Brian McGrath – författare

The Routledge Handbook of Community Development explores community development theory and practice across the world. The book provides perspectives about community development as an interactive, relevant and sometimes contradictory way to address issues impacting the human condition. It promotes better understanding of the complexities and challenges in identifying, designing, implementing and evaluating community development constructs, applications and interventions. This edited volume discusses how community development is conceptualized as an approach, method or profession. Themes provide the scope of the book, with projects, issues or perspectives presented in each of these areas.This handbook provides invaluable contextualized insights on the theory and practice of community development around core themes relevant in society. Each chapter explores and presents an issue, perspectives, project or case in the thematic areas, with regional and country context included. It is a must-read for students and researchers working in community development, planning and human geography and an essential reference for any professional engaged in community development.

Will cities exist in the next century? Or will everywhere be urban? Contemporary communication and transportation networks allow for greater urban dispersal, yet cities continue to centralise great densities of activities and innovations. What form will the 21st century city take? And what role will architects and urban designers take in shaping the future form of the city? The sensing of the city -- remotely and up close -- addresses an immense variety of issues, relating to the problems and complexities of contemporary and future urban design. Pulls together work by architects and urban designers at the forefront in their utilisation of remote sensing and telecommunications tools.Provides concise and accessible information on new scientific theories and technologies for a general architecture and urban design professional and student readershipFeatures spectacular satellite and night-time light imageryIncludes critical discussion on the politics of mass media and urban morphogenesis -- who will be the actors in shaping and designing the future of cities?It will have an interdisciplinary appeal - of interest to a wider audience of urban studies and future studies in general.

This is the first textbook for architectural drawing with the computer that is based on understanding how digital drawing fundamentally differs from drawing with lead pencils on drafting boards. Cinemetrics: Architectural Drawing Today demonstrates a cinematically-inspired, cybernetically imaged, architectural drawing system for thinking about architecture as embedded in relationships within the world at large. It opens up the possibility of inventing new ways of building as framing flowing matter in order to live a philosophy of ?newness?. The authors, who have for fifteen years collaborated in teaching architectural students, link the architectural drawing text with research in the expanded field of architecture, which includes neurology, biology, ecology, physics, sustainability and philosophy. The book is written in an accessible and direct tone. Providing both an understanding of the visual perception behind drawing and practical exercises, it is set to become the key text book on the subject at both undergraduate and graduate level. It is highly illustrated with black and white diagrams and drawings.

While there is a rich array of urban theory, design, and representation books available, there is currently no book which brings together, in a single volume, urban design theory and new digital technologies in urban information mapping, modeling, and 3D simulation. Based on two decades of practicing and teaching architecture, author Brian McGrath's Digital Modelling for Urban Design explores the new theories and technologies of digital modelling, focusing on how to create moving and interactive 3D drawing, skills useful in the context of urban theory, and design and representation. Fully illustrated with original maps, 3D models, and drawings and photographs, this innovative work introduces digital modelling to students, architects, designers, and planners interested in the processes key to shaping the urban environment.

While there is a rich array of urban theory, design, and representation books available, there is currently no book which brings together, in a single volume, urban design theory and new digital technologies in urban information mapping, modeling, and 3D simulation. Based on two decades of practicing and teaching architecture, author Brian McGrath's Digital Modelling for Urban Design explores the new theories and technologies of digital modelling, focusing on how to create moving and interactive 3D drawing, skills useful in the context of urban theory, and design and representation. Fully illustrated with original maps, 3D models, and drawings and photographs, this innovative work introduces digital modelling to students, architects, designers, and planners interested in the processes key to shaping the urban environment.

The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change. With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow.  Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Viganò. Topics range from the European historic city to the Las Vegas Strip and the megacity of São Paulo, taking in the global sustainable city.

The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change. Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time. This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change. With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity. These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow.  Features original texts from: Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour. Contains newly commissioned texts from: Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope. Includes new translations of important essays by Vittorio Gregotti and Paola Viganò. Topics range from the European historic city to the Las Vegas Strip and the megacity of São Paulo, taking in the global sustainable city.

Poems—specifically romantic poems, such as those by Thomas Gray, William Wordsworth, and John Keats—link what goes unremembered in our reading to ethics. In ""Tintern Abbey,"" for example, Wordsworth finds in ""little . . . unremembered . . . acts"" the chance to hear the ""still, sad music of humanity.""In The Poetics of Unremembered Acts, Brian McGrath shows that poetry’s capacity to address its reader stages an ethical dilemma of continued importance. Situating romantic poems in relation to Enlightenment debate over how to teach reading, specifically debate about the role of poetry in the process of learning to read, The Poetics of Unremembered Acts develops an alternative understanding of poetry’s role in education. McGrath also explores the ways poetry makes ethics possible through its capacity to pass along what we do not remember and cannot know about our reading.

Poetry is dead. Poetry is all around us. Both are trite truisms that this book exploits and challenges.In his 1798 Advertisement to Lyrical Ballads, William Wordsworth anticipates that readers accustomed to the poetic norms of the day might not recognize his experiments as poems and might signal their awkward confusion upon opening the book by looking round for poetry, as if seeking it elsewhere. Look Round for Poetry transforms Wordsworth's idiomatic expression into a methodological charge. By placing tropes and figures common to Romantic and Post-Romantic poems in conjunction with contemporary economic, technological, and political discourse, Look Round for Poetry identifies poetry's untimely echoes in discourses not always read as poetry or not always read poetically.Once one begins looking round for poetry, McGrath insists, one might discover it in some surprising contexts. In chapters that spring from poems by Wordsworth, Lucille Clifton, John Keats, and Percy Bysshe Shelley, McGrath reads poetic examples of understatement alongside market demands for more; the downturned brow as a figure for economic catastrophe; Romantic cloud metaphors alongside the rhetoric of cloud computing; the election of the dead as a poetical, and not just a political, act; and poetic investigations into the power of prepositions as theories of political assembly.For poetry to retain a vital power, McGrath argues, we need to become ignorant of what we think we mean by it. In the process we may discover critical vocabularies that engage the complexity of social life all around us.

Poetry is dead. Poetry is all around us. Both are trite truisms that this book exploits and challenges.In his 1798 Advertisement to Lyrical Ballads, William Wordsworth anticipates that readers accustomed to the poetic norms of the day might not recognize his experiments as poems and might signal their awkward confusion upon opening the book by looking round for poetry, as if seeking it elsewhere. Look Round for Poetry transforms Wordsworth's idiomatic expression into a methodological charge. By placing tropes and figures common to Romantic and Post-Romantic poems in conjunction with contemporary economic, technological, and political discourse, Look Round for Poetry identifies poetry's untimely echoes in discourses not always read as poetry or not always read poetically.Once one begins looking round for poetry, McGrath insists, one might discover it in some surprising contexts. In chapters that spring from poems by Wordsworth, Lucille Clifton, John Keats, and Percy Bysshe Shelley, McGrath reads poetic examples of understatement alongside market demands for more; the downturned brow as a figure for economic catastrophe; Romantic cloud metaphors alongside the rhetoric of cloud computing; the election of the dead as a poetical, and not just a political, act; and poetic investigations into the power of prepositions as theories of political assembly.For poetry to retain a vital power, McGrath argues, we need to become ignorant of what we think we mean by it. In the process we may discover critical vocabularies that engage the complexity of social life all around us.

The Routledge Handbook of Community Development explores community development theory and practice across the world. The book provides perspectives about community development as an interactive, relevant and sometimes contradictory way to address issues impacting the human condition. It promotes better understanding of the complexities and challenges in identifying, designing, implementing and evaluating community development constructs, applications and interventions. This edited volume discusses how community development is conceptualized as an approach, method or profession. Themes provide the scope of the book, with projects, issues or perspectives presented in each of these areas.This handbook provides invaluable contextualized insights on the theory and practice of community development around core themes relevant in society. Each chapter explores and presents an issue, perspectives, project or case in the thematic areas, with regional and country context included. It is a must-read for students and researchers working in community development, planning and human geography and an essential reference for any professional engaged in community development.

This high-interest biography examines the life of Alexander, Kwame, the author of The Crossover. From his birth in 1968 to winning the Newbery Medal in 2015, students will read about the people and places that influenced his life and career, and will be encouraged to follow their dreams as they are engaged in reading. Developed by Rasinski, Timothy and featuring TIME content, this full-color nonfiction book includes essential text features like an index, captions, glossary, and table of contents. The intriguing sidebars, detailed images, and in-depth Reader's Guide require students to connect back to the text and promote multiple readings. The Think Link and Dig Deeper! sections develop students' higher-order thinking skills, and the Check It Out! section includes suggested books, videos, and websites for further reading. Aligned with state standards, this text features complex and rigorous content appropriate for students preparing for college and career readiness.

Holocaust and Hope shows one of our preeminent critics grappling with a subject to which he had returned for decades: literary, cultural, political, and historiographical implications of the Holocaust and its aftermath in Europe and America. In his last planned book, Geoffrey Hartman confronts contradictions that pose a challenge for our present and future. The passing of Holocaust survivors and their immediate families makes continued acts of witnessing more necessary even as distance in time makes the identities and acts of future witnessing more complicated. In addition, the particular kinds of amplification that we may be accustomed to or expect from our contemporary media environment can call forth not an intensity of response but rather an inertia, an "unreality effect," that can come unexpectedly from the heightening of the real, or the hyperreality of too much, too fast, too strong.Holocaust and Hope takes seriously the difference between our coming after Auschwitz and our being past it. With characteristic intensity and humanity, Hartman's essays explore the full complexity of how to transmit knowledge of the Holocaust to the future in ways that avoid simplification, the illusion of synthesis, or the aspiration to final closure, on the one hand, or compulsive repetition on the other. A significant part of the answer, for Hartman, requires special attention to the role of literary and audiovisual forms in promoting an active witnessing to extreme suffering that is relevant both for our time and the encroaching future.

Holocaust and Hope shows one of our preeminent critics grappling with a subject to which he had returned for decades: literary, cultural, political, and historiographical implications of the Holocaust and its aftermath in Europe and America. In his last planned book, Geoffrey Hartman confronts contradictions that pose a challenge for our present and future. The passing of Holocaust survivors and their immediate families makes continued acts of witnessing more necessary even as distance in time makes the identities and acts of future witnessing more complicated. In addition, the particular kinds of amplification that we may be accustomed to or expect from our contemporary media environment can call forth not an intensity of response but rather an inertia, an "unreality effect," that can come unexpectedly from the heightening of the real, or the hyperreality of too much, too fast, too strong.Holocaust and Hope takes seriously the difference between our coming after Auschwitz and our being past it. With characteristic intensity and humanity, Hartman's essays explore the full complexity of how to transmit knowledge of the Holocaust to the future in ways that avoid simplification, the illusion of synthesis, or the aspiration to final closure, on the one hand, or compulsive repetition on the other. A significant part of the answer, for Hartman, requires special attention to the role of literary and audiovisual forms in promoting an active witnessing to extreme suffering that is relevant both for our time and the encroaching future.

The contributors to this volume propose strategies of urgent and vital importance that aim to make today’s urban environments more resilient. Resilience, the ability of complex systems to adapt to changing conditions, is a key frontier in ecological research and is especially relevant in creative urban design, as urban areas exemplify complex systems. With something approaching half of the world’s population now residing in coastal urban zones, many of which are vulnerable both to floods originating inland and rising sea levels, making urban areas more robust in the face of environmental threats must be a policy ambition of the highest priority.The complexity of urban areas results from their spatial heterogeneity, their intertwined material and energy fluxes, and the integration of social and natural processes. All of these features can be altered by intentional planning and design. The complex, integrated suite of urban structures and processes together affect the adaptive resilience of urban systems, but also presupposes that planners can intervene in positive ways. As examples accumulate of linkage between sustainability and building/landscape design, such as the Shanghai Chemical Industrial Park and Toronto’s Lower Don River area, this book unites the ideas, data, and insights of ecologists and related scientists with those of urban designers. It aims to integrate a formerly atomized dialog to help both disciplines promote urban resilience.