Brian Russell Graham – författare

Using a framework based on J. L. Austin’s understanding of performative speech and Angela Esterhammer’s work on how things are done with words in Milton’s and Blake’s poetry, this study provides an extended close reading of the speech acts of characters in Blake’s epic poem Milton. With the exception of what we learn about in the part of the poem known as the Bard’s Song, Blake’s Milton is dedicated to providing an incredibly detailed account of the numerous facets of the instant of time immediately prior to apocalypse, an instant in which Milton is the protagonist, and Blake himself a participant. This study explores how in the poem sacred history proceeds towards and through the instant by means of the speech act. This extended commentary is intended for not just Blake scholars but also the common reader who wishes to approach Blake’s brief epic for the first time. For scholars, this monograph offers a full account of a crucial but previously unexplored theme in the scholarship about Milton. For the common reader, it offers a comprehensive introduction to what Northrop Frye called ‘one of the most gigantic imaginative achievements in English poetry’.

Using a framework based on J. L. Austin’s understanding of performative speech and Angela Esterhammer’s work on how things are done with words in Milton’s and Blake’s poetry, this study provides an extended close reading of the speech acts of characters in Blake’s epic poem Milton. With the exception of what we learn about in the part of the poem known as the Bard’s Song, Blake’s Milton is dedicated to providing an incredibly detailed account of the numerous facets of the instant of time immediately prior to apocalypse, an instant in which Milton is the protagonist, and Blake himself a participant. This study explores how in the poem sacred history proceeds towards and through the instant by means of the speech act. This extended commentary is intended for not just Blake scholars but also the common reader who wishes to approach Blake’s brief epic for the first time. For scholars, this monograph offers a full account of a crucial but previously unexplored theme in the scholarship about Milton. For the common reader, it offers a comprehensive introduction to what Northrop Frye called ‘one of the most gigantic imaginative achievements in English poetry’.

In the United Kingdom, the notion of a common culture has always been suggestive of a national culture which is accessible to all and provides various kinds of benefits to all, including participation in national cultural life. Brian Russell Graham's exploration of the theme aims to clarify how we might define common culture in the twenty-first century, and offers a perspective on specific benefits of such a shared culture. Common culture can generate a sense of inclusive national identity, he argues. Additionally, it can even out differences in our so-called ‘cultural capital’ – it can make people more equal in terms of their cultural lives.

In Roman religion, Terminus was an agrarian god who protected boundary markers. Stones were often used to provide an effective means for marking these boundaries, although a stump or a tree sometimes served to demarcate adjacent properties. The need to demarcate boundaries and define ends continues to shape our way of thinking at the most fundamental level. The articles in this book investigate among other things developments in literature, film, historiography and new digital entertainment to see how they reflect cultural anxieties about 'the end' and/or how they are determined by the need to mark boundaries. The contributions in the present volume are organised so that they reflect thematic, national and chronological perspectives. But they also show that it is possible to identify several threads of continuity in the way that 'the end' has been conceptualised. A collection of essays on terminus is to make a beginning. By examining ideas of culmination, conclusion, closure, finale and termination from the perspective of a number of various genres, cultural formations and historical contexts, the purpose is to discuss how endings are carriers of meaning in social and cultural contexts.