

Vladimir Jabotinsky is well remembered as a militant leader and father of the right-wing Revisionist Zionist movement, but he was also a Russian-Jewish intellectual, talented fiction writer, journalist, playwright, and translator of poetry into Russian and Hebrew. His autobiography, Sippur yamai, Story of My Life—written in Hebrew and published in Tel Aviv in 1936—gives a more nuanced picture of Jabotinsky than his popular image, but it was never published in English. In Vladimir Jabotinsky’sStory of My Life, editors Brian Horowitz and Leonid Katsis present this much-needed translation for the first time, based on a rough draft of an English version that was discovered in Jabotinsky’s archive at the Jabotinsky Institute in Tel Aviv.

Jabotinsky’s volume mixes true events with myth as he offers a portrait of himself from his birth in 1880 until just after the outbreak of World War I. He describes his personal development during childhood and early adult years in Odessa, Rome, St. Petersburg, Vienna, and Istanbul, during Russia’s Silver Age, a period known for spiritual searching, but also political violence, radicalism, and pogroms. He tells of his escape to Rome as a youth, his return to Odessa, and his eventual adoption of Zionism. He also depicts struggles with rivals and colleagues in both politics and journalism. The editors introduce the full text of the autobiography by discussing Jabotinsky’s life, legacy, and writings in depth.

As Jabotinsky is gaining a reputation for the quality of his fictional and semi-fictional writing in the field of Israel studies, this autobiography will help reading groups and students of Zionism, Jewish history, and political studies to gain a more complete picture of this famous leader.

Translated for the first time in English, Lev Levanda''s brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia''s best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration. 

Translated for the first time in English, Lev Levanda''s brilliant coming-of-age story of Russian Jewish students on the cusp of modernity in their struggle against religious chauvinism and an oppressive government.

Despite being Russia''s best Jewish writer of the nineteenth century, Lev Levanda (1835–1888) is barely known in the English-speaking world, with some of his most famous works, like the 1873 novel Seething Times, having yet to be published in their entirety. Another such work is An Amateur Performance (Reminiscences of a Student in the 1850s), which appears here in English for the first time, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. A classic in Russian-Jewish literature from 1882, An Amateur Performance describes the rush by Jews to government schools, secular education, and the lights of enlightenment, while also revealing the struggles of these Jewish students on the cusp of modernity, including keen observations on their lack of preparation, their confusion over the new ideas, and their confrontation with the repressive power of the Russian government. In short, it’s a brilliant sociological study of Russian Jewry in the 1850s as remembered by a writer who fought for progress and Jewish integration.